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On the web since 1999
. . Joseph Maita, Sr. c. 1935 . ___ . …..My father Joseph Maita (Sr.) was affable, charismatic, and loving – gifted as a musician and, ultimately, a successful business owner. He was also extraordinarily complex and challenged by having to make choices so many young parents find themselves confronting – following … Continue reading “True Jazz Stories: Musical Adventures of Joe Maita, Sr.”
...June 20th, 2021
In the fall of 1944, shortly following his medical discharge from the Navy, Artie Shaw formed a 17 piece band (without strings) that featured Barney Kessel on guitar, Dodo Marmarosa on piano, Ray Coniff on trombone, and the brilliant trumpeter Roy Eldridge, famous for his work with Gene Krupa’s band in the early 1940’s. The band, according to noted critic Leonard Feather, was “quite impressive” and exhibited “a refreshing lack of bad taste and bombast.”
This era of Shaw’s band resulted in several excellent recordings, among them
...October 21st, 2017
Happy Birthday #104 to Roy Eldridge, who in addition to being one of the great trumpet players of his time, is known as the “bridge” between Armstrong and Dizzy. I loved the brightness of his playing, and for contributing to one of the great moments in jazz — his vocal duet with Anita O’Day, leading into a seldom-in-a-generation trumpet solo on “Let Me Off Uptown.”
When I was a kid, my dad used to tell me stories about his friendship with “Eldridge,” and in particular one eventful experience he had while he was traveling with his band in Pennsylvania. In 1998, two years before his passing, my father wrote this piece for Jerry Jazz Musician about this very special experience in his life. I hope you enjoy his telling of it…
...January 30th, 2015
Excerpted from Roy Eldridge: Little Jazz Giant by John Chilton
The booking at the Capitol was extended into 1941, but Roy’s long term prospects looked no better than they had a year earlier. However, Roy’s old friend drummer Gene Krupa was about to offer him a life-changing opportunity. Krupa had finished his stint with Benny Godman almost three years earlier and was now one of the foremost bandleaders of the era. Krupa’s Band played at the Hotel Sherman in Chicago during late 1940 and Gene often visited the Capitol (with his wife Ethel and manager Frank Verniere) after he’d finished his sets. Sometimes Roy went off with Gene to find a nightspot on the South Side where they could jam and eat ribs. During this Chicago stay Roy, as ever, was always game for an “after-work” blow,
...July 29th, 2004
Roy Eldridge’s style is universally recognized as the all-important link between the playing of Louis Armstrong and the achievements of modernist Dizzy Gillespie. Roy’s daring harmonic approach and his technically awesome improvisations provided guidance and inspiration for countless jazz musicians, but he was also a star performer in his own right, whose recordings as a bandleader, and with Gene Krupa and Artie Shaw, gained him a durable international reputation. The indignities he experienced and overcame during the 1940’s while working in otherwise all-white ensembles proved he was as bold a social pioneer as he was a performer.
...January 19th, 2004
My name is Joe Maita, Sr. I am 81 years old and was a musician formany years. This is about my experience meeting and knowing the greattrumpet player Roy Eldridge.
...June 15th, 1998
”Every Time” by Michel Krug
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
Click here to read more short fiction published on Jerry Jazz Musician
Click here to read more book excerpts published on Jerry Jazz Musician
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