In honor of jazz historian Dan Morgenstern — at age 85

The critic Gary Giddins once told me that fellow jazz writer Dan Morgenstern has the “best ears in the business.” Morgenstern’s work as editor of Down Beat during the 1960’s and 70’s (when it was jazz music’s premier magazine) and as the director of the Institute of Jazz Studies at Rutgers, according to writer Sheldon Mayer helped direct “a generation of jazz scholars and broadened the discussion and range of the discipline.”

In addition to his work at Down Beat and the Institute, I associate Morgenstern’s career with his defense of the latter-day Louis Armstrong, and for the many great liner notes he penned. In the introduction to my 2005 interview with Morgenstern (at the time of the release of his book Living With Music), I wrote: “Dan Morgenstern was the

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October 29th, 2014

Fats Navarro’s 90th Birthday

“As an influence, Navarro was important almost immediately after he first made his presence felt in the mid-1940s Billy Eckstine band. Kenny Dorham was affected early in his career and you could hear Fats in Red Rodney too. Then, of course, came Clifford Brown and through him Navarro has indirectly influenced so many of the young trumpeters playing today.”

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September 24th, 2013

Reminiscing in Tempo: Memories and Opinion/Volume One: What is the greatest saxophone solo in the history of jazz?

“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

What is the greatest saxophone solo in the history of jazz?

Featuring Dan Morgenstern, Ishmael Reed, James Carter, Jason Moran, Martha Bayles, Terry Teachout, Kitty Margolis and others…

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November 11th, 2005

Jazz historian Dan Morgenstern, author of Living with Jazz

Buying a vinyl long playing jazz album in the format’s heyday — from the 1950s through the 1980s — was a three-step sensual process that stirred an almost irrational enthusiasm for the entire culture the music ignited. The record industry’s flair for creating passionate cover art seduced the imagination, the sounds etched into the grooves promised diversion and surprise, and the densely-typed liner notes on the back cover fired up an eagerness for enlightenment. The process continued at the turntable, where the cut of a stylus transformed the listener into an aural witness to the performer’s character and improvisational skills. It was, quite simply, a bonding experience.

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February 4th, 2005

In this Issue

“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

On the Turntable

This month, a playlist of 18 recently released jazz recordings by six artists -- Joshua Redman, Joe Lovano. Matt Brewer, Tom Harrell, Zela Margossian, and Aaron Burnett

Short Fiction

"Crossing the Ribbon" by Linnea Kellar is the winning story of the 51st Jerry Jazz Musician Short Fiction Contest

Poetry

Seventeen poets contribute to the Summer, 2019 collection of jazz poetry reflecting an array of energy, emotion and improvisation

“What are 4 or 5 of your all-time favorite Blue Note albums?”

Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

Pressed for All Time

In an excerpt from his book Pressed for All Time, Michael Jarrett interviews producer John Snyder about the experience of working with Ornette Coleman at the time of his 1977 album Dancing in Your Head

Art

“Charles Ingham’s Jazz Narratives” — a continuing series

Poetry

Poetry by John Stupp and Michael L. Newell

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Art Pepper, Pat Martino and Joe Williams.

Interviews

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, discusses her late husband’s complex, fascinating life.

Short Fiction

“A Viennese Tale,” a story by Matias Travieso-Diaz, was a finalist in our recently concluded 51st Short Fiction Contest.

In the previous issue

Michael Cuscuna, Mosaic Records co-founder, is interviewed about his successful career as a jazz producer, discographer, and entrepreneur...

Coming Soon

An interview with Nate Chinen, director of editorial content at WBGO Radio, former New York Times jazz writer, and the author of Playing Changes: Jazz in the New Century.

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