Remembering Jon Hendricks, 1921 – 2017

The great jazz singer Jon Hendricks died in New York earlier today at the age of 96.  In his New York Times obituary, Peter Keepnews writes that “Mr. Hendricks did not invent this practice, known as vocalese — most jazz historians credit the singer Eddie Jefferson with that achievement — but he became its best-known and most prolific exponent, and he turned it into a group art.” 

His work with Lambert, Hendricks and Ross was one of my gateways into jazz music.  My childhood home had only a few mostly dreadful record albums (and my beloved mother’s favorite radio station was KABL/San Francisco, with Mantovani and 101 Strings in heavy rotation on the Philco clock radio on the kitchen counter), but somewhere in the bowels of the house was Sing a Song of Basie LP that would somehow occasionally make its way on to our Hoffman stereo system’ turntable — in competition for time with Creedence and the Doors and Beatles 45’s.  Even as a little kid I could tell this was “hip” music, and it ultimately led me to an unforgettable experience.   

When I was living in Berkeley in the late seventies I went to see him on stage in a small North Beach

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November 22nd, 2017

Memorable Quotes — Ornette Coleman

“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”

– Ornette Coleman

1930 – 2015

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June 11th, 2015

Bruce Lundvall, 1935 – 2015

Bruce Lundvall, a record executive best known among fans of jazz music as Blue Note Records president for 25 years, died yesterday at the age of 79. In addition to his work at Blue Note, Lundvall was president of CBS Records during the heyday of the LP business, and was responsible for signing many of that label’s major artists, and for expanding the jazz division of Columbia Records.

My own experience with him was always very favorable. Although I hadn’t spoken to him for several years, whenever I did reach out to him, either as a record executive myself or as publisher of Jerry Jazz Musician, he always made himself available and was supportive of my work.

In 2003, I hosted a conversation on the state of the business of jazz with Lundvall, New York Times columnist Ben Ratliff, and saxophonist Joshua Redman. Part of the discussion dealt with

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May 20th, 2015

“It Only Hurts When I Laugh”

Sad news this morning…The great comedian and satirist Stan Freberg, who was also successful as an actor (and voice over actor), recording artist, puppeteer, advertising creative director and radio personality, died yesterday at the age of 88. His career was filled with artistry and courage. His comic recordings were always hilarious and often biting – his mocking of Senator Joseph

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April 8th, 2015

Joe Sample, the S.L.A., and a budding writer’s altered career path

Pianist Joe Sample — who died on September 12 at the age of 75 — was a critical link to both the glories of hard bop and the perils of smooth jazz. His career will principally be remembered as a founding member of the Jazz Crusaders (ultimately just “The Crusaders”), a band he described as being “fathers of jazz-funk-fusion.” While his musical contributions are noteworthy, I also remember him for an altogether different reason.

In 1974, The Crusaders were all over the radio. In the San Francisco Bay area (where I lived at the time), their music — particularly their arrangement of Carole King’s “So Far Away” and a sweet ballad called “Way Back Home” — was in heavy rotation on the adult contemporary formatted KSFO-AM as well as on the era’s alternative rock giant KSAN-FM. In record industry parlance, they had “crossed over” into multiple formats. The Crusaders were “huge.”

In addition to being an important musical influence during

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September 18th, 2014

In This Issue

"Nina" by Marsha Hammel
A Collection of Jazz Poetry — Winter, 2024 Edition...One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within the pages of this website. (Featuring the art of Marsha Hammel)

The Sunday Poem

The cover to Nina Simone's 1967 album "SIlk and Soul"
“Brown Girl” by Jerrice J. Baptiste

Click here to read previous editions of The Sunday Poem

Poetry

Proceeding From Behind: A collection of poems grounded in the rhythmic, relating to the remarkable, by Terrance Underwood...A relaxed, familiar comfort emerges from the poet Terrance Underwood’s language of intellectual acuity, wit, and space – a feeling similar to one gets while listening to Monk, or Jamal, or Miles. I have long wanted to share his gifts as a poet on an expanded platform, and this 33-poem collection – woven among his audio readings, music he considers significant to his story, and brief personal comments – fulfills my desire to do so.

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Publisher’s Notes

photo by Rhonda Dorsett
A very brief three-dot update…Where I’ve been, and an update on what is coming up on Jerry Jazz Musician

Interview

Michael Cuscuna in 1972
From the Interview Archive: Jazz Producer, Discographer, and Entrepreneur Michael Cuscuna...Few music industry executives have had as meaningful an impact on jazz music as Michael Cuscuna, who passed away on April 20 at the age of 75. I had the privilege of interacting with Michael several times over the years, including this wide-ranging 2019 interview I conducted with him. His energy and vision was deeply admired within the jazz world. May his spirit for the music and its culture continue to impact those of us who remain.

Poetry

painting (cropped) by Berthold Faust/CC BY-SA 4.0 DEED/Wikimedia Commons
“Ornithology” – a Ghazal by Joel Glickman

Click here to read more poetry published on Jerry Jazz Musician

Essay

"Lester Leaps In" by Tad Richards
"Jazz and American Poetry," an essay by Tad Richards...In an essay that first appeared in the Greenwood Encyclopedia of American Poetry in 2005, Tad Richards - a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades – writes about the history of the connection of jazz and American poetry.

Interview

photo of Pepper Adams/courtesy of Pepper Adams Estate
Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer...The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.

Click here to read more interviews published on Jerry Jazz Musician

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

Review

Jason Innocent, on “3”, Abdullah Ibrahim’s latest album... Album reviews are rarely published on Jerry Jazz Musician, but Jason Innocent’s experience with the pianist Abdullah Ibrahim’s new recording captures the essence of this artist’s creative brilliance.

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Poetry

"Jazz Trio" by Samuel Dixon
A collection of jazz haiku, Vol. 2...The 19 poets included in this collection effectively share their reverence for jazz music and its culture with passion and brevity.

Jazz History Quiz #171

Dick Cavett/via Wikimedia Commons
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group formed in the late 1960’s who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs (i.e. the shows of Johnny Carson, Dick Cavett [pictured] and Merv Griffin) in protest of the small number of Black musicians employed by networks and recording studios.” Who was he?

Click here to visit the Jazz History Quiz archive

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 - 1960;  an interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow? An Oral History of the 60's Girl Groups;  a new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Eubie Blake
Click to view the complete 22 year archive of Jerry Jazz Musician interviews, including those recently published with Richard Carlin and Ken Bloom on Eubie Blake (pictured); Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

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