On the Turntable — Miles Ahead

I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.”  Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.   

I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records.  An early example of

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July 23rd, 2018

Revisiting Gil Evans

     An early interview I conducted as publisher of Jerry Jazz Musician was with Stephanie Stein Crease, whose 2002 biography of Gil Evans, Out of the Cool, was an illuminating history of a man the jazz writer Gary Giddins refers to as “one of the great figures in American music, a composer and orchestrator of breathtaking originality.”

     In the interview, Crease talks of Evans’ life as having

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May 14th, 2018

Great Encounters #46: The early friendship of Miles Davis and Gil Evans

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition describes the early friendship and collaboration of Miles Davis and composer/arranger Gil Evans, who Miles once described as “the greatest musician in the world.”

Excerpted from Castles Made of Sound: The Story of Gil Evans,

by Larry Hicock

 

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“I first met Gil when I was with Bird,” Miles told Marc Crawford in a 1961 interview for Down Beat.

He was asking for a release on my tune, “Donna Lee.”…I told him he could have it and asked him to teach me some chords and let me study some of the scores he was doing for Claude Thornhill.

He really flipped o me on the arrangement of “Robbin’s Nest” he did for Claude. See, Gil had this cluster of chords and superimposed another cluster over

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September 12th, 2016

Memorable Quotes: Gil Evans on Paul Chambers

Paul Chambers, the bassist on many of Miles Davis’ most important recordings — including all that Gil Evans and Miles Davis collaborated on — fulfilled, according to Stephanie Stein Crease, author of Gil Evans: Out of the Cool, “an important role in Gil’s writing. The bass provided a harmonic color base as well as a rhythmic one, a foundation for the shifting polyrhythms among the brass and woodwinds.”

Here is what Evans said about Chambers:

There was nobody ever before or after Paul Chambers, he was such a glorious player. When he played up-tempo it was never the least bit choppy – he could hang onto the preceding note as long as possible before the next

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November 7th, 2014

John Szwed, author of So What: The Life of Miles Davis

More than half a century after his bebop debut, and more than eleven years after his death, Miles Davis lives on. His music is used to pitch jeans, shape films, and personify an era. To this day, he is revered as the archetype of cool.

While several books have been written about Davis, including his own autobiography, due to his passion for reinvention and his extreme reticence the real story of Miles Davis has been obscured by the legend and widely misunderstood.

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January 27th, 2003

Stephanie Stein Crease, author of Gil Evans: Out of the Cool

When Stephanie Stein Crease was a child, and her older brother started bringing home records by Gil Evans and Miles Davis, her world turned. Fascinated by the colorful orchestrations found on Miles Ahead, Porgy and Bess and Sketches of Spain, recorded between 1957 and 1960, Crease began a life long affair with the music of Evans, a man noted critic Gary Giddins has called “one of the great figures in American music.” Gil Evans, Out of the Cool, is a culmination of her fascination of and appreciation for the work of Gil Evans.

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December 17th, 2001

In This Issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Features

In this edition of Reminiscing in Tempo,, Chick Corea, Rickie Lee Jones, Tom Piazza, Gary Giddins, Randy Brecker, Michael Cuscuna, Terry Teachout and many others answer the question, “What are 3 or 4 of your favorite recordings of the 1940’s?”

Interviews

Interview with Bing Crosby biographer Gary Giddins, author of the new book "Swinging on a Star: The War Years, 1940 - 1946"

Poetry

Eight poets — John Stupp, Aurora Lewis, Michael L. Newell, Robert Nisbet, Alan Yount, Roger Singer, dan smith and Joan Donovan — write about the era of World War II

The Joys of Jazz

Award winning radio producer and host Bob Hecht shares his love of jazz through his podcasts on his site “The Joys of Jazz.” In this edition, he tells two stories; the history of the virtual anthem of World War II, “I’ll Be Seeing You,” and the friendship and musical rapport of Bing Crosby and Louis Armstrong.

Short Fiction

Hannah Draper of Ottawa, Ontario is the winner of the 49th Jerry Jazz Musician New Short Fiction Award. Her story is titled "Will You Play For Me?"

Coming Soon

Three prominent scholars in a conversation about the lives of Billie Holiday, Ralph Ellison, and Langston Hughes (pictured)

Contributing writers

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