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On the web since 1999
Saxophonist James Moody, whose significant achievements include employment in a variety of Gillespie’s best groups, and journalist Nat Hentoff, whose chronicles on jazz during Gillespie’s era were the benchmarks of his craft, remember Dizzy and his remarkable life in a March 19, 2004 Jerry Jazz Musician hosted conversation.
...March 19th, 2004
Roy Eldridge’s style is universally recognized as the all-important link between the playing of Louis Armstrong and the achievements of modernist Dizzy Gillespie. Roy’s daring harmonic approach and his technically awesome improvisations provided guidance and inspiration for countless jazz musicians, but he was also a star performer in his own right, whose recordings as a bandleader, and with Gene Krupa and Artie Shaw, gained him a durable international reputation. The indignities he experienced and overcame during the 1940’s while working in otherwise all-white ensembles proved he was as bold a social pioneer as he was a performer.
...January 19th, 2004
More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.
While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.
...January 27th, 2003
That trumpeter Chet Baker was a sensitive musician whose sound is a cherished part of the jazz landscape is well known. That he led a hard life is also pretty well known, perhaps even to the most casual music fan. His 1988 death from a fall out an Amsterdam window only added to the sad mystery surrounding his persona.
What was not known by most of us is the haunting depth of Baker’s self-destructive life; that he was an arsonist, a thief, a second-story man, a drug addict, an abusive husband and lover, a philanderer, a liar…need we go on? We could, you know.
...June 12th, 2002
Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of Americas most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.
He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.
...October 10th, 2001
Chet Baker was a star at 23 years old, winner of the Critics as well as Readers Poll in Down Beat. But much of his later life was shadowed by his drug use and problems with the law.
Chet Baker: His Life and Music gives an account of the famous trumpeter – famous as much for his tragic life as his beautiful music. In our interview, conducted via e-mail, author Jeroen de Valk talks about Baker, the life he led, the people he touched, and the legacy he left.
...March 29th, 2001
Few enthusiasts and scholars would argue the place trumpeter Clifford Brown holds in jazz history. His work, sadly cut short by his death in 1956, is dramatic, creative, revered. Until now, there has not been a body of work on his life to better acquaint us with his play, his life in and out of jazz, and his enthusiasm for life. Author Nick Catalano, whose love for Brownie had its beginnings at age 14 when he briefly shared a bandstand with him, has given us Clifford Brown : The Life and Art of the Legendary Jazz Trumpeter, a critically-acclaimed, newly released biography
...August 22nd, 2000
What music would you take to a remote island? It would be wise to consider taking the catalog of Mark Isham. Not only would you have a Grammy and Emmy Award winning film composer of over 50 films, there is a solo career that spans from New Age Windham Hill recordings such as 1983’s VAPOR DRAWINGS to the decidedly cool acoustic jazz of 1995’s BLUE SUN featuring Charles Lloyd. Not to mention all Isham’s recorded guest appearances. Now add to that, the often raucous MILES REMEMBERED: THE SILENT WAY PROJECT, a live album culled from some 30 hours of recorded performance.
...April 29th, 2000
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”Analog,” by Susanna Schantz
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Susanna Schantz reads her poem at its conclusion
Click here to read previous editions of The Sunday Poem
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