Reminiscing in Tempo: “What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”

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March 12th, 2019

A memory of Nat Hentoff

Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician.  He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.

Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.

 

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     In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article. 

     These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention

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January 30th, 2017

Cover Stories with Paul Morris, Vol. 18

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon. In this edition, Paul writes about album covers picturing designer furniture

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July 8th, 2016

A Moment in Time — Capitol Records’ Studio A, 1956

In 1956, shortly after recording Songs for Swingin’ Lovers — which included the ultimate Frank Sinatra tune, Cole Porter’s “I’ve Got You Under My Skin” — Sinatra’s career was white-hot. His record contract with Capitol was up for renegotiation, which posed a financial challenge for Capitol, who competed with other labels, particularly RCA, for Sinatra’s services. “When we took him on two and half years ago, Frank couldn’t get a record,” Capitol executive Alan Livingston told Downbeat. “Now, every company in the business is after him.”

After signing Sinatra to a seven-year contract that carried an annual guarantee of $200,000, Sinatra biographer James Kaplan writes that he had a “virtual carte blanche to record whatever he pleased. The suits were happy enough with their star to grant him an indulgence or two, and the first was

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January 21st, 2016

Shopping for vinyl in Northeast Portland

“Cover Stories with Paul Morris” is a popular feature found on Jerry Jazz Musician that looks at the serious art – and serious comedy – of vintage album cover art. Paul is a dear friend of mine and fellow Portland resident who happens to be a music scholar and album cover collector. In most cases, it is not the music he seeks, it is the work of the artist who created the design.

Yesterday was a pretty typical late March Portland day – cool, gray and drizzly with an occasional dose of sunshine. It was “jacket weather” but no umbrella was necessary. It was a great day to hit a few record stores, of which there are many in this amazing town. Portland has more record stores (predominantly selling vinyl) than any other

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March 26th, 2015

“What are 3 or 4 of your favorite jazz record albums of the 1970’s?”

In this edition of “Reminiscing in Tempo: Memories and Opinion,” noted critics and musicians list their favorite jazz record albums of the 1970’s.

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September 24th, 2014

Coming Soon: Cover Stories with Paul Morris

           Fans of album cover art are in for a unique and entertaining experience — “Cover Story with Paul Morris” will debut on Jerry Jazz Musician on Tuesday, October 8. Morris is an avid Portland, Oregon collector who, in his words, will “share his enthusiasm for the artists who created album covers in the ‘40s and ‘50s.”

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October 6th, 2013

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

Short Fiction Contest-winning story #51 — “Crossing the Ribbon,” by Linnea Kellar

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

“Thinking about the Truesdells” — a photo-narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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