“Woman Plays Horn” — a short story by Arya Jenkins

She was born into a family of musicians. Her father had played bass in a jazz band and traveled with Dizzy until an accident had cost him his arm and his career. Getting out of a limousine that had stalled on the highway en route to a gig in Chicago, he opened the car door to get out at the wrong time, just as a truck was passing.

“C’est la vie” he always said about that, as if it meant something. He had to go on, a musician without a limb, without his instrument, because he was a man and had children and a legacy to uphold through them, but inside, where nothing touched him, he felt as torn as his shoulder had been that night. Something had shifted. Only his wife, his gentle, meek and attendant wife who saw him sitting at the edge of their bed each night head bowed counting his blessings, all but one, only she knew what

...

November 1st, 2015

“Dizzy Moods” — a short story by Daniel Alvarado

Three cars honked almost in union. Then successively, each a blare in order, one two three, then two three one three four with the line through, beat ripitum boom, ba, riptum boom, now hear it a little faster, just a little faster, lips to instrument, trumpet, three valves, infinite notes to jot to sing to blow, perched lips, fat cheeks, cosmic energy of the union, the intertwined with keys of ivory.

Marcus Breck was recalling stepping on stage the first time. Nervousness rising from toes to a tingling head. Dry mouth, the initial silence of the room that precedes the beginning of

...

March 31st, 2015

“Masters of the Jazz Kazoo” — a short story by Con Chapman

“Masters of the Jazz Kazoo” is a short story by Con Chapman about a man whose goal was to make it in New York’s cutthroat world of the jazz kazoo!


_____


Like all jazz kazoo players, getting to New York City was always my goal. To turn the Sinatra song on its head, until you made it there, you hadn’t made it anywhere.

Yes, I’d cut every kazooist in the Quad Cities, the sub-metropolitan area of Iowa that from the air appears to be what it is full of — squares. Then I’d moved on to Chicago, like Louis Armstrong, where I found a wider audience for my “kool kazoo” stylings. It may be America’s “Second City” (actually third, but who’s counting) but landing on my feet there was like a

...

February 4th, 2015

“Father Kniest, Jazz Priest” — a short story by Con Chapman

“Father Kniest, Jazz Priest” is a short story by Con Chapman about “a man of the cloth…deputized by a higher power to save jazzmen’s souls from the lures and wiles and temptations of bad taste.”

_____

I’m getting too old for this, I thought as I made my way down Boylston Street, my tambourine in one hand, the Good Book in the other. I started ministering to the jazz scene in Boston back when Estelle Slavin and Her Swinging Brunettes were the house band at Izzy Ort’s Coney Island Club on Essex Street. Floogie Williams and the Unquenchables were ensconced at the Tip-Top Lounge, which didn’t sit well with the sconces that came with the place as trade fixtures, but so what? We were young and crazy for jazz — we didn’t care.

But now I’m closing in on eighty, and eighty’s looking over its shoulder, nervous as hell. I’ll catch it soon enough — if I don’t die first.

Back in ’55 I was just out of the seminary and was assigned by my

...

January 7th, 2015

“Broad Street” — a short story by Arya Jenkins

The publication of Arya Jenkins’ “Broad Street” is the fourth in a series of short stories she has been commissioned to write for Jerry Jazz Musician. For information about her column, please see our September 12 “Letter From the Publisher.”

For Ms. Jenkins’ introduction to her work, read “Coming to Jazz.”

__________

The day I moved into Broad Street, the roiling waters of the Long Island Sound burst over sea walls along the Connecticut coast from New Haven to Greenwich, flooding Bridgeport so badly, a poor, emotionally disturbed man actually drowned in a sewer. At Seaside Park, water rushed across two parking lots, swirled around a few skimpy trees and headed straight for the historic set of row houses that included my basement apartment. It was early December as I arrived, two knapsacks in tow, only to find my new landlady Rosie and my neighbor Alice knee-deep in galoshes in muck, hauling out my furniture.

A week earlier, Alice had lured me with, “There’s a vacancy next door and it’s yours. Everybody’s an artist here. You belong.” I had felt that the studio with its cozy rooms

...

August 5th, 2014

“The Bluest Train,” a short story by Arya Jenkins

My friend Carl lived in a house full of ghosts with an evil sonofabitch brother who stole his shit, I mean all of it. But Carl himself, man, Carl was good as gold. He would give you the shirt off his back–everything, and did.

I moved in with my ex-old lady across the street from him in the late 80s when I was drying out and desperate for change. Marcy took me in, even after I had been such a dick. She knew it was the booze made me sleep around, and even though she kicked my drunken ass out on the curb, she took me in once she saw I was sober and clean. By then, she was already shacked up with a polite, fat, slob who was everything I wasn’t or would ever be.

Homestead Avenue, where we lived, was a pleasant street in a nice section of Fairfield called Black Rock, near the water. At the time, people were starting to navigate to the hood, although since then real estate prices have dropped due to the many storms–there have been too many storms in the area, man. But because of Black Rock’s proximity to the sound, which is like the sea, artists and strange people gravitate there.

I noticed Carl right off the bat. You couldn’t help but see him sitting on his porch with his supersized feet, head and limbs, a Franken monster. So I crossed the street one day to meet my neighbor, who looked a sorry sight–blackish long hair

...

January 14th, 2014

“Soliloquy,” by Arya F. Jenkins

I am a bastard son of the late great Chogyam Trungpa, a Tibetan Buddhist teacher who came to this country in 1970, amassed many followers and bedded many women, among them, my dear mother. My parents never married. My mother left my father and moved with me to the Big Apple when I was still a toddler. While my mother met and married a broker named Irv and had my sister Pearl, my own father went on to become a famous teacher and big lush.

...

September 15th, 2013

“Coming to Jazz,” by Arya Jenkins

On the occasion of my 12th or 13th birthday, my father presented me with my own copy of a favorite album of his, Dave Brubeck’s Time Out and said, “This music is going to change your life.” The music sounded like nothing I’d ever heard. It was original and different and piqued my curiosity although I would not embrace it until later in my life. In the early 90s, when I was reading my poems in cafes that often played jazz in Connecticut, New York and Massachusetts, I started really listening to the music, and found it captivating.

...

September 15th, 2013

A Letter from the Publisher/Introducing Jazz Fiction writer Arya Jenkins

For 11 years, Jerry Jazz Musician has sponsored 33 Short Fiction Contests resulting in 30 different contest winners. During that time, I estimate that I have read and considered over 3,000 short stories.

The stories vary in content and quality, of course, and it has been my goal to publish the best story regardless of its theme. This has at times led to confusion by some writers over the years who believe that, since Jerry Jazz Musician’s focus is on jazz history – and in particular within the confines and culture of mid-20th Century America – the winning story should always be about jazz or a character within that setting.

...

September 12th, 2013

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 7 of the narratives are “Torn from Its Moorings", "Watching the Sea" and "Plantations" (featuring west coast stories of Ornette Coleman and Billie Holiday)

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #138

photo by William Gottlieb/Library of Congress
Shortly following their famed 1938 Carnegie Hall performance, Benny Goodman’s drummer Gene Krupa left the band to start his own. Who replaced Krupa?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Poetry

photo Bret Stewart/Wikimedia Commons
“Afterwards — For the Spring, 2020” — a poem by Alan Yount

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive