Nat Cole and the KKK

     An uncredited piece in the January 11, 2018 edition of AL.com titled “The Night Nat Cole was Beaten on a Birmingham Stage” recounts the April 10, 1956 evening in Birmingham, Alabama, in which Nat Cole was attacked on stage by local members of the Ku Klux Klan.  It is not only an example of our not-so-distant racist past, but also concerns the complexity concerning Cole’s involvement (or lack thereof) in the civil rights movement.  Consider this brief excerpt from the article:

 

     “I can’t understand it,” Cole said of the attack.  “I have not taken part in any protests. Nor have I joined an organization fighting segregation. Why should they attack me? I’d just like to forget about the whole thing.”

     Roy Wilkins, the executive secretary of NAACP sent Cole a telegram after the attack, “You have not been a crusader or engaged in

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January 27th, 2018

Jazz History Quiz #62

He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Joe Albany

Jess Stacy

Russ Freeman

Pete Jolly

Dave Frishberg

Bobby Troup

Go to the next page for the answer!

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December 29th, 2014

Jazz History Quiz #50

Maurice Ravel acknowledged basing his Boléro on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Sidney Bechet

Johnny Doods

Jimmy Noone

Wilbur Sweatman

Frankie Teschemacher

Buster Bailey

Ted Lewis

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August 25th, 2014

Jazz Critic Gene Lees

Gene Lees is a well-known jazz chronicler. He is also a song lyricist, composer, singer, and author of more than a dozen volumes of jazz history and criticism, including the highly acclaimed Cats of Any Color: Jazz Black and White.

In You Can’t Steal a Gift, Lees writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat King Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography weaving together conversations Lees had with the musicians and their families, friends and associates over several decades.

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February 6th, 2002

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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