Latest Post
On the web since 1999
Richard Carlin and Ken Bloom, authors of “Eubie: Rags, Rhythm, and Race,” talk about Blake and their insightful and timely book – an important portrait of the man and the musical world his work helped reshape.
...May 17th, 2021
An interview with The Art of Jazz author Alyn Shipton, whose book is an exploration of how jazz influenced sheet music art, album art, posters, photography, and individual works of fine art.
...April 25th, 2021
Before there was Elvis, there was W.C. Handy, the man who made the blues. Here is the first major biography in decades of the man who gave us such iconic songs as St. Louis Blues, The Memphis Blues, and Beale Street Blues, and who was responsible, more than any other musician, for bringing the blues into the American mainstream.
David Robertson charts W.C. Handys rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father.
...September 4th, 2009
Excerpted from W.C. Handy: The Life and Times of the Man Who Made the Blues, by David Robertson
Harry Pace, even at his distance at Atlanta, always had been more innovative in marketing their firm’s songs in newer ways than Handy, and, as his career later reveals, he was interested in the possibilities of owning his own phonographic business. While on a trip for his insurance company to New York City
...August 12th, 2009
If Benny Goodman was the “King of Swing,” then Fletcher Henderson was the power behind the throne. Not only did Henderson arrange the music that powered Goodman’s meteoric rise, he also helped launch the careers of Louis Armstrong and Coleman Hawkins, among others. In Fletcher Henderson and Big Band Jazz: The Uncrowned King of Swing, Jeffrey Magee offers a fascinating account of this pivotal bandleader, throwing new light on the emergence of modern jazz and the world that created it.
...January 29th, 2005
Lost Sounds is the first in-depth history of the involvement of African Americans in the earliest years of recording. It examines the first three decades of sound recording in the United States, charting the surprising role black artists played in the period leading up to the Jazz Age.
Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides revealing biographies of some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, boxing champion Jack Johnson, as well as a host of lesser-known voices.
...May 10th, 2004
”Every Time” by Michel Krug
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Michel Krug reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem
Click here to read more short fiction published on Jerry Jazz Musician
Click here to read more book excerpts published on Jerry Jazz Musician
Dear Readers:
Reader funding helps support the expense of publishing this website, and to keep it free of advertising – which is a rarity in the dot-com world. Many thanks to those who have recently contributed, and to those who have done so multiple times. Your support is very much appreciated.
If you are able, please consider making a contribution? Information regarding how to do so is found by clicking here.
For viewing my long range vision for Jerry Jazz Musician, please click here.
Thank you!
Joe Maita
Editor/Publisher
,
