Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”
Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street
November 26th, 2024
Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street
November 26th, 2024
This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to Oliver Nelson’s 1961 recording The Blues and the Abstract Truth
...September 11th, 2024
. . This space on Sunday is generally reserved for a single poet to read one of their works, but this week’s issue -Father’s Day – features 23 poets who weigh in on the complexity of their relationship with their father, revealing love, warmth, regret, sorrow – and in many cases a strong connection … Continue reading “The Sunday Poem(s): 23 Poets remember their father…”
...June 15th, 2024
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is written in response to the music of Wayne Shorter.
...April 18th, 2024
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is influenced by Stillpoint, the 2021 album by Zen practitioner Barrett Martin
...January 24th, 2024
Hammers in a construction site
sound like a band warming up,
weird solos by a bunch of drummers.
Jimmy Smith comes down draped in groove,
sermonizing your stride,
clouds chest-out like they know something.
A man standing in front of a house,
shouting, I got nothing from you!
November 29th, 2023
Announcing the six writers nominated for the Pushcart Prize v. XLVIII, whose work was published in Jerry Jazz Musician during 2023.
...November 21st, 2023
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, the poet connects the recordings of Jessica Williams’ “Little Waltz” and Gene Harris’ “Summertime.”
...September 20th, 2023
Vivaldi, especially “The Four Seasons,”
keeps showing up in forms of jazz:
a hint, a structure—but try unraveling
any musical DNA you go straight back
to singing and to drum, voice and poetry—
August 10th, 2023
Two poems devoted to Steely Dan’s 1977 recording of “Aja”
...June 22nd, 2023
The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…
...April 18th, 2023
This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
...April 13th, 2023
In this edition, the poet writes about attending a McCoy Tyner performance (or “ceremony”), and hearing the musician’s one word philosophy of music.
...March 9th, 2023
Writers talk about influential life experiences with writing, literary figures who inspired their work, overcoming creative and economic challenges, and where they fit in today’s publishing model.
...March 3rd, 2023
“Blow by Blow” is a portrait of Berkeley, California in the 1970’s, and the fusion jazz that was finding its way onto the scene at that time.
...January 17th, 2023
“The Weeping Tree” arises from the poet listening to (and watching) Sinne Eeg & Thomas Fonnesbæk perform “Willow Weep For Me”
...December 13th, 2022
“Fire From Heaven” arises from the poet Douglas Cole listening to John Coltrane’s 1964 album A Love Supreme
...October 24th, 2022
“The Ghost Note” arises from the poet listening to “From Paris With Love” from Melody Gardot’s 2020 album Sunset in the Blue
...August 23rd, 2022
A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
...August 14th, 2022
He’s a-stagger the patrilineous
hillside grove wonder tunnels
street black ribbons going bower-deep
with sunlight glitter punctuations
feeling the great payoff on the way
July 11th, 2022
The poem “Convergence” rises from listening to the 1960 album, “Stan Getz Quartet at Large”
...May 28th, 2022
Mr. Cole’s suite consists of eight poems, all interpretations from songs on pianist Tommy Flanagan’s album Sunset and the Mockingbird Suite
...April 14th, 2022
Over 60 poets from all over the world celebrate their love of jazz…in poetry.
...April 7th, 2022
Set forth beautiful one
open sea and open sky
as far as your eye can see
full wind filling the sails
pushing those hesitant steps
three at a time before
the cymbal crash of wave
February 25th, 2022
Horace Silver’s got a grove. Just listen to that left hand,
like a heart skipping a beat or jumping up to a double-beat,
like beholding something so beautiful you can hardly believe it.
January 19th, 2022
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This poem is written to the 1957 Coleman Hawkins recording of “Juicy Fruit.”
...December 17th, 2021
Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
...December 10th, 2021
I had a little radio up on top of the refrigerator, and I turned it on as the sunlight went and the world filled up with darkness. I listened to a jazz station and smoked a cigarette and blew the smoke out the window.
...November 18th, 2021
Dear Readers:
Reader funding helps support the expense of publishing this website, and to keep it free of advertising – which is a rarity in the dot-com world. Many thanks to those who have recently contributed, and to those who have done so multiple times. Your support is very much appreciated.
If you are able, please consider making a contribution? Information regarding how to do so is found by clicking here.
For viewing my long range vision for Jerry Jazz Musician, please click here.
Thank you!
Joe Maita
Editor/Publisher
,