Latest Post
On the web since 1999
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland’s photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.
...May 5th, 2019
In this edition of Veryl Oakland’s “Jazz in Available Light,” photographs of Red Garland, Dizzy Gillespie and Rahsaan Roland Kirk are featured.
...March 27th, 2019
The photography of Sigitas Kondratas — a resident of Vilnius, Lithuania — caught my eye this week. His interesting technique conveys the music’s movement, artistry and intimacy. It is refreshing to see contemporary jazz musicians interpreted by an artist from Eastern Europe.
...February 17th, 2019
An iconic image of music history is Art Kane’s August 12, 1958 photograph of 57 of the music’s most important (and now beloved) figures in jazz music, who congregated on the curb and stairs at 17 East 126th Street, between Fifth and Madison Avenue.
Forever known simply as “A Great Day in Harlem,” the photograph was taken, as John Leland reminds us in the September 28 edition of the New York Times, in the era when “the generation of Count Basie and Duke Ellington was yielding to the newer bebop players, who in turn were starting to be challenged by the next wave, not seen in this shot.” Many in New York’s scene came that morning, among them Monk, Basie, Dizzy,
...October 3rd, 2018
Jazz photography has played an important role in the development of jazz, and, along with the art found on the record albums of the 1940’s – 60’s, is a visual window into the history of the culture. The work of photographers like Herman Leonard, William Claxton and Lee Tanner impacted me pretty deeply, and led me deep into the record bins in search of the music they so effectively portrayed. Leonard and Tanner, in fact, were major influences on my work on this site, and Tanner was indeed a personal mentor whose voice of encouragement remains in my head long after his 2013 passing.
Among the first interviews I ever did was in 1997 with William Gottlieb, best known as a
...June 1st, 2018
In the 1940’s and 50’s, as her career as a freelance photographer was developing, German-born Susanne Schapowalow took intimate and brilliant photographs of jazz musicians in the hotel lobbies and jazz clubs of Berlin, Hamburg, Frankfurt, Paris and New York, and in concert settings like Jazz at the Philharmonic, German jazz festivals, and during Quincy Jones’ 1960 European tour.
Over thirty of these photographs – all apparently unpublished and featuring artists like Louis Armstrong, Duke Ellington, Billie Holiday, Miles Davis, Nina Simone, Lester Young, and Bud Powell – reside in slide show form on a website devoted to her work, a collection described as a “rediscovered jazz life of a
...April 7th, 2018
Photographer Paul Hoeffler, who studied with the likes of Ansel Adams, Alfred Eisenstadt, and Nancy Newhall, discovered an interest in photographing jazz musicians through his regular attendance at Rochester, New York jazz clubs the Pythodd, the Ridgecrest Inn, the Auditorium Theater, the Eastman Theater, and the University of Rochester auditoriums. He cites Louis Armstrong as an early inspiration, and he subsequently photographed Duke Ellington, Count Basie, Billie Holiday, Chet Baker, Dave Brubeck and a variety of others during their tours through
...March 17th, 2018
October 3rd, 2017
In the introduction to his book Journey Into Jazz, photographer Lee Santa shares his earliest and fascinating experiences with jazz music…A sampling of his photographs follow.
______
I’m not a musician. I’m not a music critic. And you’ll soon find out I’m not a writer. I am simply a fan of jazz who is also a photographer.
Though I didn’t know what it was called at the time, my earliest recollection of jazz was growing up in 1950s Indiana. My father had a couple of LP albums I liked listening to; one was by Stan Kenton and the other was the sound track from the film
...February 5th, 2017
John McCluskey, a contributing poet to Jerry Jazz Musician, submitted six photographs of jazz musicians he took while recently visiting New Orleans. John writes that the shots were “deliberately processed…in the most colorful way possible to illustrate the sensibility of the performers.”
These photos feature musicians performing on Royal Street, New Orleans, in April 2016.
...September 29th, 2016
In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.
This edition: Ray Avery
November 24th, 2015
I received an email yesterday from noted photographer (and friend) Herb Snitzer, who is announcing the distribution of “Such Sweet Thunder,” a boxed portfolio containing 10 of his finest iconic photographs. The collection of 16″ x 20″ silver gelatin prints includes photographs of artists like Louis Armstrong, Nina Simone, Miles Davis, and John Coltrane. Snitzer wrote that this portfolio is “a wonderful investment for children and grandchildren as the value increases with each passing year.” Originally valued at $1500, the collection is now worth
...November 4th, 2014
Lee Santa, who calls himself “simply a fan of jazz who is also a photographer” and whose life has been “heavily influenced by jazz’s sounds, structures and impressions,” recently reached out to me via email, informing me that Roundbend Press has just released his collection of photographs, A Journey Into Jazz: Anecdotes, Notes and Photos of a Jazz Fan.
Along with his entertaining introduction to the book, Santa sent me several photographs from the book — all of which I have never seen before. For example, there is Ornette Coleman at Berkeley’s Greek Theater in the turbulent year of 1968, Pharoah Sanders at the Village Gate in 1970, Sam Rivers playing outdoors (maybe at the Jazz Festival?) in Portland, 1979, and one of Mose Allison in Seattle in 1988 (about the same time I recall seeing him at a club in Portland).
Santa’s background story is very cool, and is told in his introduction and in Terry Simons’ publisher’s note, both published here. At the end of Santa’s introduction, you will find several photos
...August 26th, 2014
As a jazz musician for seven decades, and as a chronicler of its intellectual and spiritual development through his fascinating, award-winning photography, Milt Hinton acts as an essential connecting point for the music and its associated culture. Hinton played bass alongside iconic figures like Cab Calloway, Dizzy Gillespie, and Louis Armstrong, and, as a photographer, brought these men and a host of others into focus as musicians, artists, and vital contributors to twentieth-century American life.
With the generous consent of David G. Berger and Holly Maxson, who along with Milt Hinton co-authored Playing the Changes: Milt Hinton’s Life in Stories and Photographs, Jerry Jazz Musician presents a photo exhibit, “Jazz: Through the Life and Lens of Milt Hinton.”
...May 9th, 2014
The publication of a new biography on Carl Van Vechten has sparked a renewed interest in his work. Critic, author and patron of many a Harlem Renaissance artist, Van Vechten was also an accomplished photographer, whose work was described by a New York Telegraph reporter in 1933 as “breathtaking…each [photo] with life and sparkle, vision and intelligence.”
His access to the artists led to a portfolio of what he called “purely documentary” photographs of a “who’s who” of early-to-mid 20th Century American cultural icons — including some of the era’s finest writers and musicians. Emily Bernard, author of Carl Van Vechten and the Harlem Renaissance writes that “Van Vechten always saw the act of taking a photograph as
...March 12th, 2014
Jerry Jazz Musician presents a number of editions of “Masters of Jazz Photography,” featuring a work by one of the photographers featured in Lee Tanner’s The Jazz Image.
This edition: Bob Parent, featuring photos of Benny Goodman, Clifford Brown, the Modern Jazz Quartet, Billie Holiday and Lester Young
...December 17th, 2013
In cooperation with Lee Tanner, author of The Jazz Image: Masters of Jazz Photography, Jerry Jazz Musician presents “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.
This edition: Hugh Bell
...November 10th, 2007
In cooperation with Lee Tanner, author of The Jazz Image: Masters of Jazz Photography, Jerry Jazz Musician presents “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.
This edition: Herb Snitzer
...August 29th, 2007
In cooperation with Lee Tanner, author of The Jazz Image: Masters of Jazz Photography, Jerry Jazz Musician presents “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.
This edition: Ole Brask
...June 29th, 2007
In cooperation with Lee Tanner, author of The Jazz Image: Masters of Jazz Photography, Jerry Jazz Musician presents “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.
This edition: Dennis Stock
...May 12th, 2007
In cooperation with Lee Tanner, author of The Jazz Image: Masters of Jazz Photography, Jerry Jazz Musician presents “Master of Jazz Photography,” featuring a work by one of the photographers featured in The Jazz Image.
This edition: Jerry Stoll
...December 6th, 2006
Lee Tanner began using a camera as a teenager in New York City. An avid jazz fan from the age of eight and inspired by the jazz photography of Gjon Mili, Bill Claxton, Herb Snitzer, and Herman Leonard, he turned to documenting the jazz scene with a love for the music comparable only to his creative drive for visual expression. Photography, however, was only an avocation.
...July 29th, 2002
For many of us, the photography of Herman Leonard is our first link to jazz culture. Ellington in Paris, Dexter with a Chesterfield, a youthful Miles, Satchmo in Birdland…These images, in some cases more so than the music, are responsible for our devotion to preserving and protecting the art the musicians of mid 20th Century America created, and Herman Leonard reported on.
...March 6th, 2000
Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.
Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…
Ccarole Ackelson
Richard Beattie
Luke Bergvist
R. Bremner
Patricia Carragon
Ed Coletti
Arlene Corwin
Steven Dalachinsky
Frank De Canio
Diane Dees
Lia Di Stefano
Salvatore Difalco
Hannah Draper
Victor Enns
Molly Ertel
Dan Franch
Freddington
Anggo Genorga
Brian Greene
Robert Harris
Bob Hecht
Charles Ingham
Lawrence J. Klumas
John Jack Cooper
D.R. James
Arya Jenkins
Anisha Johnson
Sophie Jonas-Hill
R.J. Keeler
Erren Kelly
Mark Kerstetter
Michael Keshigian
John L. Stanizzi
Michael L. Newell
J. Lee strickland
Aurora Lewis
Alex Louloudis
Douglas Malan
paul morris
Robert Nisbet
Kimberly Parish Davis
Shan Richardson
Ed Ruzicka
Fred Shaw
Justin Short
Roger Singer
dan smith
John Stupp
Susandale
Phyllis Wax
Alan Yount
