A Moment in Time — Art Pepper, Los Angeles, 1956

Having just been released from serving a ten month drug related prison sentence at Terminal Island, the distinctive alto saxophonist Art Pepper re-entered the Los Angeles jazz scene in 1956 – still undeniably talented and hopelessly drug-addicted. His first gig upon his release was on June 29 in Malibu at Paul Nero’s The Cottage, and he also played with tenor Jack Montrose at the Angel Room in South Central. “I was doing well,” Pepper wrote in his classic autobiography, Straight Life, “but I was goofing, and I was really getting strung out.” On this photo session, taken by

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May 11th, 2016

“Chet Baker and his Abandoned Shadows” — an essay and poem by Arya F. Jenkins

We like to immortalize talent in this culture, and in so doing, often decontextualize it, absolving it of complexity and stains. Media especially likes to make angels out of demons, and vice versa, stripping the truth out of images and ideas.

In the case of Chet Baker, William Claxton’s photographs helped especially to immortalize the singer and trumpeter, fixing him in time and space, freezing an idea of him as beautiful, ethereal, ideal.

Chet Baker is almost always remembered as the

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January 10th, 2016

A Moment in Time — Chet Baker, 1956

One of the iconic images of jazz — Chet Baker and wife Halema — is a shot taken by William Claxton during a photo session for the cover of a Pacific Jazz anthology album called The Blues. It was a time of brilliant artistry for Baker, and of course rampant and destructive drug abuse.

A story of their relationship and of this photo session, as told in this book excerpt from James Gavin’s Deep in a Dream: The Long Night of Chet Baker begins with the dark, drug-caused decline of the band Baker played with at the time — Phil Urso, Peter Littman, Bobby Timmons, Jimmy Bond and Bill Loughbrough — who had most recently recorded the album

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March 18th, 2015

A Moment in Time — Donald Byrd, 1959

Trumpeter Donald Byrd rides the New York Subway “A” Train line


At the time of this photo, Byrd — who was instrumental in launching the career of Herbie Hancock — was leading a band with baritone saxophonist Pepper Adams.

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December 26th, 2013

In This Issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Features

In this edition of Reminiscing in Tempo,, Chick Corea, Rickie Lee Jones, Tom Piazza, Gary Giddins, Randy Brecker, Michael Cuscuna, Terry Teachout and many others answer the question, “What are 3 or 4 of your favorite recordings of the 1940’s?”

Interviews

Interview with Bing Crosby biographer Gary Giddins, author of the new book "Swinging on a Star: The War Years, 1940 - 1946"

Poetry

Eight poets — John Stupp, Aurora Lewis, Michael L. Newell, Robert Nisbet, Alan Yount, Roger Singer, dan smith and Joan Donovan — write about the era of World War II

The Joys of Jazz

Award winning radio producer and host Bob Hecht shares his love of jazz through his podcasts on his site “The Joys of Jazz.” In this edition, he tells two stories; the history of the virtual anthem of World War II, “I’ll Be Seeing You,” and the friendship and musical rapport of Bing Crosby and Louis Armstrong.

Short Fiction

Hannah Draper of Ottawa, Ontario is the winner of the 49th Jerry Jazz Musician New Short Fiction Award. Her story is titled "Will You Play For Me?"

Coming Soon

Three prominent scholars in a conversation about the lives of Billie Holiday, Ralph Ellison, and Langston Hughes (pictured)

Contributing writers

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