“The Winslows Take New Orleans” a short story by Mary Liza Hartong

February 26th, 2024

.

.

“The Winslows Take New Orleans” was a short-listed entry in our recently concluded 64th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

photo by Thomas Leuthard/via Wikimedia Commons/CC BY 2.0 DEED

photo by Thomas Leuthard/Wikimedia Commons

,

The Winslows Take New Orleans

by Mary Liza Hartong

.

…..Uncle Cheapskate and Aunt Whiner show up on your doorstep every December in the short breath between Thanksgiving and Christmas because they find day-of holiday travel exhausting, not to mention expensive. They don’t “do” presents. They won’t watch anyone’s baby. They are quite often “too old for this.” Their marriage has been bereft of children but rife with adventure. They’ve met Billy Joel. They’ve slept in the White House. They’ve seen the Louvre, which was “a dump.” Meanwhile, the all-you-can-eat Chinese buffet off the interstate is “marvelous” and “you must try it.” They are two people who knew you when you were “this little.”

…..No matter the weather, Uncle Cheapskate and Aunt Whiner always arrive with two checked bags, a geriatric shih-tzu, and huge, petulant appetites that demand to be sated immediately. While it is “so good to see you,” they are also “starving” because they “didn’t have lunch.” They want to know if the Cheesecake Factory is nearby. They have a coupon. You offer them a snack for the car—pretzels, an apple, a peanut butter sandwich—but Aunt Whiner insists on getting to the restaurant before it “gets crowded.”

…..The shih-tzu, whose name you are in trouble for forgetting, is “perfectly fine by himself.” Just remember to leave the TV on for him. Animal Planet. Volume up. Aunt Whiner doesn’t wait until you are seated to ask about your love life, instead ambushing you in the parking lot. She wonders if you’ve “met a nice man” and if you “ever will” with “those split ends.” She has a homosexual stylist she adores. Maybe he will move down here. They’re all flying south. Uncle Cheapskate agrees. You “should see the skimpy bathing suits” at Key West these days. Abominable. It used to be a “family place” and now, “yeesh.” You are “welcome anytime” at their beach house, but only if you promise not to leave it “looking like a pig sty” like your little sister did last summer. Do you hear from Marion often?

…..Make sure to “get a load of the tush on that one” as the waitress walks away. Sip your Diet Coke, but don’t slurp. So? Is Marion “adjusting”? You say you two aren’t that close anymore, but that she seems to be doing well. She likes her classes, you think. Uncle Cheapskate wishes someone would tell her to get her head out of the clouds. Forget this painting nonsense. Do you have her email address? He wants to send her an “interesting article” he found on Facebook. Aunt Whiner wants to know if “anybody else is freezing” because “it’s always cold in here.” Next time “bring a sweater, will you?” She brought a whole suitcase of them. Don’t start with her. You know, she thinks of you two “like her own children.” She remembers when you were born, how she was working as a secretary for Richard Roberts—you remember him, tall, crooked nose, heck of a golfer—who let her take the rest of the day off to go and meet your mother at the hospital. A real “class act” he was. You looked just like Aunt Whiner when you were born. Nothing like your father’s side of the family. How’s your Uncle Tightwad “holding up” by the way? Always liked him. Always saw eye to eye. The waitress brings the wrong appetizer proving once again that “service these days” has “gone down the crapper.”

…..They “have to be honest.” Aunt Whiner and Uncle Cheapskate “never see you.” Neither does Grandpa, who “only has so many good years left.” While they understand that divorce can be hard on children, this is “no excuse” for neglecting those who matter most. Promise them you will come for Easter. And Grandpa’s birthday. And their next-door neighbors, the Bennings, do a fantastic Summer Solstice potluck. You should stop by if you can. They understand that you’re busy, though without a boyfriend “how busy can you really be?”

…..The shih-tzu sleeps with “mommy and daddy” in your bed while you wrestle with the air mattress. You think of calling Marion, but “long distance costs a fortune.” Besides, she’s probably asleep in the crook of someone’s shoulder or working late in the studio. Uncle Cheapskate forgot “that damn contraption” so his snores pour, operatic, through the apartment all night. By the time you find Aunt Whiner poking around the kitchen the next morning you look like the walking dead. Not to worry. It’s “nothing a little makeup can’t fix.” You ask if you can make them some eggs. A bowl of cereal? No, no, “just a hot cup of Joe” for Uncle Cheapskate, and the dog will have the chicken breast you were saving for later. At their age they’re no longer interested in breakfast. You secretly hope you never lose interest in breakfast.

…..They’ve “done” the French Quarter a thousand times, so you take them to the casino instead. Uncle Cheapskate asks if they offer a discount to Veterans. He “is, too!” a Veteran. What the hell do you call this? The scar from his golf cart accident gets you through the doors. Aunt Whiner loves the way they’ve decorated this place, “so New Orleans!” But have you seen the bathrooms? “Filthy.” Uncle Cheapskate wins ten dollars, loses twenty, and wins fifty. Time to “hit the road” and “grab a bite” before his blood sugar tanks. You ask “how about this place?” half a dozen times before they point to the first restaurant you suggested and tell you it looks like their kind of spot. They love live music. Your uncle used to play the saxophone when they first met. He wasn’t allowed in the all-girls dormitory so he’d stand outside and play “Moon River” until one of the dusty old dorm mothers would scuttle out in her robe and tell him to “get lost, pal.” Back then Aunt Whiner felt like anything could happen. Does she still? Uncle Cheapskate takes a whopping bite of his muffuletta sandwich that spews chopped olives across the table and onto her lap. She plucks one into her mouth and says “clearly!” Aunt Whiner hopes you will find someone who “keeps life interesting.”

…..Before you know it, Sunday rolls around. Your guests would love to stay another week and “really see the sights” but they have to get back to their routine, their house plants, their regular bowel movements. The water down here “just doesn’t agree” with them. Uncle Cheapskate slips you a five-dollar bill “for emergencies” as he hauls the suitcases into the car and Aunt Whiner bursts into a hurricane of tears. You “mean the world” to her, don’t you know? She’s just an old fuddy duddy, but she’s always there for you. And she really will send you the samples she gets with her Lancôme order this month. You could use the help. “Wrap it up” Uncle Cheapskate reminds everyone, due to the fact that you’re “burning daylight.” What, she can’t share a nice moment with her niece? Not when they’ve got a flight to catch. Alright, already. Goodbye, sweetheart, they will “see you soon.” For two people who cleaned out your fridge and left the tap on, their absence leaves a bigger hole than you’d imagine. It happens every year. Still, you let them come.

…..That night, as you microwave a “Family Size” lasagna, you take a chance and call Marion. By some small miracle, she picks up. No, she wasn’t doing anything. What’s new? You tell her all about the visit. The waitress with the ample backside and the sound of snoring and the little bits of olive spewed across the table. Marion wishes she were there. It’s “been too long” she laments at the sound of the deflating air mattress, to which you have to agree. If you’ll still have her, she’d love to come down for a few nights. You’ll pick her up at the airport, right? Sure. Why not? “What are sisters for?”

.

.

___

.

.


Mary Liza Hartong lives and writes in her hometown of Nashville, Tennessee. She’s a Dartmouth grad, a Fulbright Scholar, and a proud member of the queer community. Her first novel is  Love and Hot Chicken  (William Morrow).

.

___

.

.

Click here to read “The Old Casino,” J.B. Marlow’s winning story in the 64th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 65th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

The Sunday Poem


“The Köln Concert,” by Martin Agee


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Martin Agee reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

Sax in a Blue Suit by Samuel Dixon
21 jazz poems on the 21st of March, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Playlist

“Sextets: The Joy of Six” – a playlist by Bob Hecht...The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section. Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s two-hour playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Art

Photo of Joe Lovano by Giovanni Piesco
The Photographs of Giovanni Piesco: Joe Lovano...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 11: “Chick” and “Hen” Lit...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 11th edition, Rife writes about the “chicks” (energetic women, attractive, and open to experience) and “hens” (older women who have either buried or lost a loved one, and who seem content with their lives) who are at the center of stories with jazz within its theme.

Interview

photo by Carl Van Vechten, Library of Congress
A Black History Month Profile: The legendary author Richard Wright...In a 2002 Jerry Jazz Musician interview, Richard Wright biographer Hazel Rowley discusses the life and times of legendary author Richard Wright, whose work included the novels Native Son andBlack Boy

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Feature

Trading Fours, with Douglas Cole, No. 23: “The Wave”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Feature

photo of Lester Young by William Gottlieb/Library of Congress
Jazz History Quiz #179...Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to “Prez,” Lester Young (pictured). Who was he?

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Are Jazz-Hop Instrumentals Jazz?” – an observation (and playlist) by Anthony David Vernon...Google “what is jazz-hop?” and the AI overview describes it is “a subgenre of hip-hop that combines jazz and hip-hop music. It developed in the late 1980s and early 1990s.” In Mr. Vernon’s observation, he makes the case that it is also a subgenre of jazz.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Short Fiction

photo via PxHere
“The Magic” – a story by Mark Bruce...Most bands know how to make music. They learn to play together so that it sounds good and maybe even get some gigs. Most bands know that you have your chord progressions and your 4/4 beat and your verses and bridges. Some bands even have a guy (or a woman, like Chrissy Hynde) who writes songs. So what gives some bands the leg up into the Top 40?

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.