Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

      He was the biggest star in gospel music before he ever crossed over into pop. His first single under his own name, “You Send Me,” was an historic success, going to number one on the charts and selling two million copies. He wrote his own songs, hired his own musicians, and started … Continue reading “Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

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December 12th, 2005

Great Encounters #22: Cassius Clay, Malcolm X, and Sam Cooke — the Clay/Sonny Liston fight, Miami, 1964

Excerpted from Dream Boogie: The Triumph of Sam Cooke, by Peter Guralnick

Jerry Brandt got them all tickets for the Clay-Liston fight in Miami on February 25. Allen brought his wife, Betty, Sam took Barbara, and J.W. came by himself, with Allen arranging for accommodations at Miami’s resplendent Fountainebleau Hotel. Allen had already registered and was in his room when Sam arrived, only to be told that there had been a mix-up about the reservations. It was not as blatant as Shreveport,

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October 29th, 2005

Arthur Kempton, author of Boogaloo: The Quintessance of American Popular Music

“Boogaloo” is a term author Arthur Kempton suggests as an alternative to what was conventionally described as soul music, and a word to distinguish black popular music from jazz. Boogaloo encompassed three generations of signal personalities, from Thomas A. Dorsey, the so-called Father of Gospel Music, to Sam Cooke, Motown’s Berry Gordy, Stax Record’s Al Bell, and to the ascendency of hip-hop entrepreneurs Shug Knight and Russell Simmons. Their interconnections and influence on the art and commerce of black American popular music is the theme of his book, Boogaloo: The Quintessance of American Popular Music.

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August 27th, 2003

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Image by Matthias Gabriel from Pixabay
"Up in the Attic" -- a poem by Alan Yount

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

photo of Jackie McLean by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

“Me, Thinking about Nona Faustine” — a photo-narrative by Charles Ingham

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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