True Jazz Stories: “Well You Needn’t: My Life as a Jazz Fan” by Joel Lewis

The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York

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October 23rd, 2023

“Frank Zappa Presents Edgard Varèse” — a poem by Martin Agee

In the winter of 1981 we were hired to play Downtown—
a performance in Greenwich Village billed “Frank Zappa Presents:
a Musical Tribute to Edgard Varèse.” I sat on stage,
wearing black, tuning my violin, warming up,
looking out at the audience milling around, most of them
covered in tattoos and piercings of every body part

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November 14th, 2022

“Yalies Save Ellington Tune from Obscurity,” a true jazz story by Janet Lever, with Brad Dechter

The authors describe the circumstances surrounding the creation of an extended version of Duke Ellington’s little-known 1953 composition “Janet”

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June 30th, 2022

“So What!…or, Where were you when you first heard Kind of Blue?” — a true jazz story by Bob Hecht

Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis

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April 21st, 2022

“Heliocentric Ra Ra” — a story of finding artistic inspiration in the music of Sun Ra, by Meisha Synnott

The two versions of the 1965 album The Heliocentric Worlds of Sun Ra (Vol. 1) were part of the inspiration for Meisha Synnott’s enlightening artistic exploration

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March 20th, 2022

“The Cloth Coat” — a true jazz story by Ray Robinson

We’re going through Security at Dublin airport, headed to Philadelphia, thinking about what’s ahead of us. There’s something sinister about lines of people queuing up to be processed. Nobody likes it. Belt, jacket, phone, laptop, wallet. Do they need my shoes?  Everyone feels displaced, dehumanized somehow.

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February 10th, 2022

“A Quick Kill: A Final Episode Among Brothers” — a true story by J.S. Kierland

Three in the morning in the Hollywood Hills feels like five in the morning anywhere else. The coyotes and owls cross the northern boundaries and stray down under the big HOLLYWOOD sign that glistens in the moonlight at the top of Beachwood Canyon. Field mice, possum, snakes, and house cats become fair game for the wild intruders that prowl the narrow streets and canyons for a quick kill and a quiet meal with the family.

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January 11th, 2022

True Jazz Stories: A remembrance of jazz aficionado Al Summ

Friends remember Al Summ, whose love and appreciation of jazz showed up in a variety of ways.  His artwork was found (and rescued) by his friends Dan Brown, Dave Watson, Bob Crimi and “Andy” – a.k.a. “The Gang of Four”.

This remembrance is a reminder of how jazz and its culture can touch the soul of an enthusiast, and a demonstration of a longtime, devoted friendship.  I am proud to assist the “Gang” in sharing their heartfelt connection to their departed friend.

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November 24th, 2021

“Opus For Mary Lou,” a true jazz story by John Bliss

. . photo by William Gottlieb/Library of Congress Mary Lou Williams, c. 1938 . . ___ . . Opus for Mary Lou By John Bliss . …..“Baloney Bliss,” Mary Lou Williams said, lacing into my father. …..Mary Lou was Black and brought a spiritual magic into my white world. Her nose was petite like an … Continue reading ““Opus For Mary Lou,” a true jazz story by John Bliss”

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October 11th, 2021

True Jazz Stories: Musical Adventures of Joe Maita, Sr.

. .     Joseph Maita, Sr. c. 1935 . ___ .   …..My father Joseph Maita (Sr.) was affable, charismatic, and loving – gifted as a musician and, ultimately, a successful business owner.  He was also extraordinarily complex and challenged by having to make choices so many young parents find themselves confronting – following … Continue reading “True Jazz Stories: Musical Adventures of Joe Maita, Sr.”

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June 20th, 2021

“My Father Sings” — a prose poem (and true jazz story) by William Minor

I grew up in a household where music was second nature, always present, ingrained. My mother could sight read well and played not only classical pieces on the piano (Schumann, Liszt, Chopin) but show tunes—the full range of Gershwin, Cole Porter, Rogers and Hart, Irving Berlin, which she and I sang together.

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November 1st, 2020

“Sinatra and Me” — a true jazz story by Paul Brophy

Frank Sinatra floated through the air in my boyhood home and Philadelphia neighborhood.  My mother and two of her older sisters, Henrietta and Marge, had seen young Frankie in person at Atlantic City’s Steel Pier in the late 1930s, the thrill that wed these young Italian-Americans to Frank for life. “It’s Always You” reached them.   He was part of our Staffieri family — their fantasy husband.

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October 3rd, 2020

“The Night McCoy Tyner Said ‘That’s Cool'” — by T. S. Davis

.It must have been the late 1980s when my girlfriend and I put on our best clothes and shelled out more money than we had to hear McCoy Tyner at the very elegant Dimitriou’s Jazz Alley in downtown Seattle.

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March 14th, 2020

“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

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December 19th, 2018

“Whistlin’ the Bird” — Two True Jazz Stories by Bob Hecht

Part 1: Confirmation (1969)

 

     It wouldn’t be the first time my penchant for whistling jazz tunes got me in trouble…nor the last.

     I’d been crazy about whistling from my boyhood. Perhaps I inherited my obsession from my late father. He wasn’t a jazz fan like I am, and I barely even remember him whistling—he wasn’t around much when I was a boy and he died when I was twelve—but my mom later told me he was an outstanding whistler. “He could do triple tonguing and everything,” she said.

     So maybe it was in my DNA. But at any rate, after his death I determinedly taught myself to whistle. I have a good ear and decent sense of pitch, so I found I could easily get in sync with whatever music I was hearing. And then I practiced and practiced, whistling along with jazz compositions and solos for years until I got

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September 17th, 2018

A true jazz story — “The Sober Years” by Robert Hecht

From a small balcony above the stage of the Maybeck Recital Hall in Berkeley, I’m looking down on the jazz duo of bassist Red Mitchell and pianist Roger Kellaway, while tapping my foot to the earthy, swinging beat they are laying down.

It’s a Sunday afternoon in 1992 at this unique venue. The recital hall is part of a house originally built by the famed architect Bernard Maybeck in the early twentieth century. (Maybeck designed the Palace of Fine Arts in San Francisco, along with many other notable buildings in that city.) The hall accommodates only about 50 people, and it’s a warm, redwood-paneled room with beautiful leaded glass windows on three sides. It actually feels a lot like being in a little chapel—but the religion being worshipped here is that of acoustic jazz, primarily of the pianistic variety.

For several years now, ‘The Maybeck’ as it’s familiarly called, has hosted a who’s-who of

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July 5th, 2018

A true jazz story: “Woody ‘n Me” — by Robert Hecht

I’m driving up Raymond Boulevard toward downtown Newark. In the darkness the huge lighted sign atop the Public Service Electric & Gas Company serves as a beacon for approaching the city. Yet tonight something is off with the sign, and I laugh out loud as I see that its ‘L’ has burned out…and that it is now offering ‘PUBIC SERVICE’ to the community!

I am on my way to work at radio station WHBI where I am a staff announcer but also produce a nightly jazz show. On the car seat next to me is my

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May 21st, 2018

“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

“Bird Lives” — a memory of Charlie Parker’s Kansas City, by Robert Hecht

     The night I truly ‘got’ the shining genius of Charlie Parker I was in my girlfriend’s apartment on the Lower East Side. The year was 1961. I was nineteen, she was much older and hipper, and had turned me on not only to some great music but to getting high as well. She had all the essential jazz records, including the one on the turntable that night. It was The Fabulous Bird, on the old Jazztone label, consisting of reissues of some of Bird’s phenomenal 1947 Dial sessions. She had a very low-fi stereo—I can still see the nickel she had scotch-taped to the tone arm to keep it in the grooves. But the fidelity didn’t matter, in part at least because this evening I had just smoked a

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January 3rd, 2018

Site Archive

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Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

21 jazz poems on the 21st of August, 2025...A monthly series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on John Coltrane and Billie Holiday, as well as nods to Bill Evans, Chet Baker, Archie Shepp and others…

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

The Sunday Poem

”Solo” by Rob Yedinak

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Rob Yedinak reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo by Brian McMillen
“Portrait of Sheila Jordan” – a poem by George Kalamaras

Poetry

OhWeh, CC BY-SA 2.5 , via Wikimedia Commons
“Jazz Child” – a poem and a personal remembrance of Sheila Jordan, by Namaya

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

photo by William Gottlieb/Library of Congress
“Strange Fruit” – a short story by Stephen Jackson...The story – a short-listed entry in the 69th Short Fiction Contest – explores the transformative power of authentic art through the eyes of a young white busboy from Mississippi who witnesses Billie Holiday’s historic first performance of “Strange Fruit” at Café Society in 1939.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Short Fiction

“Trucks and Tanks” – a short story by Howard Mandel...The story – a short-listed entry in the recently concluded 69th Jerry Jazz Musician Short Fiction Contest – is about the incursion of military units into a placid residential American neighborhood.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Interview

photo by Francis Wolff/couresy Mosaic Images
From the Interview Archive: Ornette Coleman biographer Maria Golia...In this April, 2020 interview, Ms. Golia discusses her book and the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

“Blind Willie Johnson Leaves the Solar System,” by Henry Blanke...An appreciation for Blind Willie Johnson, whose landmark 1927 – 1930 recordings influenced generations of musicians, and whose song, “Dark is the Night, Cold is the Ground,” was included on the album sent into space a generation ago as a way for extraterrestrial beings to glean something important about human culture and life on Earth.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #182...He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole (pictured) made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 15: High Spirits-Dark Laughter-Absurdity...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose themes include High Spirits, Dark Laughter, and Absurdity

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.