A Moment in Time — Art Pepper, Los Angeles, 1956

Having just been released from serving a ten month drug related prison sentence at Terminal Island, the distinctive alto saxophonist Art Pepper re-entered the Los Angeles jazz scene in 1956 – still undeniably talented and hopelessly drug-addicted. His first gig upon his release was on June 29 in Malibu at Paul Nero’s The Cottage, and he also played with tenor Jack Montrose at the Angel Room in South Central. “I was doing well,” Pepper wrote in his classic autobiography, Straight Life, “but I was goofing, and I was really getting strung out.” On this photo session, taken by

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May 11th, 2016

“Chet Baker and his Abandoned Shadows” — an essay and poem by Arya F. Jenkins

We like to immortalize talent in this culture, and in so doing, often decontextualize it, absolving it of complexity and stains. Media especially likes to make angels out of demons, and vice versa, stripping the truth out of images and ideas.

In the case of Chet Baker, William Claxton’s photographs helped especially to immortalize the singer and trumpeter, fixing him in time and space, freezing an idea of him as beautiful, ethereal, ideal.

Chet Baker is almost always remembered as the

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January 10th, 2016

A Moment in Time — Chet Baker, 1956

One of the iconic images of jazz — Chet Baker and wife Halema — is a shot taken by William Claxton during a photo session for the cover of a Pacific Jazz anthology album called The Blues. It was a time of brilliant artistry for Baker, and of course rampant and destructive drug abuse.

A story of their relationship and of this photo session, as told in this book excerpt from James Gavin’s Deep in a Dream: The Long Night of Chet Baker begins with the dark, drug-caused decline of the band Baker played with at the time — Phil Urso, Peter Littman, Bobby Timmons, Jimmy Bond and Bill Loughbrough — who had most recently recorded the album

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March 18th, 2015

A Moment in Time — Donald Byrd, 1959

Trumpeter Donald Byrd rides the New York Subway “A” Train line


At the time of this photo, Byrd — who was instrumental in launching the career of Herbie Hancock — was leading a band with baritone saxophonist Pepper Adams.

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December 26th, 2013

In This Issue

In this issue, 25 noted critics, writers, musicians and artists answer the question, “What are some of your all-time favorite record album covers?”…Also, an interview with Romare Bearden biographer Mary Schmidt Campbell; ”And so we left for Paris” a short story by Sophie Jonas-Hill; two new podcasts by Bob Hecht (one on Paul Desmond, the other on Art Farmer); 18 poets contribute 20 poems to our March poetry collection; new jazz listening recommendations; and lots more…

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Poetry

Eighteen poets contribute 20 poems in the March collection

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

The Joys of Jazz

Two new podcasts from Bob Hecht -- on Paul Desmond, and Art Farmer

Poetry

“King Louis en le toilette” — a poem (and collage) by Steven Dalachinsky

On the Turntable

Recommended listening…Check out these 18 recently released jazz recordings by Branford Marsalis, Anna Maria Jopek, Ralph Alessi, Larry Grenadier, Jon Cowherd, Stephane Galland, Mathias Eick and the Jimbo Tribe

Art

“Thinking about Robert Johnson” — a photo narrative by Charles Ingham

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

An interview with Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon

In the previous issue

The February, 2019 issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Contributing writers

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