Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?”

Photo William Gottlieb Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” __________ “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””

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December 4th, 2018

“What are 3 or 4 of your favorite jazz record albums of the 1970’s?”

In this edition of “Reminiscing in Tempo: Memories and Opinion,” noted critics and musicians list their favorite jazz record albums of the 1970’s.

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September 24th, 2014

Jazz on Stage

In addition to this being a great time for jazz biography (essential studies recently published on Ellington, Armstrong, Bird, Mingus, and Bud Powell), as Nate Chinen points out in Sunday’s New York Times, it is also a terrific time for its presentation on the stages of New York, with Terry Teachout’s “Satchmo at the Waldorf” now playing at the Westside Theater, and Lanie Robertson’s “Lady Day at Emerson’s Bar & Grill” at Circle in the Square (revived after a successful Off Broadway run in 1986).

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April 23rd, 2014

Duke Ellington, 1944 — “The Hot Bach – I”

Richard Boyer’s entertaining and candid New Yorker profile of Duke Ellington first appeared in the June 24, 1944 edition under the title “The Hot Bach I.” (Parts “II” and “III” were published in subsequent weeks). Described by Ellington biographer Terry Teachout as “the most comprehensive journalistic account of Ellington’s life and work to appear in his lifetime,” the feature is filled with now well-known Ellington history (for example, his approach to composition and his appetite for food, women and the Bible), social history (Boyer’s casual description of the racial discrimination the band encounters on the road is notable), and some humorous interplay between Ellington and writing partner Billy Strayhorn, described at the time by Boyer as a “staff arranger.” The piece is a terrific companion to Teachout’s book, and another reminder of how important The New Yorker has been to the arts over the years.

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December 10th, 2013

An excerpt from Duke: A Life of Duke Ellington by Terry Teachout

It’s a great time for jazz biography. In addition to Stanley Crouch’s book on Charlie Parker, Louis Armstrong biographer and Wall Street Journal drama critic Terry Teachout has turned out what several critics report to be an important book on the life of Duke Ellington. I have just completed the first chapter and am eagerly anticipating the pages beyond. To get a flavor for the book, you may enjoy this short excerpt, in which Teachout describes Ellington’s work habits and what Ellington “sought and got” from his band, described here as his ”accumulation of personalities.’”

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November 13th, 2013

Reminiscing in Tempo: Memories and Opinion/Volume One: What is the greatest saxophone solo in the history of jazz?

“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

What is the greatest saxophone solo in the history of jazz?

Featuring Dan Morgenstern, Ishmael Reed, James Carter, Jason Moran, Martha Bayles, Terry Teachout, Kitty Margolis and others…

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November 11th, 2005

Louis Armstrong biographer Terry Teachout

“I suppose you could say that the seeds of my next book, a full-length biography of Louis Armstrong, were planted three years ago, when I was writing an essay for the New York Times about Armstrong’s centenary in which I called him “jazz’’s most eminent Victorian,” Terry Teachout wrote in his August 17, 2004 Arts Journal blog.

Three years after the Times piece was published, he took a tour of the Louis Armstrong House in Queens and came away with the enthusiasm required of such an endeavor.

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June 27th, 2005

In This Issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 22 recently released jazz recordings, including those by Chris Potter, Sons of Kemet, Stephan Crump, Brittany Anjou, Julian Lage, Joey DeFrancesco and Antonio Sanchez

Poetry

Seventeen poets contribute 21 poems in this month’s edition…

The Joys of Jazz

In new podcasts, Bob Hecht tells three stories; one about Miles Davis’ use of space in his music, one on the mutual admiration society of Sinatra, Lady Day, and Lester Young, and the other about the train in jazz and blues music.

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Ida B. Wells” — a photo narrative by Charles Ingham

Jazz History Quiz #126

In 1964, along with the orchestra of arranger Lalo Schifrin (pictured), this flutist/alto sax player recorded one of the first “Jazz Masses,” and soon after studied transcendental meditation in India. He would eventually become well known as a composer of music for meditation. Who is he?

Great Encounters

Dexter Gordon tells the story of joining Louis Armstrong’s band in 1944, and how they enjoyed their intermission time.

Art

In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.

Short Fiction

"Strings of Solace," a short story by Kimberly Parish Davis

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Coming Soon

National Book Award winning author for non-fiction Jeffrey Stewart is interviewed about his book The New Negro: The Life of Alain Locke

In the previous issue

The question “What are some of your all-time favorite record album covers?” was posed via email to a small number of prominent and diverse people, and the responses of Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who participated...Also, the publication of the winning story in our 50th Short Fiction contest; an interview with Romare Bearden biographer Mary Schmidt Campbell; a collection of jazz poetry; two new podcasts by Bob Hecht; the March edition of "On the Turntable," and lots more...Click here to be taken to the issue.

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