Michael Cuscuna announces the release of Francis Wolff’s Blue Note session photographs

Mosaic Records co-founder Michael Cuscuna shares news concerning the availability of previously unreleased photographs of Blue Note Records sessions taken by Francis Wolff

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August 8th, 2019

On the Turntable — “Sophisticated Giant,” by Dexter Gordon

I will soon be interviewing Ms. Maxine Gordon, author of Sophisticated Giant:  The Life and Legacy of Dexter Gordon, whose biography of her late husband is a creatively and beautifully told account of the essential mid-20th century saxophonist.

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January 22nd, 2019

“THE BLUE KISS” — a short story by Arya Jenkins

She stood in a room at The Met glancing at the painting on the wall, which was of two women kissing. From her vantage point, standing slightly away and to the side, the two women lying together interlocked in bed appeared cushioned awkwardly in space, free-floating yet connected.

The painting was by Henri Toulouse-Lautrec, the alcoholic French dwarf artist, and she tried to imagine what it was like living when he did in Paris at the time of the painting, 1892, and what it might have been like for these two prostitutes and others like them who often turned to one another for relief from a world of men then.

Mireille, it was reported, was one of the girls in the brothel in the Rue d’Amboise, when Lautrec was commissioned to create a series of panels about the lives of the girls there, and she was one of his favorites. He visited the salons of the brothels in the Rue des Moulins and Rue d’Amboise many times to study and paint the women, who felt very free to be

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February 2nd, 2016

“Midnight Listening to Dexter Gordon” — a poem by Michael L. Newell

the pain contained within those
seemingly effortless sounds
lifts us from our couches
to applaud years
after the event

the tone arches stretches slinks struts
leaps to fence tops and deftly prances

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December 18th, 2015

Monday Quiz Show #18


This west coast-based musician was a hot tenor of the forties who appeared in many of the top jam sessions during his era, including “The Duel,” with Dexter Gordon. Who was he?

Wardell Gray

Jimmy Giuffre

Buddy Collette

Bob Cooper

Teddy Edwards

Richie Kamucka

Zoot Sims

Lucky Thompson

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December 23rd, 2013

Interview with jazz photographer Herman Leonard

For many of us, the photography of Herman Leonard is our first link to jazz culture. Ellington in Paris, Dexter with a Chesterfield, a youthful Miles, Satchmo in Birdland…These images, in some cases more so than the music, are responsible for our devotion to preserving and protecting the art the musicians of mid 20th Century America created, and Herman Leonard reported on.

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March 6th, 2000

In this Issue

Art by Russell Dupont
Twenty-eight poets contribute 37 poems to the Jerry Jazz Musician Fall Poetry Collection, living proof that the energy and spirit of jazz is alive — and quite well.

Interview

photo by Francis Wolff/© Mosaic Images
Interview with Paul Lopes, author of Art Rebels: Race, Class and Gender in the Art of Miles Davis and Martin Scorsese

Book Excerpt

In the introduction to Jazz and Justice: Racism and the Political Economy of the Music, author Gerald Horne writes about the severe cultural and economic obstacles jazz musicians have encountered since the music's inception

Short Fiction

Photo/CC0 Public Doman
Short Fiction Contest-winning story #52 — “Random Blonde,” by Zandra Renwick

Poetry

Image by Matthias Gabriel from Pixabay
"Up in the Attic" -- a poem by Alan Yount

Jazz History Quiz #132

photo of Dizzy Gillespie by Brian McMillen
This legendary saxophonist has worked with Lionel Hampton, Johnny Hodges, Dizzy Gillespie (pictured), Art Blakey, and Art Farmer, and has become known as much for his compositions as the greatness of his horn playing, having written standards like “I Remember Clifford,” “Killer Joe,” and “Along Came Betty.” Who is he?

Essay

photo of Esbjorn Svensson Trio/Pkobel/Creative Commons
“The Trio That Should Have Reshaped Jazz” — an essay by Scott Archer Jones

Photography

photo of Jackie McLean by Veryl Oakland
Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Mal Waldron, Jackie McLean and Joe Henderson

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

"Jazz Samba"/Verve Records
In this edition, excerpted from Michael Jarrett's Pressed For All Time, legendary producer Creed Taylor remembers the 1962 Stan Getz recording, Jazz Samba

Interview

Photographer Carol Friedman
In an entertaining conversation that also features a large volume of her famous photography, Carol Friedman discusses her lifelong work of distinction in the world of jazz photography

Art

“Me, Thinking about Nona Faustine” — a photo-narrative by Charles Ingham

Humor

photo by William Gottlieb/Library of Congress
"Every Soul is a Circus," by Dig Wayne

Short Fiction

photo/Creative Commons CC0.
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges, contributes a humorous short story, "Father Kniest: Jazz Priest"

In the Previous Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

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