Liner Notes: The New Wave in Jazz, by LeRoi Jones and Steve Young

On March 28, 1965, a concert benefiting the Black Arts Repertory Theatre/School was held at New York’s Village Gate. Featuring John Coltrane, Archie Shepp, Sun Ra (he played but his music didn’t make the album) and Albert Ayler – artists described by Black Arts Music Coordinator Steve Young as “The Beautiful Warriors” and “magicians of the soul”– the performance was recorded and subsequently released on Impulse Records as The New Wave in Jazz.

This recording is significant for its brilliant “free jazz” performances, but also for Amiri Baraka’s (known as LeRoi Jones at the time) liner notes’ connection of music and politics. It is a reminder of the historic, turbulent times in which this music was created. The Selma to Montgomery marches took place in March, 1965. Malcolm X was assassinated in February. The war in Vietnam was dramatically escalating. And, jazz music was continuing to evolve, the most obvious example being the

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February 1st, 2016

Liner Notes: LeRoi Jones on John Coltrane’s Live at Birdland

Political, fiery, critical, poetic, inspirational…All of this shows up in Amiri Baraka’s brilliant liner notes to the 1963 recording of John Coltrane’s Live at Birdland. At the time known as LeRoi Jones, Baraka’s liner notes to this album were the first time the jazz writer Stanley Crouch “had seen that kind of poetic sensibility brought to the discussion of jazz. It was as new to me as the way Coltrane and his band were reinventing the 4/4 swing, blues, ballads, and Afro-Hispanic rhythms that are the four elements essential to jazz…His was the first Negro voice that sailed to the center of my taste by combining the spunk and the raw horrors of the sidewalk with the library, for an elegant manhandling of the form.”

These notes were written at the time of Jones’ 1963 Down Beat essay “Jazz and the White Critic,” which, in the words of Blowin’ Hot and Cool: Jazz and its Critics author John Gennari, was a “challenge to jazz writers of all backgrounds to reckon with the lived experience of black Americans and to consider how this experience had been embedded in the notes, tones, and rhythms of the music.” Keep that in mind when reading these notes…

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January 31st, 2014

Amiri Baraka’s Blues People at 50

The recent death of Amiri Baraka gets us looking back at the 1963 publication of his important and enduring study of jazz and and blues, Blues People: Negro Music in White America. Two pieces to turn interested readers to…The first, “The Blues,” by Ralph Ellison, first appeared in the February 6, 1964 edition of the New York Review of Books, and features Ellison’s classic line of criticism, “The tremendous burden of sociology which Jones would place upon this body of music is enough to give even the blues the blues.” The second, “Black History Meets Black Music” ‘Blues People’ at 50″ is a July 26, 2013 piece by Eugene Holley, Jr. published on NPR’s “A Blog Supreme,” in which Holley seeks opinion on the book from key contemporary critcs and musicians, including Harvard educator Ingrid Monson, who says that “Blues People is a brilliant and path-breaking book, not because all of its factual information is correct, or because all of its interpretive perspectives are unassailable, but because of the sheer audacity, scope and originality of its interpretive perspective.”

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January 19th, 2014

In This Issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...Also in this issue, in celebration of Blue Note’s 80th year, we asked prominent writers and musicians the following question: “What are 4 or 5 of your all-time favorite Blue Note albums; a new collection of jazz poetry; “On the Turntable,” is a new playlist of 18 recently released jazz recordings from six artists – Joshua Redman, Joe Lovano, Matt Brewer, Tom Harrell, Zela Margossian and Aaron Burnett; two new podcasts by Bob Hecht; a new “Jazz History Quiz”; a new feature called “Pressed for All Time,”; a new photo-narrative by Charles Ingham; and…lots more.

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Poetry

In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen

The Joys of Jazz

In this new volume of his podcasts, Bob presents two stories, one on Clifford Brown (featuring the trumpeter Charlie Porter) and the other is part two of his program on stride piano, including a conversation with Mike Lipskin

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer Creed Taylor about how he came to use tape overdubs during the 1957 Lambert, Hendricks, and Ross Sing a Song of Basie recording session

Art

"Thinking About Charlie Parker" -- a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

"The Photography Issue" will feature an interview with jazz photographer Carol Friedman (her photo of Wynton Marsalis is pictured), as well as with Michael Cuscuna on unreleased photos by Blue Note's Francis Wolff.

In the previous issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance. Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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