Happy Birthday to George Cables — the pianist Art Pepper called “Mr. Beautiful”

George Cables is 69 years old today. The great bebop pianist — who played with Art Blakey, Dexter Gordon, Art Pepper (who called him “Mr. Beautiful”), Sonny Rollins, Freddie Hubbard, Joe Henderson, and countless others — continues to be an important contributor to jazz, but especially so during the 1970’s, when bebop was not the easiest musical genre to find on recordings of the time. When I was breaking into the record business in the late 1970’s, his Contemporary Records recording Cables Vision was a fixture on my turntable — a record that featured Hubbard on trumpet, Ernie Watts on sax, Bobby Hutcherson on vibes, and Peter Erskine on drums. To this day it sounds fresh and invigorating and irresistible.

...

November 14th, 2013

On the Influence of Albert Murray

One of my more interesting experiences as publisher of Jerry Jazz Musician was producing a series of interviews that focused on the work of the novelist Ralph Ellison. Invisible Man was a favorite novel of mine as a young man, but it wasn’t until I reread it in the 1990’s before I began to understand the enormity of its cultural significance. At that time, Ellison’s second (and unfinished) novel Juneteenth was being published, and a variety of books on Ellison were released at the same time – among them Living with Music, a collection of Ellison’s writings on jazz music edited by Columbia University scholar Robert O’Meally, and Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray.

...

October 2nd, 2013

When Charlie Parker Played for Igor Stravinsky

Ever since Patrick Jarenwattananon of the NPR Classical Music blog Deceptive Cadence published a story called “Why Jazz Musicians Love ‘The Rite of Spring'” in May, there has been a lot of traffic on the Jerry Jazz Musician page devoted to the meeting of Charlie Parker and Igor Stravinsky. NPR linked their readers to our “Great Encounters” page called “When Charlie Parker played for Igor Stravinsky,” where Jazz Modernism author, the late jazz scholar Alfred Appel, tells the story of how “Stravinsky roared with delight

...

September 27th, 2013

John Goodman on Charles Mingus — An Interview Fragment

I recently published an interview with John Goodman, author of Mingus Speaks, a terrific book of interviews Goodman conducted with Mingus in the early ’70’s.

The following is an interview fragment…

...

September 25th, 2013

Fats Navarro’s 90th Birthday

“As an influence, Navarro was important almost immediately after he first made his presence felt in the mid-1940s Billy Eckstine band. Kenny Dorham was affected early in his career and you could hear Fats in Red Rodney too. Then, of course, came Clifford Brown and through him Navarro has indirectly influenced so many of the young trumpeters playing today.”

...

September 24th, 2013

Roger Singer: A Seriously Good Jazz Poet

For years, we have been publishing work by poets from all over the world who are dedicated to putting into words their relationship with jazz music. Our most prolific poet is Roger Singer, a living, breathing example of fire and love and brilliance. His contribution to the art of jazz is here – all 26 pages of it – in full glory, waiting for interested readers to discover.

Here is a new poem of his, just published today…

...

September 20th, 2013

On the Passing of Jazz Photographer Lee Tanner

There is no disputing the fact that the power of jazz lies within the music itself. Giants of the art like Armstrong, Duke, Basie, Dizzy, Bird, Monk, Miles and Coltrane ushered us into this music with a display of genius so great that an entire lifetime isn’t ample space to fully absorb all their passion.

...

September 16th, 2013

A Letter from the Publisher/Introducing Jazz Fiction writer Arya Jenkins

For 11 years, Jerry Jazz Musician has sponsored 33 Short Fiction Contests resulting in 30 different contest winners. During that time, I estimate that I have read and considered over 3,000 short stories.

The stories vary in content and quality, of course, and it has been my goal to publish the best story regardless of its theme. This has at times led to confusion by some writers over the years who believe that, since Jerry Jazz Musician’s focus is on jazz history – and in particular within the confines and culture of mid-20th Century America – the winning story should always be about jazz or a character within that setting.

...

September 12th, 2013

In this Issue

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Poetry

photo of Archie Shepp by Veryl Oakland
"Archie Shepp's Jazz Song," by Susana Case

Art

Art by Charles Ingham
“Charles Ingham’s Jazz Narratives” — Vol. 1 -- a unique view of jazz history

Jazz History Quiz #133

photo by William Gottlieb/Library of Congress
This musician first recorded with Ben Pollack’s band in 1936, and then joined Benny Goodman (pictured) in 1937. He eventually started his own band, in which Frank Sinatra sang for a short time in 1939. In 1941 he recorded “You Made Me Love You (I Didn’t Want to Do It”), which made him a star — second only to Glenn Miller in popularity in 1942. Who is he?

Community

News about the poet Arlene Corwin

Photography

photo of Stephane Grappelli by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of violinists Joe Venuti, Stephane Grappelli, Jean-Luc Ponty, Zbigniew Seifert, and Leroy Jenkins

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In this edition, producer Helen Keane tells Michael Jarrett, author of Pressed For All Time: Producing the Great Jazz Albums about how the collaboration of Tony Bennett and Bill Evans began, culminating in the 1975 recording, The Tony Bennett/Bill Evans Album.

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive