True Jazz Stories: “Well You Needn’t: My Life as a Jazz Fan” by Joel Lewis

The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York

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October 23rd, 2023

“Frank Zappa Presents Edgard Varèse” — a poem by Martin Agee

In the winter of 1981 we were hired to play Downtown—
a performance in Greenwich Village billed “Frank Zappa Presents:
a Musical Tribute to Edgard Varèse.” I sat on stage,
wearing black, tuning my violin, warming up,
looking out at the audience milling around, most of them
covered in tattoos and piercings of every body part

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November 14th, 2022

“Yalies Save Ellington Tune from Obscurity,” a true jazz story by Janet Lever, with Brad Dechter

The authors describe the circumstances surrounding the creation of an extended version of Duke Ellington’s little-known 1953 composition “Janet”

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June 30th, 2022

“So What!…or, Where were you when you first heard Kind of Blue?” — a true jazz story by Bob Hecht

Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis

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April 21st, 2022

“Heliocentric Ra Ra” — a story of finding artistic inspiration in the music of Sun Ra, by Meisha Synnott

The two versions of the 1965 album The Heliocentric Worlds of Sun Ra (Vol. 1) were part of the inspiration for Meisha Synnott’s enlightening artistic exploration

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March 20th, 2022

“The Cloth Coat” — a true jazz story by Ray Robinson

We’re going through Security at Dublin airport, headed to Philadelphia, thinking about what’s ahead of us. There’s something sinister about lines of people queuing up to be processed. Nobody likes it. Belt, jacket, phone, laptop, wallet. Do they need my shoes?  Everyone feels displaced, dehumanized somehow.

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February 10th, 2022

“A Quick Kill: A Final Episode Among Brothers” — a true story by J.S. Kierland

Three in the morning in the Hollywood Hills feels like five in the morning anywhere else. The coyotes and owls cross the northern boundaries and stray down under the big HOLLYWOOD sign that glistens in the moonlight at the top of Beachwood Canyon. Field mice, possum, snakes, and house cats become fair game for the wild intruders that prowl the narrow streets and canyons for a quick kill and a quiet meal with the family.

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January 11th, 2022

True Jazz Stories: A remembrance of jazz aficionado Al Summ

Friends remember Al Summ, whose love and appreciation of jazz showed up in a variety of ways.  His artwork was found (and rescued) by his friends Dan Brown, Dave Watson, Bob Crimi and “Andy” – a.k.a. “The Gang of Four”.

This remembrance is a reminder of how jazz and its culture can touch the soul of an enthusiast, and a demonstration of a longtime, devoted friendship.  I am proud to assist the “Gang” in sharing their heartfelt connection to their departed friend.

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November 24th, 2021

“Opus For Mary Lou,” a true jazz story by John Bliss

. . photo by William Gottlieb/Library of Congress Mary Lou Williams, c. 1938 . . ___ . . Opus for Mary Lou By John Bliss . …..“Baloney Bliss,” Mary Lou Williams said, lacing into my father. …..Mary Lou was Black and brought a spiritual magic into my white world. Her nose was petite like an … Continue reading ““Opus For Mary Lou,” a true jazz story by John Bliss”

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October 11th, 2021

True Jazz Stories: Musical Adventures of Joe Maita, Sr.

. .     Joseph Maita, Sr. c. 1935 . ___ .   …..My father Joseph Maita (Sr.) was affable, charismatic, and loving – gifted as a musician and, ultimately, a successful business owner.  He was also extraordinarily complex and challenged by having to make choices so many young parents find themselves confronting – following … Continue reading “True Jazz Stories: Musical Adventures of Joe Maita, Sr.”

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June 20th, 2021

“My Father Sings” — a prose poem (and true jazz story) by William Minor

I grew up in a household where music was second nature, always present, ingrained. My mother could sight read well and played not only classical pieces on the piano (Schumann, Liszt, Chopin) but show tunes—the full range of Gershwin, Cole Porter, Rogers and Hart, Irving Berlin, which she and I sang together.

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November 1st, 2020

“Sinatra and Me” — a true jazz story by Paul Brophy

Frank Sinatra floated through the air in my boyhood home and Philadelphia neighborhood.  My mother and two of her older sisters, Henrietta and Marge, had seen young Frankie in person at Atlantic City’s Steel Pier in the late 1930s, the thrill that wed these young Italian-Americans to Frank for life. “It’s Always You” reached them.   He was part of our Staffieri family — their fantasy husband.

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October 3rd, 2020

“The Night McCoy Tyner Said ‘That’s Cool'” — by T. S. Davis

.It must have been the late 1980s when my girlfriend and I put on our best clothes and shelled out more money than we had to hear McCoy Tyner at the very elegant Dimitriou’s Jazz Alley in downtown Seattle.

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March 14th, 2020

“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

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December 19th, 2018

“Whistlin’ the Bird” — Two True Jazz Stories by Bob Hecht

Part 1: Confirmation (1969)

 

     It wouldn’t be the first time my penchant for whistling jazz tunes got me in trouble…nor the last.

     I’d been crazy about whistling from my boyhood. Perhaps I inherited my obsession from my late father. He wasn’t a jazz fan like I am, and I barely even remember him whistling—he wasn’t around much when I was a boy and he died when I was twelve—but my mom later told me he was an outstanding whistler. “He could do triple tonguing and everything,” she said.

     So maybe it was in my DNA. But at any rate, after his death I determinedly taught myself to whistle. I have a good ear and decent sense of pitch, so I found I could easily get in sync with whatever music I was hearing. And then I practiced and practiced, whistling along with jazz compositions and solos for years until I got

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September 17th, 2018

A true jazz story — “The Sober Years” by Robert Hecht

From a small balcony above the stage of the Maybeck Recital Hall in Berkeley, I’m looking down on the jazz duo of bassist Red Mitchell and pianist Roger Kellaway, while tapping my foot to the earthy, swinging beat they are laying down.

It’s a Sunday afternoon in 1992 at this unique venue. The recital hall is part of a house originally built by the famed architect Bernard Maybeck in the early twentieth century. (Maybeck designed the Palace of Fine Arts in San Francisco, along with many other notable buildings in that city.) The hall accommodates only about 50 people, and it’s a warm, redwood-paneled room with beautiful leaded glass windows on three sides. It actually feels a lot like being in a little chapel—but the religion being worshipped here is that of acoustic jazz, primarily of the pianistic variety.

For several years now, ‘The Maybeck’ as it’s familiarly called, has hosted a who’s-who of

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July 5th, 2018

A true jazz story: “Woody ‘n Me” — by Robert Hecht

I’m driving up Raymond Boulevard toward downtown Newark. In the darkness the huge lighted sign atop the Public Service Electric & Gas Company serves as a beacon for approaching the city. Yet tonight something is off with the sign, and I laugh out loud as I see that its ‘L’ has burned out…and that it is now offering ‘PUBIC SERVICE’ to the community!

I am on my way to work at radio station WHBI where I am a staff announcer but also produce a nightly jazz show. On the car seat next to me is my

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May 21st, 2018

“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

“Bird Lives” — a memory of Charlie Parker’s Kansas City, by Robert Hecht

     The night I truly ‘got’ the shining genius of Charlie Parker I was in my girlfriend’s apartment on the Lower East Side. The year was 1961. I was nineteen, she was much older and hipper, and had turned me on not only to some great music but to getting high as well. She had all the essential jazz records, including the one on the turntable that night. It was The Fabulous Bird, on the old Jazztone label, consisting of reissues of some of Bird’s phenomenal 1947 Dial sessions. She had a very low-fi stereo—I can still see the nickel she had scotch-taped to the tone arm to keep it in the grooves. But the fidelity didn’t matter, in part at least because this evening I had just smoked a

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January 3rd, 2018

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Site Archive

In This Issue

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

The Sunday Poem

Tom Marcello, CC BY-SA 2.0, via Wikimedia Commons

”“Mingus au Paradis” by Manuel J. Grimaldi


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Manuel J. Grimaldi reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

photo via pickpik.com
And Here We Are: A Post-election Thanksgiving, by Connie Johnson

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 8: “Jazz’s International Influence”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about jazz music's international influence.

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Brianmcmillen, CC BY-SA 3.0, via Wikimedia Commons
True Jazz Stories: “Hippie In a Jazz Club” – by Scott Oglesby...The author relates a story that took place in San Francisco's jazz club the Keystone Korner in 1980 that led to his eventual friendship with the jazz greats Sheila Jordan and Mark Murphy…

Book Excerpt

Book Excerpt from Jazz Revolutionary: The Life & Music of Eric Dolphy, by Jonathon Grasse...In this first full biography of Eric Dolphy, Jonathon Grasse examines Dolphy’s friendships and family life, and his timeless musical achievements. The introduction to this outstanding book is published here in its entirety.

Playlist

photo via Wikimedia Commons
“Quartets – Four and No More” – a playlist by Bob Hecht...In his ongoing series, this 25-song playlist focuses on quartets, featuring legends like Miles, MJQ, Monk, Brubeck, and Sonny, but also those led by the likes of Freddie Redd, David Murray, Frank Strozier, and Pepper Adams.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Lionel Hampton by William Gottlieb/Library of Congress
Jazz History Quiz #177...This saxophonist’s first important jobs were during the 1940’s with Lionel Hampton (pictured), Fletcher Henderson, Louis Armstrong’s big band, and Billy Eckstine’s Orchestra. Additionally, he was a Savoy Records recording artist as a leader before being an important part of the scene on Los Angeles’ Central Avenue. Who was he?

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

photo by The Joker/CC BY-NC-ND 2.0
“Second-Hand Squeeze Box” – a short story by Debbie Burke...The story – a short-listed entry in our recently concluded 66th Short Fiction Contest – explores the intersection of nourishing oneself with music, and finding a soul mate

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; An interview with Phil Freeman, author of  In the Brewing Luminous: The Life & Music of Cecil Taylor....A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.