“Back Then” — a poem by John Stupp
Oh Lord
I was thinking is there anything better
than chorus girls dancing in unison to Thelonius Monk
I beseech thee Lord on my deathbed kick my
June 15th, 2018
thelonious monk
William Gottlieb’s “Elusive Pianist”
Jazz photography has played an important role in the development of jazz, and, along with the art found on the record albums of the 1940’s – 60’s, is a visual window into the history of the culture. The work of photographers like Herman Leonard, William Claxton and Lee Tanner impacted me pretty deeply, and led me deep into the record bins in search of the music they so effectively portrayed. Leonard and Tanner, in fact, were major influences on my work on this site, and Tanner was indeed a personal mentor whose voice of encouragement remains in my head long after his 2013 passing.
Among the first interviews I ever did was in 1997 with William Gottlieb, best known as a
...June 1st, 2018
Great Encounters #52: Monk, Hawk, and Coltrane in the studio, 1957
“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Art Blakey tells a story of Thelonious Monk, Coleman Hawkins and John Coltrane that took place during the 1957 recording session of Monk’s Music.
...April 19th, 2018
Jazz History Quiz #103
This pianist was a founding member of the Jazz Epistles, and was nicknamed “South Africa’s Monk”? Who is he?
Phineas Newborn
Ahmad Jamal
Randy Weston
Albert Ammons
Dollar Brand
Roland Hanna
Go to the next page for the answer!
...
October 12th, 2017
Monk is 100 today
We have stood over record bins, thumbing through his records, moved by his breathtaking originality and creativity.
We have made friends over his music, made love to it, cruised in the car to it, introduced our children to it, and defended it against those who don’t quite comprehend his genius.
We love the emotions his music brings out in us – joy, tears, humor, inspiration.
We continue to sit up when we hear “Straight, No Chaser,” marvel at the brilliance of
...October 10th, 2017
“Diddley-Bop-She-Bop” — a poem by Michael L. Newell
Them knees,
full of bees again,
two gates
flapping in a stuttering breeze,
hands rapping
tables, thighs,
high up on
...June 12th, 2017
Two poems by R. Bremner
In the circus mind of my dying spirit
I listen for the tinkling keys of Monk-
Yeah, Monk Mingus moonlight madness
I long to be, though tonight it’s a new
moon, meaning no moon and my madness
May 19th, 2017
Gary Giddins discusses Thelonious Monk
If you do a blindfold test and play Monk, the listener is likely going to know it’s him after about two bars. Everything about the way he approaches the piano and music is so distinctive. People used to use words like idiosyncratic and eccentric, but there is, of course, more than that — there is a tremendous beauty in Monk’s music, and it is peculiar to him. Everything about his attack, the particular percussiveness of his style, his use of chords, his astonishing time, can only be described as “Monkian.” And in terms of his almost exclusive reliance on jazz, most great jazz pianists have some
...October 17th, 2016
Interview with Thelonious Monk biographer Robin D.G. Kelley
“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his
...October 14th, 2016
“Thelonious Monk” — a poem by Stephen Dobyns
A record store on Wabash was where
I bought my first album. I was a freshman
in college and played the record in my room
over and over. I was caught by how he took
the musical phrase and seemed to find a new
way out, the next note was never the note
you thought would turn up and yet seemed
...October 12th, 2016
Great Encounters #45: Miles and Monk at Newport, 1955
“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition offers two accounts of the events surrounding Miles Davis and Thelonious Monk’s performance at the 1955 Newport Jazz Festival — a story that is, according to Thelonious Monk biographer Robin D.G. Kelley, “shrouded in myth.”
...May 27th, 2016
Masters of Jazz Photography — Ray Avery
In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.
This edition: Ray Avery
November 24th, 2015
In This Issue
Poetry
Short Fiction
Poetry
Interviews
The Joys of Jazz
Poetry
Black History Month Profile
On the Turntable
Great Encounters #54
“What are 3 or 4 of your favorite recordings of the 1940s?”
Cover Stories with Paul Morris
Coming Soon
In the previous issue
Contributing writers
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Luke Bergvist
-
Ed Coletti
-
Arlene Corwin
-
Steven Dalachinsky
-
Frank De Canio
-
Hannah Draper
-
Victor Enns
-
Freddington
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Anggo Genorga
-
Bob Hecht
-
Lawrence J. Klumas
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Arya Jenkins
-
Anisha Johnson
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Erren Kelly
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Mark Kerstetter
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Michael Keshigian
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John L. Stanizzi
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Michael L. Newell
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Aurora Lewis
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paul morris
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Robert Nisbet
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Shan Richardson
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Justin Short
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Roger Singer
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dan smith
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John Stupp
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Susandale
-
Phyllis Wax
-
Alan Yount
