Revisiting “An Experiment in Modern Music”

The February 12, 1924 concert by Paul Whiteman at New York’s Aeolian Hall was billed as “An Experiment in Modern Music.” As reported by New York Times critic Olin Downes, who attended the event, “the concert was referred to as ‘educational,’ to show the development of this type of music [jazz].” The concert is now best remembered for being the setting for the world premiere of Rhapsody in Blue, with composer George Gershwin at the piano. As Times critic John S. Wilson wrote in 1987, “this concert is today considered a defining event of the Jazz Age and the cultural history of New York City.”

In this excerpt from Whiteman’s 1926 autobiography Jazz – written with essayist Mary Margaret McBride – Whiteman writes about his Aeolian Hall concert experience, and in particular the appeal of Rhapsody, which he described as

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August 21st, 2016

Revisiting “The Jazz Problem”

In 1924, jazz was becoming popular in the major cities of New Orleans, Chicago, Kansas City and New York, and with Paul Whiteman’s Aeolian Hall performance of George Gershwin’s Rhapsody in Blue, it was being judged in some critical circles as a serious musical art form. That wasn’t the opinion of everyone, of course.

“‘Jazz’ has created a ‘malarious’ atmosphere in the musical world. It is abnormal. The air needs clarifying.” So wrote popular music composer Robert M. Stults in the August 1924 edition of The Etude magazine, an issue dedicated to what they defined as “The Jazz Problem.”

The Etude was published from 1883 – 1957 and was a popular music publication of the era. Its primary audience was made up of popular music teachers, and the debate of the time of this particular edition was the legitimacy of this controversial new music known as “Jazz.” To solicit opinion about jazz, The Etude posed the question “Where is Jazz Leading America?” to composers, educators, musicians, members of the clergy, playwrights and novelists.

The debate inspired by this question featured fascinating perspectives,

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February 27th, 2014

Joshua Berrett, author of Louis Armstrong and Paul Whiteman: Two Kings of Jazz

Joshua Berrett’s Louis Armstrong and Paul Whiteman: Two Kings of Jazz is a dual biography of two great innovators in the history of jazz. One was black, one was white — one is now legendary, the other nearly forgotten. Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practioners — Whiteman, legendary in his day, and Armstrong, a legend ever since.

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October 4th, 2004

In This Issue

In this issue, 25 noted critics, writers, musicians and artists answer the question, “What are some of your all-time favorite record album covers?”…Also, an interview with Romare Bearden biographer Mary Schmidt Campbell; ”And so we left for Paris” a short story by Sophie Jonas-Hill; two new podcasts by Bob Hecht (one on Paul Desmond, the other on Art Farmer); 18 poets contribute 20 poems to our March poetry collection; new jazz listening recommendations; and lots more…

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Poetry

Eighteen poets contribute 20 poems in the March collection

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

The Joys of Jazz

Two new podcasts from Bob Hecht -- on Paul Desmond, and Art Farmer

Poetry

“King Louis en le toilette” — a poem (and collage) by Steven Dalachinsky

On the Turntable

Recommended listening…Check out these 18 recently released jazz recordings by Branford Marsalis, Anna Maria Jopek, Ralph Alessi, Larry Grenadier, Jon Cowherd, Stephane Galland, Mathias Eick and the Jimbo Tribe

Art

“Thinking about Robert Johnson” — a photo narrative by Charles Ingham

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

An interview with Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon

In the previous issue

The February, 2019 issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Contributing writers

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