Great Encounters #50 — The Night Bill Evans met Woody Herman

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of the evening of the 1963 Grammy Awards, when Woody Herman met Bill Evans.

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October 14th, 2017

Great Encounters #49 — A night at the Turf and Grid with Woody Herman and Serge Chaloff

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of an evening in Washington D.C., starring Woody Herman and Serge Chaloff

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May 2nd, 2017

Jazz History Quiz #95

In addition to co-leading a quintet with Zoot Sims, this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art Pepper

Al Cohn

Stan Getz

Bob Cooper

Charlie Ventura

Boots Mussulli

Charlie Mariano

Go to the next page for the answer!

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January 26th, 2017

Woody Herman’s “practical joker”

In the March, 1945 Down Beat, under the headline “Herman’s Is Finest Ofay Swing Band,” Frank Stacy wrote this about Woody Herman and his “Herd.”

Woody Herman has the greatest ofay band in the country — bar none! That’s what all the band popularity contests said this year and that’s just the way I feel about it. Out of 1,606 swing fans who named the Herman Herd their favorite dispenser of jive in Down Beat‘s annual contest, undoubtedly some (the bobby soxers) cast their votes that way because they go for the snappy corduroy jackets that Woody sports on the stand. Most fans, however, pick Woody’s crew for its crack over-all musicianship, for its up-to-the-minute presentation of advanced big band orchestrations, for Woody’s superior talents as an instrumentalist, singer, showmanly stick-waver, and, above all, for his grasp of the right band ideas.

In addition to the band’s excellence that Stacy opines on, the band was filled with interesting and humorous personalities — among them the pot head (bassist Chubby Jackson) and the practical joker (trombonist Bill Harris). Check out this story about one of Harris’s best “jokes,” excerpted from

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November 20th, 2014

In 1971, big band icons discuss the Beatles, rock and roll, and the generation gap

In 1967, Macmillan published the first edition of George T. Simon’s The Big Bands, an entertaining and essential account of the era that was hailed at the time by the Los Angeles Times as “the definitive volume in its field.” Simon, whose credits include being an early drummer in Glenn Miller’s band, was editor of dance band publication Metronome from 1939 – 1955, and during the 1960’s wrote regularly as a critic for the The New York Post and The New York Herald-Tribune.

In Part Four of the Second Edition (printed in 1971), Simon visits with several of the iconic big band leaders he profiles in his book, and asks them to express their opinions about rock and roll, the Beatles, and the generation gap. Their responses — now 43 years in the rear-view mirror, and excerpted here from Simon’s book — are worth revisiting.

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July 25th, 2014

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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