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“Charles Ingham’s Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “Nat King Cole: The Shadow of the Word,” “Slain in Cold Blood” and “Local 767: The Black Musicians’ Union”
...July 8th, 2020
An uncredited piece in the January 11, 2018 edition of AL.com titled “The Night Nat Cole was Beaten on a Birmingham Stage” recounts the April 10, 1956 evening in Birmingham, Alabama, in which Nat Cole was attacked on stage by local members of the Ku Klux Klan. It is not only an example of our not-so-distant racist past, but also concerns the complexity concerning Cole’s involvement (or lack thereof) in the civil rights movement. Consider this brief excerpt from the article:
“I can’t understand it,” Cole said of the attack. “I have not taken part in any protests. Nor have I joined an organization fighting segregation. Why should they attack me? I’d just like to forget about the whole thing.”
Roy Wilkins, the executive secretary of NAACP sent Cole a telegram after the attack, “You have not been a crusader or engaged in
...January 27th, 2018
He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?
Joe Albany
Jess Stacy
Russ Freeman
Pete Jolly
Dave Frishberg
Bobby Troup
Go to the next page for the answer!
...December 29th, 2014
Maurice Ravel acknowledged basing his Boléro on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?
Sidney Bechet
Johnny Doods
Jimmy Noone
Wilbur Sweatman
Frankie Teschemacher
Buster Bailey
Ted Lewis
...August 25th, 2014
Gene Lees is a well-known jazz chronicler. He is also a song lyricist, composer, singer, and author of more than a dozen volumes of jazz history and criticism, including the highly acclaimed Cats of Any Color: Jazz Black and White.
In You Can’t Steal a Gift, Lees writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat King Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography weaving together conversations Lees had with the musicians and their families, friends and associates over several decades.
...February 6th, 2002
”“Mingus au Paradis” by Manuel J. Grimaldi
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Manuel J. Grimaldi reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
Click here to read more book excerpts published on Jerry Jazz Musician
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