“Afterwards — For the Spring, 2020” — a poem by Alan Yount

. . photo Bret Stewart/Wikimedia Commons . . Afterwards …………………….For the Spring of 2020 . …………………..“The World Breaks Everyone, And Afterwards, ……………………Many Are Stronger At The Broken Places.” …………………………………………………………….– Ernest Hemingway.   . many, many, years ago …………I was in need …………………..of some extra money. I had decided …………to sell my upright 1940’s ………………….. kay … Continue reading ““Afterwards — For the Spring, 2020” — a poem by Alan Yount”

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May 23rd, 2020

News about the poet Michael L. Newell

. . . …..The poet Michael L. Newell, whose work has often appeared in the pages of Jerry Jazz Musician, has informed me that his new book, Wandering, is now available.  Published by cyberwit.net, the book features selections of his poetry from the past fifty years. …..Michael draws readers into his lyrical, vast world with … Continue reading “News about the poet Michael L. Newell”

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May 22nd, 2020

A Collection of Jazz Poetry — Spring, 2020 Edition

33 poets from all over the globe contribute 47 poems.  Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring.

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May 12th, 2020

“The Rumproller” — a poem by Kristofer Collins

There is a great banging coming from inside the brewery
while out here in the sun my blood knocks at the blue
ceilings of my veins like an irate tenant in the apartment
one floor down unprepared for that first blast of Lee
Morgan’s trumpet

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March 31st, 2020

Book Excerpt: The Music of Time: Poetry in the Twentieth Century, by John Burnside

In the introduction to The Music of Time: Poetry in the Twentieth Century, the T.S. Eliot prize-winning poet, novelist and memoirist John Burnside writes; “Can poetry save the world, as [poet Lawrence] Ferlinghetti suggests?  This will sound quixotic, but I have to say, not only that it can, but that it does.” The introduction to the book – excerpted here in its entirety – is Burnside’s fascinating conversation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

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March 27th, 2020

A Collection of Jazz Poetry — Winter, 2020 Edition

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors.  Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

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February 17th, 2020

“We Call Him Man-Man” — a poem by Aurora M. Lewis

. . . We Call Him Man-Man ……………In honor of my grandson, Domonic His name is Domonic, we call him Man-Man Only 13, but whatever he wants to do he can He has music running through his veins Beats, rhythms, melodies on his brain At 6 he played the drums in the school drumline moving … Continue reading ““We Call Him Man-Man” — a poem by Aurora M. Lewis”

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January 5th, 2020

“Quiet Xmas” — a poem by Arlene Corwin

There will be no presents, wrapped or not.
Gifts can be sought, bought, ought to
Anytime, occasion rhyming with a need one’s own.
Food? By all means, and of course!
Lots of courses, for it’s fun to cook,
Break traditions, keeping some.
Summing up a feel and food one’s own.

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December 24th, 2019

News regarding the poet John Stupp

I have had the privilege of publishing John Stupp’s poetry for several years now.  Every time he gifts me with an email stuffed with submissions, I eagerly open it like a kid unwrapping the shiniest package under the tree.  His creativity is really, honestly, that special.

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December 4th, 2019

A Collection of Jazz Poetry — Fall, 2019 Edition

Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.
(Featuring the art of Russell Dupont)

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November 11th, 2019

“Vespers” — a poem by John Stupp

    . . CC0 Public Domain Power house mechanic working on steam pump photo by Lewis Hine, 1920.  . .   . Vespers  In the foundry men made engine blocks ate dirt ate sand made fire Henry Ford was the captain and his word was law when a shift was done there was a … Continue reading ““Vespers” — a poem by John Stupp”

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September 2nd, 2019

Poetry by Michael L. Newell and John Stupp

    . . Photo by. Marco Chilese .on. Unsplash . .   Prayer to the Three Rivers in Pittsburgh . Who I love who I pray for more than anyone but my wife and children do you think of me beautiful Allegheny when you reach the Gulf of Mexico? Monongahela what about you? and … Continue reading “Poetry by Michael L. Newell and John Stupp”

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August 14th, 2019

Poems for Rahsaan Roland Kirk — by John L. Stanizzi

. . Rahsaan Roland Kirk at the Jazz Workshop, San Francisco April, 1967 (photo by permission Veryl Oakland)   . . FROM FLYTOWN When I die I want them to play the Black and Crazy Blues, I want to be cremated, put in a bag of pot and I want beautiful people to smoke me … Continue reading “Poems for Rahsaan Roland Kirk — by John L. Stanizzi”

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August 1st, 2019

A collection of jazz poetry — Summer, 2019 edition

Seventeen poets contribute to a collection of jazz poetry reflecting an array of energy, emotion and improvisation

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July 25th, 2019

“Climate Change” — a poem by John Stupp

  . .   . Climate Change If the sea keeps rising it will reach Pittsburgh tomorrow and I will put on new clothes and forget Myrtle Beach and Charleston and the Outer Banks and I will pray with the fish over rusty mills and trade places with ore cars and cranes roses are red … Continue reading ““Climate Change” — a poem by John Stupp”

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July 20th, 2019

A collection of jazz poetry — June, 2019 edition

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

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June 6th, 2019

Seven poets, seven poems…a septet of jazz poetry

A low tide
in South Carolina recedes
like the end of a Sonny Rollins solo
until
sand leaves its resume in the inlet
or until
pelicans take the remaining choruses
out where the ocean says I am the God

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May 24th, 2019

A special collection of poetry devoted to mothers and fathers

This month, in a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

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May 8th, 2019

Two poems by John Jack Jackie (Edward) Cooper

. .   . . Trajet Introspeculative — to Sun Ra, Saturday night: on one (actually, Sun Da morning) — terrible swift disin- clination to forgive the equally terrible tyranny of time signa- ture, attesting to what can, which must not — that, that ken abundant wherever choi- ces be told: rs, joints, and drums, … Continue reading “Two poems by John Jack Jackie (Edward) Cooper”

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May 7th, 2019

A collection of jazz poetry — April, 2019 edition

Seventeen poets contribute 21 poems in this month’s edition…

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April 10th, 2019

“Miles” — a poem by Susandale

  . . . .   Miles  In five notes …all the sadness of life A pause___ long enough …for another sorrow ………to slip in And then___ a note so piercing, …it hurts . by Susandale . . ___ . .     . Susandale’s poems and fiction are on .WestWard Quarterly, Mad Swirl, Penman … Continue reading ““Miles” — a poem by Susandale”

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March 15th, 2019

“John Coltrane (for Amiri Baraka)” — a poem (with collage) by Steve Dalachinsky

John Coltrane
A bitter wind blows thru A LOVE SUPREME
& people are still waiting for the Ascension
with their eyes closed teeth clenched & fingers crossed

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February 5th, 2019

A collection of jazz poetry — February, 2019 edition

Twelve poets contribute 15 poems to this month’s collection

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February 5th, 2019

“Serendipity” — a poem by Michael L. Newell

. .   . . SERENDIPITY As I walk down the dirt road from my job, headed slowly home, I pass a few people wandering here and there as their work day ends; I amble past an old home with a corrugated metal roof, bricks holding down the sheets of metal from blowing away, a … Continue reading ““Serendipity” — a poem by Michael L. Newell”

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February 1st, 2019

“Billie Holiday” — a poem (with collage) by Steve Dalachinsky

. .   “Billie Holiday” by Steve Dalachinsky . . Billie Holiday someone’s special greatness hides inside us somewhere like a strange fruit……..unexplainable hard ripe rotten..fine..fractured but mellow filled with love…disappointment & solitude & heavy like…a rock in one’s heart you may make it or you may die in your room overlooking the park….or an … Continue reading ““Billie Holiday” — a poem (with collage) by Steve Dalachinsky”

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January 7th, 2019

A collection of poetry celebrating the culture of jazz — January, 2019

  . . In this collection, nine poets contribute ten poems celebrating jazz in poems as unique as the music itself . . . .   I Am Jazz . I Am Jazz. It is my nature to evolve, to change and adapt. I’m restless. I move towards a future I cannot see or predict. … Continue reading “A collection of poetry celebrating the culture of jazz — January, 2019”

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January 7th, 2019

Two poems for the New Year…by Alan Yount and Michael L. Newell

. . . . AS DAY ENDS . Clark Terry’s horn unleashes a silvery note ……………….that ascends ………………………ever higher ………………………………to join a golden full moon ………………………………………rising into early evening orbit. When the note ends, listeners discover they have forgotten ……………….to breathe, ………………………and slowly rejoin ………………………………………their quiet neighborhood and prepare for sleep ………where they will drift … Continue reading “Two poems for the New Year…by Alan Yount and Michael L. Newell”

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December 31st, 2018

“He Wrote a Song for Tina” — a poem by Aurora Lewis

. . . . . He Wrote a Song for Tina Monk’s first love was Ruby, McCoy Tyner wrote of Aisha, Miles, Back Seat Betty and he wrote a song for Tina the one who broke his heart, led astray only to creep back in again with someone else’s baby, I nursed his wounds gave … Continue reading ““He Wrote a Song for Tina” — a poem by Aurora Lewis”

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December 26th, 2018

Three poems by Phyllis Wax

. . .   Cool Blue He leaned back, closed his eyesand blew and knewthat next to him a string bass twirled,was plucked and plinked, and the drumwas a follow-up man with a tin cancollecting coins from flat handsmeeting in the darkto celebrate the soulfulsound of his breathbecause the moon was fulland the night cooland … Continue reading “Three poems by Phyllis Wax”

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December 19th, 2018

Poetry celebrating jazz and the holiday season

  . . 12 poets contribute 19 poems dedicated to the culture of jazz music, and to the holiday season… .   .   Collage by Steve Dalachinsky     John Stupp’s third poetry collection Pawleys Island was published in 2017 by Finishing Line Press. His manuscript Summer Job won the 2017 Cathy Smith Bowers Poetry Prize and will … Continue reading “Poetry celebrating jazz and the holiday season”

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December 14th, 2018

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 7 of the narratives are “Torn from Its Moorings", "Watching the Sea" and "Plantations" (featuring west coast stories of Ornette Coleman and Billie Holiday)

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #138

photo by William Gottlieb/Library of Congress
Shortly following their famed 1938 Carnegie Hall performance, Benny Goodman’s drummer Gene Krupa left the band to start his own. Who replaced Krupa?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Poetry

photo Bret Stewart/Wikimedia Commons
“Afterwards — For the Spring, 2020” — a poem by Alan Yount

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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