“Should I sacrifice my life to live half American?”

While the civil rights movement may not have officially begun until the December, 1955 day that Rosa Parks refused to give up her seat to a white man on a Montgomery, Alabama bus, the stage for it was set years before that.  Religious leaders and institutions, jazz and athletics all famously played important roles in building a foundation for the movement,

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September 24th, 2018

Jazz and Baseball: The Desegregation Connection

“I think there are only three things that America will be known for 2,000 years from now when they study this civilization: the Constitution, jazz music and baseball. They’re the three most beautifully designed things this culture has ever produced.”

—Gerald Early, cultural critic

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Spring is upon us, and so is the start of the baseball season. As Gerald Early points out, there are great connections between jazz and baseball, prominent of which is the role that desegregation of each institution played in creating the political climate essential to the civil rights movement.

There are interesting similarities among two of the leading African American figures of the era who helped integrate their professions, not the least of which was the quality of their character. To Branch Rickey, after thoroughly investigating the college-educated Jackie Robinson, he felt

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March 28th, 2014

Great Encounters #25: When John Hammond “discovered” Billie Holiday

Excerpted from The Producer: John Hammond and the Soul of American Music, by Dunstan Prial

On a cold, clear night in February, 1933, Hammond went on the town alone in search of music. Heading up Broadway toward Harlem in a Hudson convertible (he kept the top up in the winter), he fought traffic, but as he passed Columbia University, he was flying. At 133rd Street, he took a right and headed east toward Lenox Avenue. He pulled over after a few blocks and parked in a space a few doors up from a new speakeasy run by Monette Moore, the singer who had appeared with Ellington and Carter at the fund-raiser for the Scottsboro boys he had helped organize the previous fall.

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December 29th, 2006

Jeffrey Magee, author of Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing

If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.

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January 29th, 2005

Jerry Zolten, author of Great God A’Mighty – The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music

From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village’s Café Society in the ’40s, to their 1974 Grammy-winning collaboration on “Loves Me Like a Rock,” the Dixie Hummingbirds have been one of gospel’s most durable and inspiring groups.

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March 10th, 2003

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Poetry

Painting of John Coltrane by Tim Hussey
“broken embouchure” — a poem by M.T. Whitington

Interviews

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Poetry

photo from Pixabay
“The Fibonacci Quartet Plays Improv” — a poem by Gerard Furey

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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