Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?”

Photo William Gottlieb Charlie Parker is frequently found on the lists of noted critics and musicians answering the question, “What are 3 or 4 of your favorite jazz record recordings of the 1940’s?” __________ “Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As … Continue reading “Reminiscing in Tempo: “What are 3 or 4 of your favorite jazz recordings of the 1940’s?””

...

December 4th, 2018

Jack Kerouac and the “Beatnik crap” that cheapened the memories of jazz icons

In this short excerpt from David Amram’s 2002 biography Offbeat: Collaborating with Kerouac,  Kerouac talks with Amram about how the “Beatnik crap” that Kerouac and his friends reluctantly represented was “distorting everything,” and “cheapening the memories of Charlie Parker, Dizzy Gillespie, and Thelonious Monk.”  It is an interesting and entertaining view of that era, filled with the vigor, passion, wit and wisdom Kerouac is remembered for.

 

 

_____

 

     In January of 1959, we collaborated with a once-in-a-lifetime group of artists on the film Pull My Daisy.  In addition to appearing in the film as Mezz McGillicudy, the deranged French horn player in the moth-eaten sweater, I composed the entire score for the film and wrote the music for the title song, “Pull My Daisy,” with lyrics by Jack [Kerouac], Neal Cassady, and Allen Ginsberg.

     The idea of making a film based on Jack’s work was easier to

...

January 22nd, 2018

Connecting Fiction with Music

While in the midst of reviewing the stories from the over 100 entrants in our current Short Fiction Contest, I have been impressed by the spirit of creativity that shines through in virtually every submission. No matter the story theme, the creative energy and spontaneity is as frequently evident in the writer’s turn of a phrase as it is in a jazz musician’s harmonic progression.

The other day I got into a conversation about how jazz musicians of the 1950’s and the Beat era writers shared an artistic language and had similar creative values that showed up in a variety of examples. The one that came to mind first was in Jack Kerouac’s “On the Road,” where Kerouac is inspired by a jazz performance in Chicago…This is what he writes:

...

October 15th, 2013

David Amram, author of Offbeat: Collaborating with Kerouac

The composer David Amram has been hailed by the Washington Post as “one of the most versatile and skilled musicians America has ever produced.” Since Leonard Bernstein appointed Amram as first composer-in-residence with the New York Philharmonic in 1966-67, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the Twenty Most Performed Composers of Concert Music in the United States since 1974.

Amram is also known as the musical collaborator of the great mid-century American author Jack Kerouac, whose book On the Road is considered to be the artistic soul of the 1950’s.

...

July 17th, 2002

In this Issue

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. Volume 7 of the narratives are “Torn from Its Moorings", "Watching the Sea" and "Plantations" (featuring west coast stories of Ornette Coleman and Billie Holiday)

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #138

photo by William Gottlieb/Library of Congress
Shortly following their famed 1938 Carnegie Hall performance, Benny Goodman’s drummer Gene Krupa left the band to start his own. Who replaced Krupa?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Book Excerpt

The introduction to John Burnside's The Music of Time: Poetry in the Twentieth Century – excerpted here in its entirety with the gracious consent of Princeton University Press – is the author's fascinating observation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

Short Fiction

photo Creative Commons CC0
Short Fiction Contest-winning story #53 — “Market & Fifth, San Francisco, 1986,” by Paul Perilli

Photography

photo by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Frank Morgan, Michel Petrucciani/Charles Lloyd, and Emily Remler are featured

Poetry

photo Bret Stewart/Wikimedia Commons
“Afterwards — For the Spring, 2020” — a poem by Alan Yount

Book Excerpt

A ten page excerpt from The Letters of Cole Porter by Cliff Eisen and Dominic McHugh that features correspondence in the time frame of June to August, 1953, including those Porter had with George Byron (the man who married Jerome Kern’s widow), fellow writer Abe Burrows, Noel Coward, his secretary Madeline P. Smith, close friend Sam Stark, and his lawyer John Wharton.

Interview

photo by William Gottlieb/Library of Congress
Con Chapman, author of Rabbit's Blues: The Life and Music of Johnny Hodges discusses the great Ellington saxophonist

Humor

photo by William Gottlieb/Library of Congress
"Louis Armstrong on the Moon," by Dig Wayne

Book Excerpt

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

Pressed for All Time

In this edition, producer Tom Dowd talks with Pressed for All Time: Producing the Great Jazz Albums author Michael Jarrett about the genesis of Herbie Mann’s 1969 recording, Memphis Underground, and the executives and musicians involved

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Great Encounters

photo of Sidney Bechet by William Gottlieb/Library of Congress
In this edition of "Great Encounters," Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Contributing writers

Site Archive