A story of “My Funny Valentine,” and a poem by George Held
A brief history of Rodgers and Hart’s composition “My Funny Valentine,” and a poem by George Held, who reflects on the song
...February 14th, 2023
A brief history of Rodgers and Hart’s composition “My Funny Valentine,” and a poem by George Held, who reflects on the song
...February 14th, 2023
In an exclusive interview, Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole, discusses Cole and his book.
...October 23rd, 2020
. . “Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole, writes about the 1940 Lionel Hampton/King Cole Trio RCA Victor recording sessions. . . Excerpted from STRAIGHTEN UP AND … Continue reading “Great Encounters: When Lionel Hampton recorded with the King Cole Trio”
...September 14th, 2020
One of the many rewards of reading Will Friedwald’s comprehensive and lively biography of Nat King Cole, Straighten Up and Fly Right, has been rediscovering gems within the great singer’s expansive catalog. Thanks to Friedwald, I am reminded of Cole’s 1960 album, Wild is Love, an ambitious, electrifying (and “hit”) recording that could best be described as a concept album about falling in love.
...August 11th, 2020
So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”
Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t
...February 14th, 2014
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