“The Night McCoy Tyner Said ‘That’s Cool'” — by T. S. Davis

.It must have been the late 1980s when my girlfriend and I put on our best clothes and shelled out more money than we had to hear McCoy Tyner at the very elegant Dimitriou’s Jazz Alley in downtown Seattle.

...

March 14th, 2020

“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

...

December 19th, 2018

“Whistlin’ the Bird” — Two True Jazz Stories by Bob Hecht

Part 1: Confirmation (1969)

 

     It wouldn’t be the first time my penchant for whistling jazz tunes got me in trouble…nor the last.

     I’d been crazy about whistling from my boyhood. Perhaps I inherited my obsession from my late father. He wasn’t a jazz fan like I am, and I barely even remember him whistling—he wasn’t around much when I was a boy and he died when I was twelve—but my mom later told me he was an outstanding whistler. “He could do triple tonguing and everything,” she said.

     So maybe it was in my DNA. But at any rate, after his death I determinedly taught myself to whistle. I have a good ear and decent sense of pitch, so I found I could easily get in sync with whatever music I was hearing. And then I practiced and practiced, whistling along with jazz compositions and solos for years until I got

...

September 17th, 2018

A true jazz story — “The Sober Years” by Robert Hecht

From a small balcony above the stage of the Maybeck Recital Hall in Berkeley, I’m looking down on the jazz duo of bassist Red Mitchell and pianist Roger Kellaway, while tapping my foot to the earthy, swinging beat they are laying down.

It’s a Sunday afternoon in 1992 at this unique venue. The recital hall is part of a house originally built by the famed architect Bernard Maybeck in the early twentieth century. (Maybeck designed the Palace of Fine Arts in San Francisco, along with many other notable buildings in that city.) The hall accommodates only about 50 people, and it’s a warm, redwood-paneled room with beautiful leaded glass windows on three sides. It actually feels a lot like being in a little chapel—but the religion being worshipped here is that of acoustic jazz, primarily of the pianistic variety.

For several years now, ‘The Maybeck’ as it’s familiarly called, has hosted a who’s-who of

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July 5th, 2018

A true jazz story: “Woody ‘n Me” — by Robert Hecht

I’m driving up Raymond Boulevard toward downtown Newark. In the darkness the huge lighted sign atop the Public Service Electric & Gas Company serves as a beacon for approaching the city. Yet tonight something is off with the sign, and I laugh out loud as I see that its ‘L’ has burned out…and that it is now offering ‘PUBIC SERVICE’ to the community!

I am on my way to work at radio station WHBI where I am a staff announcer but also produce a nightly jazz show. On the car seat next to me is my

...

May 21st, 2018

“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

“Bird Lives” — a memory of Charlie Parker’s Kansas City, by Robert Hecht

     The night I truly ‘got’ the shining genius of Charlie Parker I was in my girlfriend’s apartment on the Lower East Side. The year was 1961. I was nineteen, she was much older and hipper, and had turned me on not only to some great music but to getting high as well. She had all the essential jazz records, including the one on the turntable that night. It was The Fabulous Bird, on the old Jazztone label, consisting of reissues of some of Bird’s phenomenal 1947 Dial sessions. She had a very low-fi stereo—I can still see the nickel she had scotch-taped to the tone arm to keep it in the grooves. But the fidelity didn’t matter, in part at least because this evening I had just smoked a

...

January 3rd, 2018

In this Issue

photo courtesy John Bolger Collection
Philip Clark, author of Dave Brubeck: A Life in Time, discusses the enigmatic and extraordinary pianist, composer, and band leader, whose most notable achievements came during a time of major societal and cultural change, and often in the face of critics who at times found his music too technical and bombastic.

Greetings from Portland!

Commentary and photographs concerning the protests taking place in the city in which I live.

Poetry

Mood Indigo by Matthew Hinds
An invitation was extended recently for poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season. 14 poets contribute to the first volume of collected poetry.

Poetry

photo by Russell duPont
The second volume of poetry reflecting this time of COVID, Black Lives Matter, and a heated political season features the work of 23 poets

Short Fiction

photo FDR Presidential Library & Museum
Short Fiction Contest-winning story #54 — “A Failed Artist’s Paradise” by Nathaniel Neil Whelan

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Interview

Ornette Coleman 1966/photo courtesy Mosaic Images
In a Jerry Jazz Musician interview, Ornette Coleman: The Territory And The Adventure author Maria Golia discusses her compelling and rewarding book about the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Spring Poetry Collection

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Publisher’s Notes

On taking a road trip during the time of COVID...

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Dexter Gordon, Art Farmer and Johnny Griffin are featured

Interview

A now timely 2002 interview with Tim Madigan, author of The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921. My hope when I produced this interview was that it would shed some light on this little-known brutal massacre, and help understand the pain and anger so entrenched in the American story. Eighteen years later, that remains my hope. .

Poetry

photo by John Vachon/Library of Congress
“Climate Change” — Ten poems in sequence by John Stupp

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
"Charles Ingham's Jazz Narratives" connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition's narratives are "Nat King Cole: The Shadow of the Word," "Slain in Cold Blood" and "Local 767: The Black Musicians’ Union"

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #139

photo by William Gottlieb/Library of Congress
This bassist played with (among others) Charlie Parker, Erroll Garner, Art Tatum, Nat “King” Cole (pictured), Dexter Gordon, James Taylor and Rickie Lee Jones, and was one of the earliest modern jazz tuba soloists. He also turned down offers to join both Duke Ellington’s Orchestra and the Louis Armstrong All-Stars. Who is he?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Pressed for All Time

A&M Records/photo by Carol Friedman
In this edition, producer John Snyder recalls Sun Ra, and his 1990 Purple Night recording session

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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