Carla Kaplan, editor of Zora Neale Hurston: A Life in Letters

Alice Walker’s 1975 Ms. magazine article “Looking for Zora” and Robert Hemenway’s 1977 biography reintroduced Zora Neale Hurston to the American landscape and ushered in a renaissance for a writer who was a bestselling author at her peak in the 1930’s, but died penniless and in obscurity some three decades later.

Since that rediscovery of novelist, anthropologist, playwright, folklorist, essayist and poet Hurston, her books — from the classic love story Their Eyes Were Watching God to her controversial autobiography, Dust Tracks on a Road — have sold millions of copies. Hurston is now taught in American, African American, and Women’s Studies courses in high schools and universities from coast to coast.

...

December 10th, 2002

The Ralph Ellison Project: Literary Executor John Callahan is interviewed about the author of Invisible Man

Being named literary executor of any writer’s estate would be quite an honor, let alone if the writer whose works you now caretake is Ralph Ellison, author of one of the 20th century’s greatest novels, Invisible Man. For long time Ellison friend John Callahan, “It was a challenge, and it was intimidating, exhilirating…”

Among the work left for Callahan was editing Ellison’s long awaited second novel, released as Juneteenth in 1999.

...

July 18th, 2001

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Photo by. Adrianna Calvo from Pexels
“Sandra’s Vigil” — a poem by Robert Nisbet

Great Encounters

photo by William Gottlieb/Library of Congress
In this edition, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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