Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

      He was the biggest star in gospel music before he ever crossed over into pop. His first single under his own name, “You Send Me,” was an historic success, going to number one on the charts and selling two million copies. He wrote his own songs, hired his own musicians, and started … Continue reading “Peter Guralnick, author of Dream Boogie: The Triumph of Sam Cooke

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December 12th, 2005

David Evanier, author of Roman Candle: The Life of Bobby Darin

As a performer, Bobby Darin rivaled Frank Sinatra. Energizing the early rock-and-roll scene with his rollicking classic “Splish Splash,” Darin then became a top-draw nightclub act. Chronic illness dogged him from childhood, setting the tone of urgency that inspired a career full of dizzying twists and turns: from teen idol to Vegas song-and-dance man, and from hipster to folkie and back.

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June 20th, 2005

Michael Dregni, author of Django: The Life and Music of a Gypsy Legend

Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Handsome, charismatic, childlike, and unpredictable, Reinhardt was a character out of a picaresque novel. Born in a gypsy caravan at a crossroads in Belgium, he was almost killed in a freak fire that burned half of his body and left his left hand twisted into a claw. But with this maimed left hand flying over the frets and his right hand plucking at dizzying speed, Django became Europe’s most famous jazz musician, commanding exorbitant fees — and spending the money as fast as he made it.

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March 9th, 2005

Arthur Kempton, author of Boogaloo: The Quintessance of American Popular Music

“Boogaloo” is a term author Arthur Kempton suggests as an alternative to what was conventionally described as soul music, and a word to distinguish black popular music from jazz. Boogaloo encompassed three generations of signal personalities, from Thomas A. Dorsey, the so-called Father of Gospel Music, to Sam Cooke, Motown’s Berry Gordy, Stax Record’s Al Bell, and to the ascendency of hip-hop entrepreneurs Shug Knight and Russell Simmons. Their interconnections and influence on the art and commerce of black American popular music is the theme of his book, Boogaloo: The Quintessance of American Popular Music.

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August 27th, 2003

“Blues for Clement Greenberg,” a Jerry Jazz Musician hosted roundtable on jazz criticism, with Stanley Crouch, Martha Bayles and Loren Schoenberg

The fact that writer Stanley Crouch is willing to speak his mind has been known to readers of cultural criticism for three decades. Depending on one’s outlook, his views on jazz, politics, and race often spark outrage, applause, or provoke debate. In April, 2003, Jazz Times magazine, host to Crouch’s monthly column “Jazz Alone,” published “Putting the White Man in Charge,” a provocative essay covering topics familiar to Crouch readers, most notably his aggressive defense of the jazz idiom and its African American heritage. In the essay he wrote that critics like respected Atlantic Monthly writer Francis Davis see “jazz that is based on swing and blues as the enemy and, therefore, lifts up someone like, say, Dave Douglas as an antidote to too much authority from the dark side of the tracks.”

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May 4th, 2003

Will Friedwald, author of Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs

In Stardust Melodies: A Biography of Twelve of America’s Most Popular Songs, author Will Friedwald takes these legendary songs apart and puts them together again, with unprecedented detail and understanding. Each song’s history is explored — the circumstances under which it was written and first performed — and then its musical and lyric content.

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August 2nd, 2002

Max Morath, author of The NPR Curious Listener’s Guide to Popular Standards

American Popular Standards have become a vital part of our cultural heritage. They are the show tunes of Broadway and Hollywood, which – taken up by swing bands, jazz singers, and countless other performers of every description – were for decades the sound of popular music.

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June 5th, 2002

Martha Bayles, author of Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

Few observers of cultural history articulate their viewpoints quite like Martha Bayles. Her opinions on popular culture are intelligent, controversial, and in demand. Her essay on Miles Davis recently appeared in the New York Times, and for years she was the television and arts critic for the Wall Street Journal, where her work still appears. Her book, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music, was hailed by the Chicago Tribune as an “important book.” The New York Times said, “Ms. Bayles tells a morality tale of how culture lost its way by adopting attitudes that undermine its finest achievements.”

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April 7th, 2001

Conversations with Gary Giddins: on Bing Crosby

When Gary Giddins, the jazz critic and columnist for the Village Voice, began work on an in-depth biography of Bing Crosby, many asked him, “Why?” He has explained that Crosby, perhaps the most famous entertainer in America between 1927 and 1956, has been unjustly forgotten since his death in 1977.

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March 22nd, 2001

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Interview

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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