Latest Post
On the web since 1999
.The Jazz Dive is the website of the musician and artist Allen Mezquida, whose work is described as “an independent art studio at the intersection of jazz and mid-century modern design” that is inspired by the counterculture music from the 1950s and 60s, and creates art “that resonates with both eyes and ears.” It is unique and creative and worth a look…
...December 18th, 2024
For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.
...November 4th, 2024
The esteemed writer tells a story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.
...August 26th, 2024
While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.”
...June 25th, 2024
My high school girlfriend’s older brother
lived in a garret in the Village, like something
out of La Boheme, and she said maybe if we
went there, he’d leave us alone and we could
…well, you know
May 25th, 2024
I’ve never seen much of Spain.
A business trip to Barcelona.
A commuter ride to Girona. Salvador
Dali’s museum. A stop in Sitges
where ivory beach sand abets
a shimmered turquoise sea.
March 8th, 2024
In a 2003 Jerry Jazz Musician interview, John Szwed, author of So What: The Life of Miles Davis, reveals a brilliant, inventive, intensely driven musician who was plagued by a host of internal conflicts and contradictions. “Miles’ life as a whole is not easy to grasp,” Szwed reflects, “and the meaning of it, with or without his help, is resistant to quick interpretations.”
...February 29th, 2024
Yours is the sound of smoke
I love to inhale
the sound of a humid
summer night
its cool breeze
December 3rd, 2023
Neil Young stumbled off the stage more exhausted than usual. It had been a trying gig, watching Danny Whitten teeter from chord to chord on a heroin-fueled high-wire act that just seemed to get more perilous as the night wore on. It was fine that Danny blew some chords—everyone blew chords in this band. That was what made Crazy Horse special in the first place. If Neil wanted every note pure and perfect, he could have stuck with Crosby, Stills, and Nash. But what would have been the point of that? It was like playing a benediction for your own immaculate coffin.
...August 30th, 2023
The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…
...April 18th, 2023
. . “Modus Dualis,” by Martel Chapman . . Riff ‘n’ Tiff There was no time signature to save Louis Armstrong from the shivery brine. Monk volunteered to heave his piano overboard to give the lifeboat more zest but it wouldn’t budge or stay in tune for that matter. Moisture had initiated a rift between … Continue reading ““Riff ‘n’ Tiff” – humor by Dig Wayne”
...April 12th, 2023
The poet recalls Miles Davis’ depth of character and musicianship during a particularly complex era of his career
...April 6th, 2023
In two complete essays from the collection “Victory is Assured,” Crouch takes up two topics he had considerable opinions about – Miles Davis and Billie Holiday.
...February 8th, 2023
In this edition, producers Teo Macero, Bob Belden and Michael Cuscuna, and musicians Dave Holland and Joe Zawinul talk with Jarrett about the way Miles Davis’s 1969 album In a Silent Way came together.
...January 26th, 2023
That inner sense of freedom,
a natural balance
with an impulse
to preserve the day,
as the equinox
tilts from a window
with a view of leaves on fire.
October 18th, 2022
Producers Teo Macero and Bob Belden, and bassist Dave Holland talk about working with Miles Davis on his groundbreaking 1969 recording, Bitches Brew
...August 10th, 2022
Forty-two versions of George Gershwin’s “Summertime” in much of its glory for your listening pleasure, and in the heat of this moment.
...July 31st, 2022
He’s a-stagger the patrilineous
hillside grove wonder tunnels
street black ribbons going bower-deep
with sunlight glitter punctuations
feeling the great payoff on the way
July 11th, 2022
When I hear Sketches of Spain or Kind of Blue – Miles Davis masterpieces from his earlier career – I am always calmed, thrilled by the ways that music can take over every portion of a person from head to toe, from inside to outside, from innermost mind to outermost layer of skin.
...July 6th, 2022
When in spring/Miles’s horn awakens/The nodding giant of the streets…
...June 2nd, 2022
Bob Hecht recalls his experience of first hearing “Kind of Blue,” the 1959 jazz album by trumpeter Miles Davis
...April 21st, 2022
a trumpet cries over orchestral waves
trumpet mourns like a wounded beast
trumpet demands attention
orchestra swells trumpet riding its waves
silence then trumpet reappears softly in distance
March 17th, 2022
Bob Hecht, a frequent contributor to Jerry Jazz Musician, writes about a current fascination – the compositions of Wayne Shorter, and his contributions to the Miles Davis groups he played in during his time with the trumpeter, 1964 – 1970. Bob has assembled a 20 song Spotify playlist featuring many of the recordings…
...November 16th, 2021
On my walks alone lately I fantasize
that I’ll come across a woman my age
give or take a few years.
She’ll be listening to Miles, or Monk,
or Horace Silver, and reading
one of my poetry books.
October 29th, 2021
Spring rains watercolor the earth leaf, daffodil, violet,
then soften to a blue-gray mist,
and clear. Day’s begun transitioning, sky-bright blue to
lapis lazuli. Moon dreams in the north.
June 14th, 2021
Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.
...May 27th, 2021
An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.
...April 25th, 2021
He drove uptown on Riverside Drive, the motor noise magnificent. Traffic increased as he approached Harlem. Other drivers jostling to get ahead noticed the car first. A red Ferrari was not subtle in gray Manhattan, and the engine roared money and power and European elegance. Then neighbors would study the man in outsized sunglasses. Some recognized him, smiling or shaking their heads in disbelief. Others looked aggrieved, even outraged that a person like him could be driving a vehicle like that. Ferrari only built three-hundred of their 275 GTB.
...March 12th, 2021
Feelin’ Kind of Blue.
Improvised textures,
made in heaven,
escape elucidation
and drift off
into the ethereal.
February 3rd, 2021
The evidence against Monk was overwhelming. As he spun in circles, his beard greeted all the be-boos and scat tops with a whiff of singular restraint, knowing the blue minor chord could only hold so much dissonance before the black harmonies started some fragile shite.
...November 19th, 2020
Mosaic Records is offering prints of entire contact sheets of classic Blue Note recording sessions that, as described by Mosaic owner Michael Cuscuna, shows Francis Wolff’s “thought process and the progression of shots that lead to his final best image.”
...May 21st, 2020
Bob Hecht hosts a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, featuring photography and music
...April 22nd, 2020
that intro, dat bass
a Mount Rushmore of jazz players
listen how Miles
utilises space in his solo
humanity reached its peak in evolution
at 1:32—the best cymbal crash
into a laid-back groove ever
March 28th, 2020
Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”Exactly Where She Is Supposed to Be,” “In Memory of Clora Bryant, Standing Outside the Downbeat,” and “Out West, Thinking About Miles Davis”
...March 20th, 2020
Paul Lopes — associate professor of sociology at Colgate University — talks about how ethnicity, class and hypermasculinity impacted the work of these two visionary, independent artists.
...December 13th, 2019
Nate Chinen, the former New York Times jazz critic who is now director of editorial content for WBGO Radio, talks about his book, Playing Changes: Jazz for the New Century
...September 4th, 2019
Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff
...August 8th, 2019
. . . . Trajet Introspeculative — to Sun Ra, Saturday night: on one (actually, Sun Da morning) — terrible swift disin- clination to forgive the equally terrible tyranny of time signa- ture, attesting to what can, which must not — that, that ken abundant wherever choi- ces be told: rs, joints, and drums, … Continue reading “Two poems by John Jack Jackie (Edward) Cooper”
...May 7th, 2019
it was inevitable that eventually the voodoo would run you down
catch you and carry you away so you left with him on the sorcerer’s train
April 12th, 2019
. . . . Miles In five notes …all the sadness of life A pause___ long enough …for another sorrow ………to slip in And then___ a note so piercing, …it hurts . by Susandale . . ___ . . . Susandale’s poems and fiction are on .WestWard Quarterly, Mad Swirl, Penman … Continue reading ““Miles” — a poem by Susandale”
...March 15th, 2019
The snow flows
across the night
each flake a note
one pure blues note
unrepeated unequalled
throughout all recorded time
January 17th, 2019
…..I have to wonder how many friendships have been forged over mutual love of Miles Davis’ album, Kind of Blue. The one I want to tell you about came to pass in an unlikely setting back during the winter of 1963…
...December 19th, 2018
I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.” Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.
I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records. An early example of
...July 23rd, 2018
Wizard of Cool
Eyes liken to a bird of prey
having seen, what we would
never see as he blew phenomenal
madness into the heavens
taking our breath away
On a level, others tried to perpetrate
my first time, Live at the Blackhawk
July 20th, 2018
An early interview I conducted as publisher of Jerry Jazz Musician was with Stephanie Stein Crease, whose 2002 biography of Gil Evans, Out of the Cool, was an illuminating history of a man the jazz writer Gary Giddins refers to as “one of the great figures in American music, a composer and orchestrator of breathtaking originality.”
In the interview, Crease talks of Evans’ life as having
...May 14th, 2018
In a March 29 post on Slate, Fred Kaplan writes about the newly released bootleg recording of Miles Davis’ quintet (featuring John Coltrane), The Final Tour, a four-CD box set of live concerts in Europe from 1960. The tour happened a year after the release of Kind of Blue, so many of the tunes played during it is from that classic album. According the Kaplan, the music found on this Columbia/Legacy set is “radically different” and such a “jarring departure” from the album that “it demands we revise the conventional wisdom about these two musicians (Miles and Coltrane) and fills in some blanks…in the story of jazz, and where it was going, in those pivotal years.”
Kaplan’s essay includes a critique of the music itself – but of particular interest is his reminder of the
...April 1st, 2018
Recognized as jazz fusion’s most prominent drummer, he was a key contributor on some of the genre’s most successful early recordings – including with Miles Davis and the Mahavishnu Orchestra. Who is he?
Billy Cobham
Billy Hart
Jack DeJohnette
Tony Williams
Steve Gadd
Alphonse Mouzon
Lenny White
Go to the next page for the answer!
...February 3rd, 2018
Miles boils his bitches brew
in a night of worlds much blacker than black
His demons and angels let out slack
January 14th, 2018
When Miles Davis gets back into his mood
I go where I need to be in my own
somewhere in or near Mal Waldron’s Love Span
over the River Tender where moons flow
reflecting piano keys rippling night
October 17th, 2017
“Miles & Me”
slash here
semi-colon there
dash and a
period
comma down to
colon
lead me back
to quotes
November 6th, 2016
I watch my hand remove the phone from the wall above the couch’s arm and there is a sweat in my ear as I hear a distant Miles Davis. I am called by the distorted voice of Miles Davis rasping my name.
John, he says, are you busy?
I let my eyes blur into my mother’s sofa, melting a monotonous no out of my mouth toward the receiver. I feel the room sloshing peacefully in waves around me and the buzzing of my lips from my mouthpiece and reed. My saxophone sits strewn across the floor along with my
...September 3rd, 2016
The other day, while stumbling around the Internet, I came across the first official Playboy interview — that of Alex Haley’s 1962 conversation with Miles Davis. The interview was published in the September edition and was considered quite controversial at the time. Consider this comment from the interview, and keep in mind what the world was like in 1962, and the shock it may have caused in certain segments of our society: “In high school I was best in music class on the trumpet, but the prizes went to the boys with blue eyes. I made up my mind to outdo anybody white on my horn.”
Now 54 years later, in the context of today’s world the interview doesn’t seem as controversial, but it remains a significant window to the soul of the era’s most revered
...April 22nd, 2016
I’ve been revisiting some favorite recordings this week, among them the classic 1958 Cannonball Adderley-led session Somethin’ Else, with Hank Jones, Art Blakey, Sam Jones, and, in a rare appearance as sideman, Miles Davis. The tune I have been stuck on is “One For Daddy-O,” a blues written by Cannonball’s brother Nat that features a flawless blues solo by Miles.
I dug into the liner notes and was reminded of how the critic Leonard Feather used this particular solo as a platform on which to describe the essence of the “deeper and broader blues of today,” refuting a “misinformed” Ebony piece of the era that suggested that
...November 5th, 2015
So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”
Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t
...February 14th, 2014
my funny valentine
by ed corrigan
Miles’ horn blows
thru my head
down to my toes
down baby down
i need to blow
my bleeding nose
a red note bleeding
dododowaaaah
a smile with my heart
she just tore me apart
November 12th, 2013
“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.
...April 15th, 2013
Rhythms Of Life
The ferment of storm to seas
The seas’ mad tides
Our savage hearts to spawn
In the wild shoals of swollen rivers
Druid fires – spiraling discs
Raspy winds and blind/blue passions
August 22nd, 2006
SO WHAT
Baptized by vodka cleansing my throat
Baptized by sweat dripping from Tony Williams’ sticks
Thick  Summer Sunday Afternoons
at the Vanguard
February 4th, 2005
John Leland’s Hip: The History is the story of an American obsession. Derived from the Wolof word hepi or hipi (“to see,” or “to open one’s eyes”), which came to America with West African Slaves, hip is the dance between black and white — or insider and outsider — that gives America its unique flavor and rhythm. It has created fortunes, destroyed lives and shaped the way millions of us talk, dress, dance, make love or see ourselves in the mirror. Everyone knows what hip is.
...January 3rd, 2005
Excerpted from A Love Supreme: The Story of John Coltrane’s Signature Album, by Ashley Kahn
Miles Davis was desperate. He was in the midst of preparing for his first national tour arranged by a high-powered booking agent, and Columbia Records — the most prestigious and financially generous record company around — was looking over his shoulder, checking on him. “If you can get and keep a group together, I will record that group,” George Avakian, Columbia’s top jazz man, had promised. To Miles, an alumnus of Charlie Parker’s groundbreaking bebop quintet, “group” still meant a rhythm trio plus two horn players, but he still had only one: himself.
...February 22nd, 2004
More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.
While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.
...January 27th, 2003
A successful recording generally entertains and communicates passion on an earthly, mortal level. We typically respond to an effective performance by humming the melody, tapping our feet, and sharing it with friends. It might even “stomp the blues,” as the critic Albert Murray suggests.
Few recordings, however, actually challenge a listener to address one’s personal essence.
...September 16th, 2002
Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.
...July 29th, 2002
Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.
...June 24th, 2002
In the spring of 1959, seven musicians got together in a converted church on 30th Street in Manhattan and made jazz history. Over forty years have passed since Miles Davis assembled his famed sextet to record Kind of Blue, and in that time the album has risen to the level of masterpiece.
In Kind of Blue: The Making of the Miles Davis Masterpiece, Ashley Kahn gives readers the unprecedented opportunity to enter the 30th Street studio and witness the creation of this remarkable album
...April 29th, 2002
When Stephanie Stein Crease was a child, and her older brother started bringing home records by Gil Evans and Miles Davis, her world turned. Fascinated by the colorful orchestrations found on Miles Ahead, Porgy and Bess and Sketches of Spain, recorded between 1957 and 1960, Crease began a life long affair with the music of Evans, a man noted critic Gary Giddins has called “one of the great figures in American music.” Gil Evans, Out of the Cool, is a culmination of her fascination of and appreciation for the work of Gil Evans.
...December 17th, 2001
Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of Americas most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.
He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.
...October 10th, 2001
”“Mingus au Paradis” by Manuel J. Grimaldi
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Manuel J. Grimaldi reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
Click here to read more book excerpts published on Jerry Jazz Musician
Dear Readers:
Reader funding helps support the expense of publishing this website, and to keep it free of advertising – which is a rarity in the dot-com world. Many thanks to those who have recently contributed, and to those who have done so multiple times. Your support is very much appreciated.
If you are able, please consider making a contribution? Information regarding how to do so is found by clicking here.
For viewing my long range vision for Jerry Jazz Musician, please click here.
Thank you!
Joe Maita
Editor/Publisher
,
