Remembering Jon Hendricks, 1921 – 2017

The great jazz singer Jon Hendricks died in New York earlier today at the age of 96.  In his New York Times obituary, Peter Keepnews writes that “Mr. Hendricks did not invent this practice, known as vocalese — most jazz historians credit the singer Eddie Jefferson with that achievement — but he became its best-known and most prolific exponent, and he turned it into a group art.” 

His work with Lambert, Hendricks and Ross was one of my gateways into jazz music.  My childhood home had only a few mostly dreadful record albums (and my beloved mother’s favorite radio station was KABL/San Francisco, with Mantovani and 101 Strings in heavy rotation on the Philco clock radio on the kitchen counter), but somewhere in the bowels of the house was Sing a Song of Basie LP that would somehow occasionally make its way on to our Hoffman stereo system’ turntable — in competition for time with Creedence and the Doors and Beatles 45’s.  Even as a little kid I could tell this was “hip” music, and it ultimately led me to an unforgettable experience.   

When I was living in Berkeley in the late seventies I went to see him on stage in a small North Beach

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November 22nd, 2017

Memorable Quotes — Ornette Coleman

“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”

– Ornette Coleman

1930 – 2015

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June 11th, 2015

Bruce Lundvall, 1935 – 2015

Bruce Lundvall, a record executive best known among fans of jazz music as Blue Note Records president for 25 years, died yesterday at the age of 79. In addition to his work at Blue Note, Lundvall was president of CBS Records during the heyday of the LP business, and was responsible for signing many of that label’s major artists, and for expanding the jazz division of Columbia Records.

My own experience with him was always very favorable. Although I hadn’t spoken to him for several years, whenever I did reach out to him, either as a record executive myself or as publisher of Jerry Jazz Musician, he always made himself available and was supportive of my work.

In 2003, I hosted a conversation on the state of the business of jazz with Lundvall, New York Times columnist Ben Ratliff, and saxophonist Joshua Redman. Part of the discussion dealt with

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May 20th, 2015

My B.B. King story — An unforgettable experience with my son, but the end of a business dream

The passing of an artist the magnitude of B.B. King hits us all in some way. Mostly it is a loss of a revered and cherished entertainer. Who doesn’t have a memory associated with the guitar riff from “The Thrill is Gone,” or his humor-laced vocal on “Nobody Loves Me But My Mother” (“and she could be jivin’ too!”)? But since he performed live at least 200 times a year for two generations, many of us also have memories from seeing him in concert or having met him that makes his death feel slightly more personal.

No one can doubt what a great musician he was, and in the summer of 1995, my then-six-year-old son Peter and I had an unforgettable personal experience with him that also demonstrated

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May 17th, 2015

“It Only Hurts When I Laugh”

Sad news this morning…The great comedian and satirist Stan Freberg, who was also successful as an actor (and voice over actor), recording artist, puppeteer, advertising creative director and radio personality, died yesterday at the age of 88. His career was filled with artistry and courage. His comic recordings were always hilarious and often biting – his mocking of Senator Joseph

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April 8th, 2015

Joe Sample, the S.L.A., and a budding writer’s altered career path

Pianist Joe Sample — who died on September 12 at the age of 75 — was a critical link to both the glories of hard bop and the perils of smooth jazz. His career will principally be remembered as a founding member of the Jazz Crusaders (ultimately just “The Crusaders”), a band he described as being “fathers of jazz-funk-fusion.” While his musical contributions are noteworthy, I also remember him for an altogether different reason.

In 1974, The Crusaders were all over the radio. In the San Francisco Bay area (where I lived at the time), their music — particularly their arrangement of Carole King’s “So Far Away” and a sweet ballad called “Way Back Home” — was in heavy rotation on the adult contemporary formatted KSFO-AM as well as on the era’s alternative rock giant KSAN-FM. In record industry parlance, they had “crossed over” into multiple formats. The Crusaders were “huge.”

In addition to being an important musical influence during

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September 18th, 2014

Ruby Dee, 1922 – 2014

Ruby Dee, perhaps best known for her work on stage and screen in Lorraine Hansberry’s A Raisin in the Sun — a play the New York Times’ Frank Rich said “changed American theater forever” — and for her political activism, particularly during the era of the civil rights movement, died on June 11.

To read Bruce Weber’s comprehensive New York Times obituary, click here.

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June 15th, 2014

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #127

Before his tragic early death, this trumpeter played with Max Roach, Abbey Lincoln, and John Coltrane, and most famously during a 1961 Five Spot gig with Eric Dolphy (pictured). Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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