Interview with Nate Chinen, author of Playing Changes: Jazz for the New Century

Nate Chinen, the former New York Times jazz critic who is now director of editorial content for WBGO Radio, talks about his book, Playing Changes: Jazz for the New Century

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September 4th, 2019

Michael Cuscuna announces the release of Francis Wolff’s Blue Note session photographs

Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff

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August 8th, 2019

Two poems by John Jack Jackie (Edward) Cooper

. .   . . Trajet Introspeculative — to Sun Ra, Saturday night: on one (actually, Sun Da morning) — terrible swift disin- clination to forgive the equally terrible tyranny of time signa- ture, attesting to what can, which must not — that, that ken abundant wherever choi- ces be told: rs, joints, and drums, … Continue reading “Two poems by John Jack Jackie (Edward) Cooper”

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May 7th, 2019

“Miles” — a poem by Susandale

  . . . .   Miles  In five notes …all the sadness of life A pause___ long enough …for another sorrow ………to slip in And then___ a note so piercing, …it hurts . by Susandale . . ___ . .     . Susandale’s poems and fiction are on .WestWard Quarterly, Mad Swirl, Penman … Continue reading ““Miles” — a poem by Susandale”

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March 15th, 2019

“All Blues: The Story of a Lost Friendship” — a true jazz story by Bob Hecht

…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…

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December 19th, 2018

On the Turntable — Miles Ahead

I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.”  Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.   

I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records.  An early example of

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July 23rd, 2018

Revisiting Gil Evans

     An early interview I conducted as publisher of Jerry Jazz Musician was with Stephanie Stein Crease, whose 2002 biography of Gil Evans, Out of the Cool, was an illuminating history of a man the jazz writer Gary Giddins refers to as “one of the great figures in American music, a composer and orchestrator of breathtaking originality.”

     In the interview, Crease talks of Evans’ life as having

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May 14th, 2018

Miles and Coltrane’s final tour together

     In a March 29 post on Slate, Fred Kaplan writes about the newly released bootleg recording of Miles Davis’ quintet (featuring John Coltrane), The Final Tour, a four-CD box set of live concerts in Europe from 1960.  The tour happened a year after the release of Kind of Blue, so many of the tunes played during it is from that classic album.  According the Kaplan, the music found on this Columbia/Legacy set is “radically different” and such a “jarring departure” from the album that “it demands we revise the conventional wisdom about these two musicians (Miles and Coltrane) and fills in some blanks…in the story of jazz, and where it was going, in those pivotal years.”

     Kaplan’s essay includes a critique of the music itself – but of particular interest is his reminder of the

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April 1st, 2018

Jazz History Quiz #109

Recognized as jazz fusion’s most prominent drummer, he was a key contributor on some of the genre’s most successful early recordings – including with Miles Davis and the Mahavishnu Orchestra.  Who is he?

 

Billy Cobham

Billy Hart

Jack DeJohnette

Tony Williams

Steve Gadd

Alphonse Mouzon

Lenny White

 

Go to the next page for the answer!

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February 3rd, 2018

“Psalm” — a short story by Ian Rictor

     I watch my hand remove the phone from the wall above the couch’s arm and there is a sweat in my ear as I hear a distant Miles Davis. I am called by the distorted voice of Miles Davis rasping my name.

     John, he says, are you busy?

     I let my eyes blur into my mother’s sofa, melting a monotonous no out of my mouth toward the receiver. I feel the room sloshing peacefully in waves around me and the buzzing of my lips from my mouthpiece and reed. My saxophone sits strewn across the floor along with my

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September 3rd, 2016

The 1962 Miles Davis Playboy Interview

The other day, while stumbling around the Internet, I came across the first official Playboy interview — that of Alex Haley’s 1962 conversation with Miles Davis. The interview was published in the September edition and was considered quite controversial at the time. Consider this comment from the interview, and keep in mind what the world was like in 1962, and the shock it may have caused in certain segments of our society: “In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.”

Now 54 years later, in the context of today’s world the interview doesn’t seem as controversial, but it remains a significant window to the soul of the era’s most revered

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April 22nd, 2016

Revisiting “One For Daddy-O”

I’ve been revisiting some favorite recordings this week, among them the classic 1958 Cannonball Adderley-led session Somethin’ Else, with Hank Jones, Art Blakey, Sam Jones, and, in a rare appearance as sideman, Miles Davis. The tune I have been stuck on is “One For Daddy-O,” a blues written by Cannonball’s brother Nat that features a flawless blues solo by Miles.

I dug into the liner notes and was reminded of how the critic Leonard Feather used this particular solo as a platform on which to describe the essence of the “deeper and broader blues of today,” refuting a “misinformed” Ebony piece of the era that suggested that

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November 5th, 2015

Great Encounters #41: The friendship of Miles Davis and Sugar Ray Robinson

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of the importance Miles Davis placed on his friendship with boxer Sugar Ray Robinson in 1954, when he was trying to kick his drug addiction.

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May 5th, 2015

“My Funny Valentine”

So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”

Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t

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February 14th, 2014

“my funny valentine” — a poem by Ed Corrigan

my funny valentine
by ed corrigan

Miles’ horn blows
thru my head
down to my toes
down baby down
i need to blow
my bleeding nose
a red note bleeding
dododowaaaah
a smile with my heart
she just tore me apart

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November 12th, 2013

Robin D.G. Kelley, author of Thelonious Monk: The Life and Times of an American Original

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.

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April 15th, 2013

John Leland, author of Hip: The History

John Leland’s Hip: The History is the story of an American obsession. Derived from the Wolof word hepi or hipi (“to see,” or “to open one’s eyes”), which came to America with West African Slaves, hip is the dance between black and white — or insider and outsider — that gives America its unique flavor and rhythm. It has created fortunes, destroyed lives and shaped the way millions of us talk, dress, dance, make love or see ourselves in the mirror. Everyone knows what hip is.

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January 3rd, 2005

Great Encounters #2: When Miles Davis hired John Coltrane

Excerpted from A Love Supreme: The Story of John Coltrane’s Signature Album, by Ashley Kahn

Miles Davis was desperate. He was in the midst of preparing for his first national tour arranged by a high-powered booking agent, and Columbia Records — the most prestigious and financially generous record company around — was looking over his shoulder, checking on him. “If you can get and keep a group together, I will record that group,” George Avakian, Columbia’s top jazz man, had promised. To Miles, an alumnus of Charlie Parker’s groundbreaking bebop quintet, “group” still meant a rhythm trio plus two horn players, but he still had only one: himself.

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February 22nd, 2004

John Szwed, author of So What: The Life of Miles Davis

More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.

While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.

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January 27th, 2003

“The A Love Supreme Interviews” — Ashley Kahn, author of A Love Supreme: The Story of John Coltrane’s Signature Album

A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.

Few recordings, however, actually challenge a listener to address one’s personal essence.

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September 16th, 2002

Jazz Photographer Lee Tanner discusses his life in jazz

Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.

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July 29th, 2002

Keith Shadwick, author of Bill Evans: Everything Happens to Me

Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.

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June 24th, 2002

Kind of Blue: The Making of the Miles Davis Masterpiece author Ashley Kahn

In the spring of 1959, seven musicians got together in a converted church on 30th Street in Manhattan and made jazz history. Over forty years have passed since Miles Davis assembled his famed sextet to record Kind of Blue, and in that time the album has risen to the level of masterpiece.

In Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn gives readers the unprecedented opportunity to enter the 30th Street studio and witness the creation of this remarkable album

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April 29th, 2002

Stephanie Stein Crease, author of Gil Evans: Out of the Cool

When Stephanie Stein Crease was a child, and her older brother started bringing home records by Gil Evans and Miles Davis, her world turned. Fascinated by the colorful orchestrations found on Miles Ahead, Porgy and Bess and Sketches of Spain, recorded between 1957 and 1960, Crease began a life long affair with the music of Evans, a man noted critic Gary Giddins has called “one of the great figures in American music.” Gil Evans, Out of the Cool, is a culmination of her fascination of and appreciation for the work of Gil Evans.

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December 17th, 2001

Gerald Early, author of Miles Davis and American Culture

Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of America’s most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.

He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.

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October 10th, 2001

In this Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Poetry

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Short Fiction

photo by Alysa Bajenaru
"Crossing the Ribbon" by Linnea Kellar is the winning story of the 51st Jerry Jazz Musician Short Fiction Contest

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In this edition, Michael Jarrett interviews producer Nat Hentoff about the experience of working with Charles Mingus at the time of Mingus’ 1961 album. Charles Mingus Presents Charles Mingus — recorded for Hentoff’s short-lived label Candid Records

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Poetry

Painting of John Coltrane by Tim Hussey
“broken embouchure” — a poem by M.T. Whitington

Art

photo of Chet Baker by Veryl Oakland

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Yusef Lateef and Chet Baker

Interviews

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Poetry

photo from Pixabay
“The Fibonacci Quartet Plays Improv” — a poem by Gerard Furey

Short Fiction

“The Stories of Strange Melodies” a story by Vivien Li , was a finalist in our recently concluded 51st Short Fiction Contest.

In the previous issue

Michael Cuscuna
Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...

Contributing writers

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