“The Launch” — a short story by Amy Tagle

June 8th, 2018

 

 “The Launch,” a story by Amy Tagle, was a finalist in our recently concluded 47th Short Fiction Contest.  It is published with the permission of the author.

 

 

 

 

 

The Launch

by

Amy Tagle

 

_____

 

 

“How dare you play it like that!”

I look up from my sight-reading piece, certain I had correctly executed all of the rhythms and notes, all of the articulations and embellishments. My questioning eyes found a passionate face, lined with wrinkles that were now quivering in angst.

“I don’t care if you play a couple wrong notes here and there, but to play it so flat like that… so dull… that is inexcusable.”

“Play it again.”

I started again, trying to sense the life behind the ink, and I felt like the blind fool who says “I see” to his deaf daughter over the disconnected phone line. Somewhere around measure three it happened — a flash of a vision — I felt the impression of a budding flower and the warmth of the sun bursting through the clouds. All of a sudden, I went beyond the mechanics of which pinkies to use, for it was no longer my brain engaging with the music, but my very soul.

In truth, it was a rather withered phrase, no Benny Goodman solo; that is certain. When I completed it, Mr. Lenny leaned back, relieved, and he sighed, “I knew you had it in you.” It was almost as if he would’ve fired me on the spot if I didn’t have it in me. Or, whatever the word is when you quit your student, who happens to be paying you $40 an hour. No more was said, and we continued on, learning etudes and orchestral excerpts to prepare for my college auditions.

I went about my routine, playing the fight song for the Tigers at pep rallies and furiously rushing to complete some ridiculous essay questions on transcendentalism. Really, Thoreau? I couldn’t wait to get my “I survived Mr. Thompson’s AP English class” t-shirt.

Despite all the busyness of saving my reed yet again from our punch-drunk mascot and composing my bequeathals for the band banquet, my mind kept returning to what Mr. Lenny said. I had “it”, but I did not know how to access it again or why it only showed itself on certain occasions.

I felt “it” when our high school chorale performed the haunting lyrics of Black is the Colour of my True Love’s Hair. (Yes, I was that nerd that was in band and choir.)

I felt “it” when I heard Jasper improvise wild figures during Jazz class, but I didn’t think that counted, since I was not the one performing.

Frustrated, I put the problem aside and focused on my auditions for music schools across the state. I felt like I was auctioning myself off to the highest bidder. Far from the promise of the hoped-for scholarships, I was met with dismal responses: “You’ll probably make it, but you’ll be at the bottom of the section,” or, my personal favorite, “You can leave now.”

I was starting to panic. My family could not afford to send me to college without a scholarship! Maybe my pre-calculus teacher from junior year was right; she nearly had a conniption when I told her I wasn’t going to take a math class during my senior year. “What are you DOING with your life?!” she practically sobbed, kneeling by my desk. I remember staring at her, totally confident in my response, laughing internally at this crazy lady. I declared, “I’m doing music!”

Who was the crazy lady now?

Everything was falling apart. Even prom was a disaster. I had the perfect date, but I totally froze up on the dance floor. I just kept saying, “I don’t know the steps to this one.” I even said that when the Macarena came on. EVERYONE knows the steps to the Macarena. There aren’t even really steps. I could conduct a 250 piece marching band, but I could not get my arms to move to the sounds of Los del Río.

My date eventually floated away in the crowd of dancers, and I made my escape past the ice sculptures and into the ironically warm night.

The band banquet was scheduled for a couple weeks later. It was always my favorite event of the year, but this one was the night before my last college audition. Between the pressure building from trying to find a place to go to school and the anxiety I felt from the prom disaster, I told my best friend Katie I wouldn’t go. She looked up from her phone, her thumbs of thunder pausing mid-text. Her eyes narrowed as she quipped, “I’ll pick you up at 7.” Apparently, she was deaf to my protests and vehement denials, because she showed up at my door precisely at 7. I opened the door, revealing myself in jeans, a T-shirt, and converse shoes.

She grabbed my hand and pulled me to my room where she threw random dresses and jewelry at me. I finally gave in. My only stipulation was that I would NOT, under any circumstances, dance, and that I was going to keep the same shoes. I had to cling to my victories, however small.

As I left my room, my gaze lingered on my half-assembled clarinet, which would now receive no practice for tomorrow’s audition. Oh well. I guess I could always work for my uncle, making money by selling people instruments instead of playing one myself.

The banquet was amazing… up until the dancing. My toes danced inside my high tops, itching to get out there, but something kept me rooted to the table. That is, until I was approached by Lance.

His fingers tapped out some complex rhythm on the table in front of me as he asked me to dance. I saw the muscles of his forearms twitch to the beat. I had never noticed his forearms before. Not that I would have. Friends don’t let friends date drummers.

Yet this wasn’t a date. It was a dance. Before I knew it, I was gliding across the floor, being led by the insanely cool and cute drumline captain. We got through the Cha Cha slide and a cumbia, but then a song came on with a soaring melody and syncopated beat I had never heard before. I started to head back to the table, but found my path blocked by Lance, who had already found a way to move to this particular groove. I started to say the same line from the dreaded prom night, and he cut me off.

“Look, you will be fine. Just stop worrying so much. Let go of trying to be right all the time. Feel the music flowing with your body.”

I heard his words, but still felt immobilized. I thought back to Mr. Lenny’s words, and how he also had chastened me for being flawless. I closed my eyes and tried to feel anything flowing through me except anxiety. I felt Lance put his hand on my shoulder encouragingly. Wasn’t I supposed to try my best? What was wrong with doing things correctly? I was trained to do so since I was knee high to a grasshopper. I thought back to those times where I felt “it.” Each time, a rule had been broken, an expectation defied, a status quo surprised. Annoyingly, Thoreau’s words popped into my head, “We are constantly invited to be who we are… You must live in the present, launch yourself on every wave, find your eternity in each moment.” I took a deep breath, and as I exhaled, I felt something release within me.

It started with a basic head bob, and then my hips started to sway. I felt the rising melody and my hands rose with it, gently conducting and caressing the music. I was no longer dancing with a person or even with myself. I was dancing with the music itself. I began jam out, eyes still closed, forgetting all around me. My foot slipped on a discarded napkin, and my eyes jolted open as I found myself in Lance’s arms. He smiled broadly at me and whispered, “I knew you had it in you.” We danced until dawn, and I had never felt so free. Thanks, Thoreau!

The next day at the audition, I felt a new sensation take over me as I played the familiar pieces. I was more daring with phrases, less conservative with nuances. Clarinets are the ninjas of dynamics, after all. I didn’t know whether or not I would get a scholarship; all I knew was that I had just played better than I had ever in my whole life. I had finally found “it.”

 

_____

 

 

Amy Tagle is a Kodály certified music teacher in San Antonio, Texas. She graduated from Texas State University San Marcos with a major in Music Education and a minor in Medieval and Renaissance Studies. She published an undergraduate honors thesis entitled “Aural Skills Pedagogy: From Academic Research to the Everyday Classroom.” Amy has a deep passion for the written word and is pursuing her dream of writing. This is her first published fiction piece.

Share this:

13 comments on ““The Launch” — a short story by Amy Tagle”

  1. A really good short story full of descriptive mind and passion for the beautiful clarinet. I was so happy when you finally found “it”

  2. Proud of you Amy, but not surprised by your many gifts. Made me think about my music days many years ago.

  3. Great story! You can tell this was done by a true musician! It’s got heart, soul, and a beautiful appreciation of music.

  4. Amy, this is a treasure! You are an artist. The “IT” in you is alive. I could sense it throughout the course. Your warm energy and smile was a beacon of light. You are a gift to us all!

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

photo of Woody Shaw by Brian McMillan, CC BY-SA 3.0 , via Wikimedia Commons

”Every Time” by Michel Krug


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Playlist

“‘Different’ Trios” – a playlist by Bob Hecht...A 27-song playlist that focuses on non-traditional trio recordings, featuring trios led by the likes of Carla Bley, Ron Miles, Dave Holland and Jimmy Giuffre...

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about women, written by women.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Short Fiction

Munich University of Music and Theater/© Raimond Spekking/via Wikimedia Commons
“The Pianist (Part One)” – a short story by J. C. Michaels...The story – finalist in the recently concluded 66th Short Fiction Contest – describes the first lesson at a music conservatory of a freshman piano-performance major who is more accustomed to improvising than reading music. It is an excerpt from a novel-in-progress.

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Book Excerpt

A book excerpt from Designed for Success: Better Living and Self-Improvement with Midcentury Instructional Records, by Janet Borgerson and Jonathan Schroeder...In this excerpt, the authors write extensively about music instruction and appreciation records dealing with the subject of jazz.

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

Photo by Stockcake
“Melody and Counterpoint” – a short story by Joshua Dyer...In this story - a short-listed entry in our recently concluded 66th Short Fiction Contest - Tucker works as a jazz pianist aboard the deep space luxury cruiser, the Royal Nebula. A flirtatious interlude pushes his new emotional software to its limits and beyond, and he learns the hard way what it means to be human.

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Trading Fours with Douglas Cole

Trading Fours, with Douglas Cole, No. 21: “The Blue Truth”...In this edition, the poet riffs on Oliver Nelson’s classic 1961 album The Blues and the Abstract Truth as if a conversation between conductor and players were caught on tape along with the inner monologue of some mystery player/speaker of the poem.

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #176

photo of Lester Young by William Gottlieb/Library of Congress
While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.