“Bashert” – a short story by Diane Lederman

November 7th, 2023

.

.

“Bashert,” a short story by Diane Lederman, was a short-listed entry in our recently concluded 63rd Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

Army, Navy Marine Corps. All Booming.
Enlistments in Boston are Pleasing to officers
Enlistments for the Army, Navy and Marine Corps Boston continues with unabated
enthusiasm and enlistment officers are hopeful of surpassing their great record of last week.

.

Boston Globe March 30, 1917.

.

.

House By 373 too 50 Votes for War
Pacifists Show unexpected strength when Democratic Leader Kitchin Makes Eloquent Speech Against War Republican Mann Warmly Supports President – Great War Budget Sent to Congress From White House – $3,000,000,000 to be spent in Building Up Army – Vast Preparations of Conflict Pushed Rapidly
Action followed 17 hours of continuous debate, during which party lines were obliterated.  The Senate passed the resolution yesterday. The President will sign it today.

.

Boston Globe April 6, 1917

.

.

Conscription Wins in Senate and House
Both Branches of Congress Vote Down Volunteer Plan by Overwhelming Majorities and Pass Bill to Raise Big Army
Both Houses raise minimum age to 21 – House Would Include Men up to 40

.

Boston Globe April 28, 1917

.

.

___

.

.

 

Mary Pickford, 1918/trialsanderrors, CC BY 2.0 , via Wikimedia Commons

.

.

Bashert

by Diane Lederman.

.

…..Jonas Orenberg had never been to Jordan Hall, never been to a real concert, but the two-color poster caught his eye as he passed the Boylston Street Cafe last night. Buying a ticket to benefit the Jewish home for children was bashert – his destiny.

…..So, this morning, he shaved carefully, dressed in his light gray flannel suit he wore only on special occasions – and bought a ticket for $2. He could spare it now. He had managed to save $25 collected in a sock without holes and would soon be earning $30 a month without worry of rent or rations.

…..Jonas had lived in the Jewish orphanage for six years, waiting and hoping his father would return to take him home. But that became a pipe dream, and he stayed until he turned sixteen, finishing high school a year early.

…..Since leaving last year, he earned money running errands for a music publisher, delivering messages for a newspaper, resetting pins in a bowling alley, and was learning the shoe business, a job he was only too eager to leave for the army. He didn’t care for the factory smell or the managers who seemed to have eyes like magnets on the laborers, watching for any mistake or idle moment. He didn’t think he was a man with a temper but was afraid he might acquire one if he stayed long enough.

…..And now a different kind of job, a new place to live. Tomorrow, he was departing for Camp Devens to become a soldier, then hopefully soon to France. It seemed one thing in his life led to the next and that seemed all right, something he was used to and now expected. He just had to gain a little weight. He was just on the edge of being too slight for his five-foot seven-inch frame. He wasn’t ill he explained to the doctor who squinted in thought after taking Jonas’ measurements. “Still growing.”

…..Traveling to France, from all he read in the papers, would be a great adventure. Soldiers there seemed happy enough. Three fellows he knew from the West End House had enlisted as well and perhaps he’d be in the same unit or others from the club that in way became a family for him.

…..Jonas was hoping money raised from the concert this afternoon would help youngsters when it came time to leave the orphanage. He was so anxious before he left, he couldn’t eat for two days. He was given money for a week’s lodging and food but having a month’s help would have eased his worry.

…..Gazing at the crowd in the concert hall, he guessed maybe three or four hundred were here. Seeing the jewels, pearls, and pendants, and what looked like diamonds on fingers and ears, this was a wealthy group and likely contributed more for their tickets than he paid. The orphanage should raise a considerable sum.

…..Pulling at his collar, a little too starched for his liking, he hoped he didn’t look out of place.

…..Then he saw her.

…..As Miss Clara Ecker almost glided from the wings of the stage to the grand piano, Jonas understood even more why fate had beckoned him. Clad in a navy-blue dress hugging her slim body with a low white collar revealing a swan-like neck, she was the most beautiful woman he had ever seen. And this was with his eyes from the rear, not up front where he’d be privy to a grander view.

…..But he was cautious taking a seat. Not knowing the pieces by Bach and Chopin, and songs titled in French that she would be performing, he wasn’t sure he would like the music. From the auditorium’s rear, he reasoned he could slip out without fuss if the music was unpleasant or harsh. He would not leave now no matter; her fingers would never play anything discordant.

…..The hall went silent as Miss Ecker sat. She had no music before her and gazed at her hands as if asking if they were ready to play. Then she started. Her fingers seemed to caress each key, rather than strike them.

…..Jonas loosened his tie and leaned forward, breathing deeply with each crescendo. The music was speaking just to him, he was sure of it. She was exquisite – she and the piano one.  Time moved but didn’t at the same time.

…..Then in his mind, he saw it – the piano in his tenement when he was young. It was mahogany and small, and his mother played such beautiful music. The notes Miss Ecker struck called the memory to him. His mother had been sick for years, racked in pain from tuberculosis that made it hard for her to breathe but still she played every day. He would sit by her feet, watching as they touched the pedals, feeling the vibration from the keys above. His mother would ruffle his hair when she finished and in Yiddish tell him meyn sheyn eyngl -my beautiful boy.

…..And then she died, and his father crumpled like a newspaper. He told Jonas he was taking him to a new home for a little while. “They’ll do right by you,” he said. “They’ll take care of you. A man is not meant to be a mother. If I can, I’ll come back.”

…..He packed a sack for Jonas with a pair of shoes, three pairs of trousers, undergarments, socks, and a jacket. They took a streetcar to another part of the city, arriving at a three-story brick building that looked like a school, not a home. His father took ten-year-old Jonas by the hand to the front door, rang a bell and waited. A woman, wearing a long dark skirt and white blouse, spoke to his father in Yiddish. His father tousled Jonas’ hair. “Be a good one for them. That’s what your mother would ask.”  Then he was gone. Jonas’s throat went as dry as the sand at the Charlesbank Beach.

…..Egern Nisht, don’t worry,” said the woman who was the tallest Jonas had ever seen. “I’m Miss Baer, Isabelle Baer but I let special boys like you, call me Izzy.”

.

…..Hearing murmurs and then applause around him, Jonas saw people standing. He joined watching Miss Ecker depart from the stage. The concert couldn’t be over, he needed more. But people weren’t leaving, and he remembered the ten-minute intermission.

…..Seeing a few empty seats closer to the stage, he moved and sat waiting, imagining Miss Ecker seeing him there enthralled and when she finished, she would beckon him to her. He gazed around quickly to see if she might have family here. A mother or husband or others like him, equally smitten. He wanted to be the only one. He had to be the only one.

…..During the interlude he nodded to a few couples sitting nearby but was too shy to speak to them. As people took their seats again, he saw the profile of a man who looked like his father. His heart pounded in his chest so loudly he couldn’t hear anything around him. But then the man turned and looked at Jonas, it wasn’t his father at all. He was much older than his father would be. He wondered why he even considered the resemblance.

…..A patron nearby mentioned war and questioned his companion whether she thought it would affect the concert season.  “That would be a shame if it did,” she said.

.

 

…..The audience greeted Miss Ecker’s reappearance with more applause, as if it had never stopped. He was gratified they appreciated her as much as he did.

…..She looked up briefly, shyly, her dark hair framing her face. She smiled with her lips, looking a little like the actress Mary Pickford. He took a breath, inhaling what he thought was the lilac of her cologne. He was close but not close enough. He wanted to be there, up on the stage on her piano bench, sitting next to her.

…..His mouth was open, he closed it, reminding himself to breathe. The music danced and wove through him, and if he died now, or later in France, he would have lived beyond his years, happier than he ever imagined being. Time was lost, it was here with him, then gone. He was afraid the afternoon would end. Then the music stopped. He sat bereft.

…..He waited for everyone to leave and waited some more, to see if Miss Ecker might return to the hall or for an assistant to come to the piano and retrieve something she left behind and wave to him.

…..But after fifteen minutes, he walked slowly up the stairs to the stage, and no one stopped him. As he continued down the hall to a series of rooms with closed doors, he called out softly “hello,” “hello.”  “Miss Ecker.” He hoped he wasn’t speaking too loudly. A door opened.

…..“Yes,” an older woman asked.

…..He wondered if she was her mother. She too had dark hair and was dressed in green, the color of leaves in the spring.

…..“Is Miss Ecker still here?”

…..“Does she know you?”

…..He shook his head no. “I’m leaving tomorrow for camp and wanted to say hello and tell her how much I enjoyed her performance.” His palms sweated, and his pulse pounded. He had never done anything like this before. But he was facing war. That certainly was full of greater danger.

…..She turned her head, and he heard murmuring and feared Miss Ecker’s was saying no, that Jonas should leave.

…..“Come in for a moment.” She opened the door allowing him to pass.

…..“You’ve met my aunt Mrs. Elaine Ecker,” Miss Ecker said. She was even lovelier this close.

…..“I’m Jonas,” he said. “Jonas Orenberg.” He cleared his throat, wishing he had a glass of water. “Your playing, I don’t know how to say how wonderful it was. Listening, I remembered so many magnificent things.” He wanted to tell her about the orphanage and his mother but stopped. He wasn’t sure how to tell her right.

…..“My aunt says you are leaving?”

…..“Camp Devens tomorrow. Enlisted.” He was pleased to say that. “Wasn’t old enough otherwise.” Maybe he shouldn’t have confessed that. She was likely older than he was. “It’s right to go. Patriotic.  My rabbi, Rabbi Berger believes it is so.”

…..“Ah,” she said, “he’s my rabbi too. I haven’t seen you at shul.”

…..“I’m not one of those, you know, who go every week, just at times.”

…..“I’m the same,” she said, running a finger over her nose, her eyes lost focus. “My brother Oscar is waiting for his number, a bit anxious actually. He has not sought out the rabbi.”

…..“Clara,” her aunt said. “It’s not for us to discuss the war. And you know your brother will do the right thing.”

…..Clara bit her bottom lip. Her aunt looked at Jonas, raising her eyebrows slightly as if to apologize. Jonas shifted on his feet, straightened his tie. He wasn’t troubled but understood she might be uneasy to question the war with someone she doesn’t know.

…..Yet all Jonas wanted was to ask Miss Ecker to have dinner, but instead said, “you know, I hope you don’t mind if I say, you look a little like Mary Pickford.”

…..He knew he blushed, but he wanted Miss Ecker to know and for her not to worry about what she said about her brother.

…..“I like her very much.” she said, her voice was quiet, she seemed tired. Picking up her shawl and purse, she turned to Jonas, “We must leave now Mr. Orenberg. Thank you for your good wishes.”

…..“Yes,” Jonas said. Any other words he wanted to say were so far inside he couldn’t get them out. He walked with them to the door and opened it out onto the late afternoon sun on Huntington Avenue. He saw a Chinese American restaurant across the street and pointed. “Miss Ecker, have you eaten there at the, I don’t quite know how to say it, the Santung Cafe?”

…..“No, I have not. Have you?”

…..He shook his head no. “I’ve never had Chinese food.”

…..“Nor I Mr. Orenberg.”

…..He smiled with that and wanted to ask if she wanted to try it now with him, but then as she turned to walk away said, “Well, good luck over there, Mr. Orenberg.”

…..He needed her telephone number or address otherwise he would never see her again. Like his mother. He tipped his cap watching them walk away, then huddling together as if sharing a secret.

…..“Miss Ecker?” He walked quickly to catch up to her.

…..“Yes.” She waited, for him to speak, her fingers tapping absently at her purse hanging over her shoulder. She was either nervous or impatient.  “Miss Ecker would it be all right if I wrote to you from over there?”

…..He watched her face to see if his request displeased her. Maybe she had a symphony of suitors. He felt clever with that thought. But she raised her brows, flushed slightly pink, and seemed to consider what he asked.

…..“All right, Mr. Orenberg. I see you have no pencil but if you remember my address, then of course you can write.” She tucked a strand of hair behind her ear, repined her hat and watched him as she said. “Thirteen Blossom Street.”

…..What a lovely address he thought and couldn’t help but smile nor hide the joyfulness from his eyes. He would write to her, often, and he would come back. Knowing she was here was his protection, his amulet from snipers and bombs, from disease and anything else he might encounter. He was not afraid.

…..“When I come back, I will take you out for dinner, if you allow it. Someplace nice,” he said. “Or even that restaurant there.” He pointed to the Chinese restaurant. “And we can both try new food.”

…..“All right Mr. Orenberg. Goodbye.”

…..He watched her walk with purpose with her aunt and fancied how happy she’d be to see him, that he came home safe because of her.

.

.

___

.

.

Diane Lederman was a reporter in daily journalism for 40 years, and also wrote fiction for 25 of those years. She has been writing fiction full time since retiring from reporting three years ago.  She has taken writing workshops at the Fine Arts Work Center in Provincetown and the Muse in Boston, and has recently had stories published in Jewish Fiction. Net., Adanna Literary Journal, Verdad and Kestrel. “The Surprise of It” is from a collection of a dozen stories about the impact of the so-called Great War on the West End Community in Boston.

.

.

___

.

.

Click here to read “Company,” Anastasia Jill’s winning story in the 63rd Jerry Jazz Musician Short Fiction Contest

Click here to read “The Surprise of It,” a short story by Diane Lederman

Click here for details about the upcoming 65th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it commercial and ad-free (thank you!)

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

One comments on ““Bashert” – a short story by Diane Lederman”

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

Art by Marsha Hammel

”Don’t Worry About the Labels” by Mike Mignano


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Mike Mignano reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Publisher’s Note

photo via Pixabay
A very brief holiday greeting…

Poetry

photo via pickpik.com
And Here We Are: A Post-election Thanksgiving, by Connie Johnson

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 8: “Jazz’s International Influence”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about jazz music's international influence.

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Brianmcmillen, CC BY-SA 3.0, via Wikimedia Commons
True Jazz Stories: “Hippie In a Jazz Club” – by Scott Oglesby...The author relates a story that took place in San Francisco's jazz club the Keystone Korner in 1980 that led to his eventual friendship with the jazz greats Sheila Jordan and Mark Murphy…

Playlist

photo via Wikimedia Commons
“Quartets – Four and No More” – a playlist by Bob Hecht...In his ongoing series, this 25-song playlist focuses on quartets, featuring legends like Miles, MJQ, Monk, Brubeck, and Sonny, but also those led by the likes of Freddie Redd, David Murray, Frank Strozier, and Pepper Adams.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Lionel Hampton by William Gottlieb/Library of Congress
Jazz History Quiz #177...This saxophonist’s first important jobs were during the 1940’s with Lionel Hampton (pictured), Fletcher Henderson, Louis Armstrong’s big band, and Billy Eckstine’s Orchestra. Additionally, he was a Savoy Records recording artist as a leader before being an important part of the scene on Los Angeles’ Central Avenue. Who was he?

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

photo by The Joker/CC BY-NC-ND 2.0
“Second-Hand Squeeze Box” – a short story by Debbie Burke...The story – a short-listed entry in our recently concluded 66th Short Fiction Contest – explores the intersection of nourishing oneself with music, and finding a soul mate

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Phil Freeman, author of In the Brewing Luminous: The Life & Music of Cecil Taylor...An interview with Ricky Riccardi, author of Stomp Off, Let's Go: The Early Years of Louis Armstrong. Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.