Nat Cole and the KKK

     An uncredited piece in the January 11, 2018 edition of AL.com titled “The Night Nat Cole was Beaten on a Birmingham Stage” recounts the April 10, 1956 evening in Birmingham, Alabama, in which Nat Cole was attacked on stage by local members of the Ku Klux Klan.  It is not only an example of our not-so-distant racist past, but also concerns the complexity concerning Cole’s involvement (or lack thereof) in the civil rights movement.  Consider this brief excerpt from the article:

 

     “I can’t understand it,” Cole said of the attack.  “I have not taken part in any protests. Nor have I joined an organization fighting segregation. Why should they attack me? I’d just like to forget about the whole thing.”

     Roy Wilkins, the executive secretary of NAACP sent Cole a telegram after the attack, “You have not been a crusader or engaged in

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January 27th, 2018

Jazz History Quiz #62

He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Joe Albany

Jess Stacy

Russ Freeman

Pete Jolly

Dave Frishberg

Bobby Troup

Go to the next page for the answer!

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December 29th, 2014

Jazz History Quiz #50

Maurice Ravel acknowledged basing his Boléro on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Sidney Bechet

Johnny Doods

Jimmy Noone

Wilbur Sweatman

Frankie Teschemacher

Buster Bailey

Ted Lewis

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August 25th, 2014

Jazz Critic Gene Lees

Gene Lees is a well-known jazz chronicler. He is also a song lyricist, composer, singer, and author of more than a dozen volumes of jazz history and criticism, including the highly acclaimed Cats of Any Color: Jazz Black and White.

In You Can’t Steal a Gift, Lees writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat King Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography weaving together conversations Lees had with the musicians and their families, friends and associates over several decades.

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February 6th, 2002

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

Short Fiction Contest-winning story #51 — “Crossing the Ribbon,” by Linnea Kellar

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

“Thinking about the Truesdells” — a photo-narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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