Interview with Mary Schmidt Campbell, author of An American Odyssey: The Life and Work of Romare Bearden

Mary Schmidt Campbell, author of .An American Odyssey: The Life and Work of Romare Bearden,discusses the remarkable life of this important American artist in a Jerry Jazz Musician interview.

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March 9th, 2019

A Roundtable conversation — “Religion ‘around’ Langston Hughes, Billie Holiday and Ralph Ellison”

. . Ralph Ellison Billie Holiday Langston Hughes   . …..While Langston Hughes, Billie Holiday and Ralph Ellison are not known as being “religious” figures, they have, in a way, become “sacred” figures. Revered, iconic and inspirational, their essential work contributed mightily to the creative climate of twentieth-century America, and did so in the midst … Continue reading “A Roundtable conversation — “Religion ‘around’ Langston Hughes, Billie Holiday and Ralph Ellison””

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January 7th, 2019

Ralph Ellison’s record collection

In a wonderfully entertaining and informative 2004 New Yorker piece titled “Ralph Ellison’s Record Collection,” Richard Brody reminds us of the Invisible Man author’s passion for jazz music — what he referred to as “American music” — and of his somewhat controversial (for the time) opinion of the musicians coming up.  While often revering the music of Armstrong, Ellington, and Lester Young (and who can blame him?), of Charlie Parker’s music, he wrote “there is in it a great deal of loneliness, self-deprecation and self-pity,” and, in a letter to friend Albert Murray following a 1958 Newport Jazz Festival performance, described Miles Davis as “poor, evil, lost little Miles Davis.”  He famously characterized bebop as “a listener’s music” that “few people are capable of dancing to it” — although this critique was probably more of a lament of a lost culture. 

But the crux of the story is not Ellison’s opinion about music, rather the recordings he collected, reported by Brody as

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September 12th, 2018

Invisible Man: Gordon Parks and Ralph Ellison in Harlem

Today’s New York Times informs us of an exhibition called “Invisible Man: Gordon Parks and Ralph Ellison in Harlem,” a 1948 collaboration among two of the era’s most prominent African-American artists. The show features newly discovered images and photographs that have never been exhibited.

According the Times piece, “the black-and-white photographs are vignettes of life in Harlem: street scenes of adults and children; political advocacy in real time; and imagined scenes from ‘Invisible Man,’ Ellison’s watershed 1952 novel. The photographs are

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June 2nd, 2016

Amiri Baraka’s Blues People at 50

The recent death of Amiri Baraka gets us looking back at the 1963 publication of his important and enduring study of jazz and and blues, Blues People: Negro Music in White America. Two pieces to turn interested readers to…The first, “The Blues,” by Ralph Ellison, first appeared in the February 6, 1964 edition of the New York Review of Books, and features Ellison’s classic line of criticism, “The tremendous burden of sociology which Jones would place upon this body of music is enough to give even the blues the blues.” The second, “Black History Meets Black Music” ‘Blues People’ at 50″ is a July 26, 2013 piece by Eugene Holley, Jr. published on NPR’s “A Blog Supreme,” in which Holley seeks opinion on the book from key contemporary critcs and musicians, including Harvard educator Ingrid Monson, who says that “Blues People is a brilliant and path-breaking book, not because all of its factual information is correct, or because all of its interpretive perspectives are unassailable, but because of the sheer audacity, scope and originality of its interpretive perspective.”

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January 19th, 2014

On the Influence of Albert Murray

One of my more interesting experiences as publisher of Jerry Jazz Musician was producing a series of interviews that focused on the work of the novelist Ralph Ellison. Invisible Man was a favorite novel of mine as a young man, but it wasn’t until I reread it in the 1990’s before I began to understand the enormity of its cultural significance. At that time, Ellison’s second (and unfinished) novel Juneteenth was being published, and a variety of books on Ellison were released at the same time – among them Living with Music, a collection of Ellison’s writings on jazz music edited by Columbia University scholar Robert O’Meally, and Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray.

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October 2nd, 2013

Historic Harlem Tour

Although it only encompasses about six square miles, the New York City neighborhood of Harlem has played a central role in the development of American culture. Originally rural farmland, then an affluent suburb, since 1911 Harlemhas been predominantly an African American community. Its residents havehad a disproportionately large impact on all aspects of American culture,leaving their mark on literature, art, comedy, dance, theater, music, sports, religion and politics.

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March 18th, 2013

The Ralph Ellison Project — Arnold Rampersad, author of Ralph Ellison: A Biography

Ralph Ellison is justly celebrated for his epochal novel Invisible Man, which won the National Book Award in 1953 and has become a classic of American literature. But Ellison’s strange inability to finish a second novel, despite his dogged efforts and soaring prestige, made him a supremely enigmatic figure. In Ralph Ellison: A Biography, Arnold Rampersad skillfully tells the story of a writer whose thunderous novel and astute, courageous essays on race, literature, and culture assure him of a permanent place in our literary heritage.

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August 20th, 2007

The Ralph Ellison Project: Robert O’Meally, editor of Living With Music, discusses Invisible Man author Ralph Ellison

While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.

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August 20th, 2002

The Ralph Ellison Project: interview with Lawrence Jackson, author of Ralph Ellison: Emergence of Genius

Author, intellectual and social critic, Ralph Ellison was a pivotal figure in American literature and history, and arguably the father of African-American modernism. Universally acclaimed for Invisible Man, a masterpiece of modern fiction, and more recently for the posthumously edited and published Juneteenth, Ellison was recognized with a succession of honors, including the 1953 National Book Award.

Lawrence Jackson’s Ralph Ellison: Emergence of Genius is the first thoroughly researched biography of Ellison.

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July 8th, 2002

Conversations with Gary Giddins: on Ralph Ellison

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in a June 21, 2002 conversation about Invisible Man author Ralph Ellison.

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June 21st, 2002

Hazel Rowley, author of Richard Wright: The Life and Times

The child of the fundamentalist South with an eighth-grade education, a self-taught intellectual in the working-class Communist Party of the 1930s, a black man married to a white woman, and an expatriate in France after World War II, Richard Wright was always an outsider. He went well beyond the limits of the times in which he lived, and sought to reconcile opposing cultures in his work.

“How the hell did you happen?” the Chicago sociologist Robert Park once asked Wright. In Richard Wright: His Life and Times, biographer Hazel Rowley shows how, chronicling with the dramatic drive of a novel Wright’s extraordinary journey from a sharecropper’s shack in Mississippi to international renown as a writer, fiercely independent thinker, and outspoken critic of racism.

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May 28th, 2002

The Ralph Ellison Project: Horace Porter, author of Jazz Country: Ralph Ellison in America

The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison’s writings and views on American culture through the lens of jazz music.

In Jazz Country, Porter addresses Ellison’s jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer’s personal and artistic inspiration and highlights the significance of Ellison’s camaraderie with two African American friends and fellow jazz fans — the writer Albert Murray and the painter Romare Bearden.

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April 15th, 2002

The Ralph Ellison Project: filmmaker Avon Kirkland discusses the author of Invisible Man

Filmmaker Avon Kirkland’s career as a chemist was cut short by his desire to create social change. The path he chose led to filmmaking, and along the way he has profiled great men, among them Booker T. Washington and Thurgood Marshall.

His latest film is on Ralph Ellison, the great American writer whose classic book of identity, Invisible Man, stands as a monument in literature. Ellison’s wide range of intellectual breadth and profundity surprised even Kirkland, and is documented in Ralph Ellison: An American Journey, the Sundance Film Festival nominated film that has found an audience via PBS.

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February 15th, 2002

The Ralph Ellison Project: Stanley Crouch discusses Invisible Man author Ralph Ellison

Stanley Crouch is an essayist, poet, former musician, jazz critic and author of the novel Don’t the Moon Look Lonesome. He is outspoken, controversial, clever, and right more often than many seem willing to admit. He is also a very thoughtful admirer of Invisible Man author Ralph Ellison, whose work and friendship touched Crouch enough that, when asked if he considered Ellison a mentor, without hesitation answered “Yes!” Crouch takes part in a very lively conversation about Ellison and a variety of associated topics, including Charlie Parker, and music’s place in American ritual.

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September 14th, 2001

The Ralph Ellison Project: Albert Murray, author of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray

When Albert Murray arrived at Tuskeegee Institute in 1935, Ralph Ellison was an upperclassman who was, in Murray’s words, “dressed like a ‘Joe College’ right out of Esquire magazine.” According to Murray, Ellison “represented the type of aspirations that I had been expecting for myself.”

While their paths split geographically, the two kindled an emotional and intellectual friendship that gained momentum during the era of Ellison’s creative peak, when his timeless novel of identity Invisible Man was being written, distributed, reviewed, and rewards reaped upon. They honored successes, encouraged intellectual growth, and shared a deep love of music. They were best friends.

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August 29th, 2001

The Ralph Ellison Project: Literary Executor John Callahan is interviewed about the author of Invisible Man

Being named literary executor of any writer’s estate would be quite an honor, let alone if the writer whose works you now caretake is Ralph Ellison, author of one of the 20th century’s greatest novels, Invisible Man. For long time Ellison friend John Callahan, “It was a challenge, and it was intimidating, exhilirating…”

Among the work left for Callahan was editing Ellison’s long awaited second novel, released as Juneteenth in 1999.

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July 18th, 2001

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

"Thinking About Charlie Parker" -- a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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