“Pressed for All Time,” Vol. 2 — producer John Snyder on Ornette Coleman

In this edition,  Michael Jarrett interviews producer John Snyder about the experience of working with Ornette Coleman at the time of his 1977 album Dancing in Your Head for Horizon Records — a division of A & M Records (under Herb Alpert and Jerry Moss)

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July 26th, 2019

Two poems by John Jack Jackie (Edward) Cooper

. .   . . Trajet Introspeculative — to Sun Ra, Saturday night: on one (actually, Sun Da morning) — terrible swift disin- clination to forgive the equally terrible tyranny of time signa- ture, attesting to what can, which must not — that, that ken abundant wherever choi- ces be told: rs, joints, and drums, … Continue reading “Two poems by John Jack Jackie (Edward) Cooper”

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May 7th, 2019

Jazz History Quiz #111

This bassist played in Ornette Coleman’s early bands before eventually leading the Liberation Music Orchestra, where he became known as one of free jazz’s founding fathers. Who is he?

Jaco Pastorius
Charlie Haden
Stanley Clarke
Dave Holland
Ron Carter
Jimmy Garrison
Steve Swallow

Go to the next page for the answer!

 

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April 18th, 2018

“Ornette’s Permanent Revolution” — a 1985 essay by Francis Davis

While hunting around the Internet for tributes of Ornette Coleman (a collection of which I will attempt to point readers toward tomorrow), I was reminded of the critic Francis Davis’s essay titled “Ornette’s Permanent Revolution.” Originally published in the September, 1985 edition of The Atlantic, Davis, now the jazz critic for the Village Voice, writes eloquently about the complexities of the great saxophonist’s “clean break from convention.” It is a worthy and timely read…

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All hell broke loose when the alto saxophonist Ornette Coleman made his East Coast nightclub debut, at the Five Spot Cafe, in Greenwich Village on November 17, 1959—twenty-five years ago last fall.

The twenty-nine-year-old Coleman arrived in New York having already won the approval of some of the most influential jazz opinion makers of the period. “Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of

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June 17th, 2015

Memorable Quotes — Ornette Coleman

“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”

– Ornette Coleman

1930 – 2015

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June 11th, 2015

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Image by Matthias Gabriel from Pixabay
"Up in the Attic" -- a poem by Alan Yount

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

photo of Jackie McLean by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

“Me, Thinking about Nona Faustine” — a photo-narrative by Charles Ingham

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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