Quincy Jones on the marketing of jazz and the likelihood of success of a “properly-backed chimpanzee”

I came across a classic August, 1956 piece in Down Beat, “A Tribute to Brownie,” in which none other than Quincy Jones pays homage to the recently deceased Clifford Brown, and expresses a critical eye on the business of jazz – and his fellow performers – at the time…Here is the prominent and most entertaining section of the piece:

 

Here was the perfect amalgamation of natural creative ability, and the proper amount of technical training, enabling him to contribute precious moments of musical and emotional expression.  This inventiveness placed him in a class far beyond that of most of his poll-winning contemporaries.  Clifford’s self-assuredness in his playing reflected the mind and soul of a blossoming young artist who would have rightfully taken his place next to

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November 1st, 2017

Masters of Jazz Photography — Chuck Stewart

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Chuck Stewart

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October 18th, 2014

Remembering Cannonball Adderley — an appreciation by Quincy Jones

Cannonball Adderley was an endearing, charismatic and cutting-edge musician who, as Adderley biographer Cary Ginell writes in the introduction of Walk Tall: The Music and Life of Julian “Cannonball” Adderley “brought an enthusiasm for his music to nightclubs around the world, expanding jazz’s boundaries with a fresh exuberance as the music progressed from the bebop of the 1940s and ’50s to combine with gospel and soul to help pioneer the subgenres of hard bop and soul jazz in the ’60’s.” His signature sound — though cut short at the age of 46 in 1975 — remains an essential ingredient of the music’s past, present and future.

I am in the process of working on an interview with Ginell, which I expect will be published sometime in August. Meanwhile, the book’s Foreward — a fond remembrance of Adderley by his friend Quincy Jones — is published here in its entirety,

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August 1st, 2014

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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