“Full Moon New Year” — a short story by Debora Ewing

     This is one of those parties I’ve heard about, thrown by people with new money in a house they don’t own; like Hipster Gatsby. This is not to disparage our host: he is a sincere human. When one finds one’s self in a cliché, the moment should be chronicled. I’m sitting on a mausoleum chair in the foyer of an upscale Seattle home with my glass of vodka perched on a music stand, chronicling.

      The jazz musicians in the living room are playing “Some Day My Prince Will Come.” 

      “Oh, good, it’s the Disney segment,” I say to nobody in particular. The drunk woman who earlier complimented my

...

April 10th, 2018

“Coloring Outside the Lines” — a short story by Debora Ewing

     I like the jazz because it plays in different colors: deep green and blue, translucent purple, ivory black; city storefronts, magenta sunsets; watercolor splashes here and there like a yellow crocus on snow or an orange goldfish tail — sudden, surprising, but always carefully placed.

     …Like the way people come in different colors — they just don’t know it. People walk along in darkness daily, ignorant of the color that’s surrounding them or the beat their music plays. That’s what I’m lying here thinking about, in my dark bedroom between the folds of cotton sheets. Africans, Asians, Seminoles…they all come in different colors — not their skins, but their insides. Each person glows from deep within, from a well that springs out of

...

February 2nd, 2018

Short Fiction Contest-winning story #1: “Coloring Outside the Lines,” by Debora Ewing

I like the jazz because it plays in different colors: deep green and blue, translucent purple, ivory black; city storefronts, magenta sunsets; watercolor splashes here and there like a yellow crocus on snow or an orange goldfish tail — sudden, surprising, but always carefully placed.

…Like the way people come in different colors — they just don’t know it. People walk along in darkness daily, ignorant of the color that’s surrounding them or the beat their music plays. That’s what I’m lying here thinking about, in my dark bedroom between the folds of cotton sheets. Africans, Asians, Seminoles…they all come in different colors — not their skins, but their insides.

...

October 4th, 2002

In this Issue

photo of Sullivan Fortner by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Interview

photo by Michael Lionstar
In a wide-ranging interview, Nate Chinen, former New York Times jazz critic and currently the director of editorial content for WBGO (Jazz) Radio, talks about his book Playing Changes: Jazz for the New Century,, described by Herbie Hancock as a “fascinating read” that shows Chinen’s “firm support of the music

Short Fiction

photo by Alysa Bajenaru
"Crossing the Ribbon" by Linnea Kellar is the winning story of the 51st Jerry Jazz Musician Short Fiction Contest

Poetry

photo of Stan Getz by Veryl Oakland
Seventeen poets contribute to the Summer, 2019 collection of jazz poetry reflecting an array of energy, emotion and improvisation

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

Pressed for All Time
In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer John Snyder about the experience of working with Ornette Coleman at the time of his 1977 album Dancing in Your Head

Art

"Dreaming of Bird at Billy Bergs" - by Charles Ingham
“Charles Ingham’s Jazz Narratives” — a continuing series

Poetry

Painting of John Coltrane by Tim Hussey
“broken embouchure” — a poem by M.T. Whitington

Art

photo of Chet Baker by Veryl Oakland

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Yusef Lateef and Chet Baker

Interviews

photo by Francis Wolff, courtesy of Mosaic Records
Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Poetry

photo from Pixabay
“The Fibonacci Quartet Plays Improv” — a poem by Gerard Furey

Short Fiction

photo by Gerd Altmann
“In Herzegovina, near the Town of Gorjad,” a story by Nick Sweeney, was a finalist in our recently concluded 51st Short Fiction Contest.

In the previous issue

Michael Cuscuna
Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...

Contributing writers

Site Archive