“Pressed for All Time,” Vol. 3 — producer Nat Hentoff on Charles Mingus

In this edition, Michael Jarrett interviews producer Nat Hentoff about his experience of producing recordings for Candid Records, and in particular the 1961 album, Charles Mingus Presents Charles Mingus

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September 18th, 2019

The Civil Rights Movement – in a drum solo

Among the many important events of the civil rights movement were the demonstrations known as the “Freedom Rides, in which activists rode interstate buses in the south in 1961 and beyond in protest of local laws enforcing segregation in bus seating and in bus terminals in defiance of the United States Supreme Court decisions  Morgan v. Virginia (1946) and Boynton v. Virginia (1960) ruling segregation of buses unconstitutional. 

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February 28th, 2019

A memory of Nat Hentoff

Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician.  He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.

Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.

 

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     In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article. 

     These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention

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January 30th, 2017

A writer’s appreciation of Nat Hentoff — by Scott Shachter

I was eighteen when I read Nat Hentoff’s Jazz Is, and it changed my life. I’d always thought good jazz was just the crafting of pretty notes with a smooth feel. I’d never imagined it could be a “cry for justice.” Or a captivating tour through a heart lay bare. The greatest jazz goes even beyond that: the symphony of a soul freshly released and taking flight, nothing less than what Nat calls “spirit-music.”

As readers know, Nat Hentoff was far more than a jazz authority. He was a spectacular writer and a freedom-of-speech icon with no tolerance for hypocrisy. He was a great hero of

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January 11th, 2017

On Nat Hentoff

I am saddened to read of the passing of journalist Nat Hentoff, who died yesterday at the age of 91. Hentoff’s work was published by the Village Voice for 50 years, and was also frequently found in the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times. He was also editor of Downbeat during the mid-1950’s. There are many obituaries available to read about Nat and his career – including Robert McFaddin’s in today’s New York Times.

As I began publishing original content on Jerry Jazz Musician in 1999, I had the privilege of having my site embraced by the three most prominent jazz writers of the time, Gary Giddins, Stanley Crouch, and Nat Hentoff. All three of them got involved in Jerry Jazz Musician in their own way.

Giddins — who I was able to catch up with during a recent trip I took to New York — and I developed an interview series called

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January 8th, 2017

Reminiscing in Tempo: Memories and Opinion, Volume Fourteen — Who was your childhood hero?

“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, Jerry Jazz Musician poses one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

This edition’s question is “Who was your childhood hero?” Participants include Gary Burton, Pat Martino, Gary Giddins, Nat Hentoff, and others.

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January 16th, 2014

An Online Story of Jazz in New Orleans – Introduction

Featuring the complete text of chapters 1 – 5 from ‘Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2013

An Online Story of Jazz in New Orleans – Chapter 5

An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 5”

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 4

Featuring the complete text of chapter 4 rom “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It”, a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 3

An Online Story of Jazz in New Orleans With an introduction by Nat Hentoff __________ Featuring the complete text of chapters 1 – 5 from Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It, a 1955 book by Nat Shapiro and Nat Hentoff (Published with the consent … Continue reading “An Online Story of Jazz in New Orleans – Chapter 3”

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 2

Featuring the complete text of chapters 2 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

An Online Story of Jazz in New Orleans – Chapter 1

Featuring the complete text of chapter 1 from “Hear Me Talkin’ To Ya: The Story of Jazz As Told By the Men Who Made It,” a 1955 book by Nat Shapiro and Nat Hentoff

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March 26th, 2007

John Gennari, author of Blowin’ Hot and Cool: Jazz and its Critics

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled — often both — but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin’ Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.

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August 21st, 2006

Reminiscing in Tempo: Memories and Opinion/Volume Two: What musical recording(s) changed your life?

“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

What musical recording(s) changed your life?

Featuring Dianne Reeves, Francis Davis, Fred Hersch, Jim Hall, Joshua Redman, Nat Hentoff and others…

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December 3rd, 2005

“Civil Liberties and Jazz — Past, Present and Future” — A conversation with journalist Nat Hentoff

at Hentoff, a prolific author and journalist whose work has been published for many years in, among other publications, the Village Voice, the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times, has been described by one of his publishers, DaCapo Press, as “a man of passion and insight, of streetwise wit and polished eloquence — a true American original.” This “passion of insight” is particularly apparent in his lifelong devotion to the chronicling of jazz music — a pursuit that began even before he became editor of Downbeat in 1953 — and in his steadfast defense of the Constitution.

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October 6th, 2005

“Remembering Dizzy Gillespie,” a conversation with Nat Hentoff and James Moody

Saxophonist James Moody, whose significant achievements include employment in a variety of Gillespie’s best groups, and journalist Nat Hentoff, whose chronicles on jazz during Gillespie’s era were the benchmarks of his craft, remember Dizzy and his remarkable life in a March 19, 2004 Jerry Jazz Musician hosted conversation.

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March 19th, 2004

Nat Hentoff: on his life as a jazz critic, and memories of John Coltrane’s A Love Supreme

Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.

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November 20th, 2001

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 7 of the narratives are “Torn from Its Moorings", "Watching the Sea" and "Plantations" (featuring west coast stories of Ornette Coleman and Billie Holiday)

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #138

photo by William Gottlieb/Library of Congress
Shortly following their famed 1938 Carnegie Hall performance, Benny Goodman’s drummer Gene Krupa left the band to start his own. Who replaced Krupa?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Poetry

photo Bret Stewart/Wikimedia Commons
“Afterwards — For the Spring, 2020” — a poem by Alan Yount

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

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