Jazz History Quiz #131

This guitarist was an original member of the Chico Hamilton Quintet, toured with Ella Fitzgerald, and was part of Sonny Rollins’s quartet that recorded the 1962 album The Bridge.  Who is he?

Joe Pass

Pat Martino

Grant Green

Tal Farlow

Herb Ellis

Kenny Burrell

Johnny Smith

Jim Hall

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October 17th, 2019

“It’s The City, Blue”– a poem (to the Williamsburg Bridge) by Jay Franzel

Concert postings and colored stickers on the crossbeams,
black-clad cyclists crossing East River—
I remember when nobody pedaled
past your grim entrance—around 1985,
when Garden Cafeteria had to close
to keep the junkies out.
They even shut you down in ’88,
said you were

...

August 21st, 2018

Jazz poetry by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington

A wealth of excellent poetry has been submitted recently.  Poems by Steven Dalachinsky, Michael L. Newell, John Stupp, Ron Kolm, and Freddington are examples…

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January 29th, 2018

“Accent on Youth,” by Sam Bishoff

Sam Bishoff, a high school student from Bainbridge Island, Washington, is the 2012 Jerry Jazz Musician “Accent on Youth” writer. His passion for jazz and the challenges he faces as a youthful fan of it is the focus of the column.

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February 26th, 2013

Conversations with Gary Giddins: on Sonny Rollins

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.

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October 21st, 2002

Eric Nisenson, author of Open Sky: Sonny Rollins and His World of Improvisation

Author Eric Nisenson has devoted much of his adult life to reporting jazz. The genesis of his passion for jazz was his introduction to Miles Davis’ Kind of Blue at an early age – a passion so strong it eventually led to a friendship with Miles. The subjects for his three biographies are no less than Miles, John Coltrane, and now, Sonny Rollins, all key musicians and all strong, unique personalities worthy of icon status in the world of music. Nisenson discusses his friendship with Miles and his new book, Open Sky : Sonny Rollins and His World of Improvisation

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November 29th, 2001

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Image by Matthias Gabriel from Pixabay
"Up in the Attic" -- a poem by Alan Yount

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

photo of Jackie McLean by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

“Me, Thinking about Nona Faustine” — a photo-narrative by Charles Ingham

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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