Life (and living) in the era of isolation and social distancing

I am writing to share some of the ways I am coping with the current alarming situation, to fill readers in on a few things that are going on with Jerry Jazz Musician, and to invite you to share your own thoughts during this time.

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April 6th, 2020

Happy Birthday to George Cables — the pianist Art Pepper called “Mr. Beautiful”

George Cables is 69 years old today. The great bebop pianist — who played with Art Blakey, Dexter Gordon, Art Pepper (who called him “Mr. Beautiful”), Sonny Rollins, Freddie Hubbard, Joe Henderson, and countless others — continues to be an important contributor to jazz, but especially so during the 1970’s, when bebop was not the easiest musical genre to find on recordings of the time. When I was breaking into the record business in the late 1970’s, his Contemporary Records recording Cables Vision was a fixture on my turntable — a record that featured Hubbard on trumpet, Ernie Watts on sax, Bobby Hutcherson on vibes, and Peter Erskine on drums. To this day it sounds fresh and invigorating and irresistible.

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November 14th, 2013

On the Influence of Albert Murray

One of my more interesting experiences as publisher of Jerry Jazz Musician was producing a series of interviews that focused on the work of the novelist Ralph Ellison. Invisible Man was a favorite novel of mine as a young man, but it wasn’t until I reread it in the 1990’s before I began to understand the enormity of its cultural significance. At that time, Ellison’s second (and unfinished) novel Juneteenth was being published, and a variety of books on Ellison were released at the same time – among them Living with Music, a collection of Ellison’s writings on jazz music edited by Columbia University scholar Robert O’Meally, and Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray.

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October 2nd, 2013

When Charlie Parker Played for Igor Stravinsky

Ever since Patrick Jarenwattananon of the NPR Classical Music blog Deceptive Cadence published a story called “Why Jazz Musicians Love ‘The Rite of Spring'” in May, there has been a lot of traffic on the Jerry Jazz Musician page devoted to the meeting of Charlie Parker and Igor Stravinsky. NPR linked their readers to our “Great Encounters” page called “When Charlie Parker played for Igor Stravinsky,” where Jazz Modernism author, the late jazz scholar Alfred Appel, tells the story of how “Stravinsky roared with delight

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September 27th, 2013

John Goodman on Charles Mingus — An Interview Fragment

I recently published an interview with John Goodman, author of Mingus Speaks, a terrific book of interviews Goodman conducted with Mingus in the early ’70’s.

The following is an interview fragment…

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September 25th, 2013

Fats Navarro’s 90th Birthday

“As an influence, Navarro was important almost immediately after he first made his presence felt in the mid-1940s Billy Eckstine band. Kenny Dorham was affected early in his career and you could hear Fats in Red Rodney too. Then, of course, came Clifford Brown and through him Navarro has indirectly influenced so many of the young trumpeters playing today.”

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September 24th, 2013

Roger Singer: A Seriously Good Jazz Poet

For years, we have been publishing work by poets from all over the world who are dedicated to putting into words their relationship with jazz music. Our most prolific poet is Roger Singer, a living, breathing example of fire and love and brilliance. His contribution to the art of jazz is here – all 26 pages of it – in full glory, waiting for interested readers to discover.

Here is a new poem of his, just published today…

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September 20th, 2013

On the Passing of Jazz Photographer Lee Tanner

There is no disputing the fact that the power of jazz lies within the music itself. Giants of the art like Armstrong, Duke, Basie, Dizzy, Bird, Monk, Miles and Coltrane ushered us into this music with a display of genius so great that an entire lifetime isn’t ample space to fully absorb all their passion.

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September 16th, 2013

A Letter from the Publisher/Introducing Jazz Fiction writer Arya Jenkins

For 11 years, Jerry Jazz Musician has sponsored 33 Short Fiction Contests resulting in 30 different contest winners. During that time, I estimate that I have read and considered over 3,000 short stories.

The stories vary in content and quality, of course, and it has been my goal to publish the best story regardless of its theme. This has at times led to confusion by some writers over the years who believe that, since Jerry Jazz Musician’s focus is on jazz history – and in particular within the confines and culture of mid-20th Century America – the winning story should always be about jazz or a character within that setting.

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September 12th, 2013

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

Ornette Coleman 1966/photo courtesy Mosaic Images
In a Jerry Jazz Musician interview, Ornette Coleman: The Territory And The Adventure author Maria Golia discusses her compelling and rewarding book about the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Poetry

Mood Indigo by Matthew Hinds
An invitation was extended recently for poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season. The first volume of this poetry is now published.

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Interview

A now timely 2002 interview with Tim Madigan, author of The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921. My hope when I produced this interview was that it would shed some light on this little-known brutal massacre, and help understand the pain and anger so entrenched in the American story. Eighteen years later, that remains my hope. .

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 8 of the narratives are “The Entrance of Bessie Smith into San Diego”, “Lionel Hampton Is Coming to Dinner at Dr. Gordon’s House”, and “Lionel Hampton: Central Avenue Breakdown”

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #139

photo by William Gottlieb/Library of Congress
This bassist played with (among others) Charlie Parker, Erroll Garner, Art Tatum, Nat “King” Cole (pictured), Dexter Gordon, James Taylor and Rickie Lee Jones, and was one of the earliest modern jazz tuba soloists. He also turned down offers to join both Duke Ellington’s Orchestra and the Louis Armstrong All-Stars. Who is he?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

A&M Records/photo by Carol Friedman
In this edition, producer John Snyder recalls Sun Ra, and his 1990 Purple Night recording session

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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