A BLUES UNTITLED
“another good man done and gone”
Grabbing the blue basket of bottles I’d promised
to take to a recycle plant and then forgotten,
I drove too fast down a twisting mountain road,
safe in a young man’s faith that death is abstract
truth until a radio voice — speaking over Johnny Hodges’
sweet tenor on his “Take the A Train” — intones,
“Billy Strayhorn — born in a shotgun house in Georgia
— died today in New York City,” Harlem blue
notes playing requiem into a raw blue autumn sky,
Cat Anderson’s chiseled trumpet on his signature
“Lush Life,” grace notes echo and re-echo until
Ellington’s velvet voice fell like slow rain through
city street lights: “he created the climate our band
played in, his sixth sense for melody prowling round
my midnight madness…he takes the seed with him,
but leaves the grass”…then speaking as if to himself,
“Nothing will ever be the same again”…repeating
the words like elegant cry and response — gospel
hymn and gut bucket moan for the lone blue ghost
that sifts through the dew wet evening light.
For Billy Strayhorn
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WHITE BIRD LIVING AT THE RIVER’S EDGE
Driving in the ivory light of a cognac moon, a voice
on the car radio startled me out from that
nightdrift into triangling headlights: “Parisian Jazz
violinist, Stephane Grappelli, dead at 89,”
and I leaned my head out of the window, letting
the night wet smell of Honeysuckle fill me with
the ache of his “Summertime” and “Sweet Georgia
Brown,” lacy arpeggios the decolletage
of linen blouses, linnet wings loose upon midnight
air…a coquette’s fingers — part Gypsy jive,
part peacock preen, part Paris moon — easing
flowerets from fiddle notes sweet enough
rivers jump over mountains and silver salmon sing
in the streets…dreamy incantations setting
blue-eyed boys on paths to quarry ponds on summer
afternoons, coaxing wood nymphs out
of hiding and plumbers to dance pagan frolics under
stained glass windows, and lovers to linger
over kisses in Luxembourg Gardens…agons
of grief finding release in the joy of music
as golden as the whiskey kept under his chair
“for emergencies”…a lone white bird living
at river’s edge — delices to any who believe souls
are bees and the world nothing but flowers.
For Stephane Grappelli
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About Larsen Bowker
Larsen Bowker is retired from teaching, coaching and other mundanities to concentrate on the writing of poetry, which he sorely wishes he had begun earlier, because, as his granddaughter at eleven pointed out, “grandpa you are fast approaching your ‘sell by date’”. Bowker has had poems published recently in Atlanta Review, Poem, Pearl and Iconoclast. His sixth book of poems, Between Two Rivers, was published in 2015 by Bellowing Ark Press.
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Billy Strayhorn plays “Take the ‘A’ Train”
“It Had to Be You,” by Stephane Grappelli
The swinging tones you wrote in “White Bird at a River’s Edge” up until “…part Paris moon” capture’s Stephane Grappelli’s musical rhythm, with the second half of the poem mimicking his soft, clear melodies. You have done a great job connecting the two to his music.