Liner Notes:  The Cannonball Adderley Quintet in San Francisco:  Live at the Jazz Workshop – by Ralph J. Gleason

In this edition, Ralph J. Gleason’s liner notes to this classic 1959 recording describe the epic four week stint of Cannonball Adderley’s Quintet in San Francisco’s Jazz Workshop, as well as the vibrant late-50’s jazz scene in the city’s North Beach neighborhood.  

Gleason — who at the time was a music critic at the San Francisco Chronicle — would go on to co-found Rolling Stone Magazine.   North Beach (particularly Broadway) — while forever bohemian — would subsequently became the home to Carol Doda and a boundary-breaking strip club scene.

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July 26th, 2017

Revisiting “One For Daddy-O”

I’ve been revisiting some favorite recordings this week, among them the classic 1958 Cannonball Adderley-led session Somethin’ Else, with Hank Jones, Art Blakey, Sam Jones, and, in a rare appearance as sideman, Miles Davis. The tune I have been stuck on is “One For Daddy-O,” a blues written by Cannonball’s brother Nat that features a flawless blues solo by Miles.

I dug into the liner notes and was reminded of how the critic Leonard Feather used this particular solo as a platform on which to describe the essence of the “deeper and broader blues of today,” refuting a “misinformed” Ebony piece of the era that suggested that

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November 5th, 2015

Revisiting the 1964 Playboy panel “Jazz — Today and Tomorrow”

For those of us who bought it “for the articles,” it was easy to see that few publications supported and promoted jazz music during the 50’s and 60s quite like Playboy magazine. Among its many endeavors involving jazz, Playboy, Inc. produced festivals and concerts, featured artists on its late-night television programs, invited readers to vote for their favorite performers by instrument, and released record albums. The music was a passion of founder Hugh Hefner,who found that its aesthetic fit in well with those of other “products” pitched to the sophisticated and elite male of the era. Jazz conversations were often found within the pages — the first of the now famous Playboy interviews featured Miles Davis in a 1962 conversation with a young Alex Haley.

In February, 1964, Playboy published a remarkable conversation on jazz. Hosted by journalist Nat Hentoff, “The Playboy Panel: Jazz — Today and Tomorrow” included the musicians

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January 28th, 2015

Interview with Cary Ginell — author of Walk Tall: The Music and Life of Julian “Cannonball” Adderley

Julian “Cannonball” Adderley’s stellar career began in the era of hard bop and ended (far too soon) during the time of jazz fusion. In between, he played on some of the most prominent recordings in the history of jazz — Miles Davis’ Kind of Blue and his own Somethin’ Else among them — and ultimately became what the critic Gary Giddins described as “the patron saint of the soul-hymn movement,” a music that would reach a broad affluent audience while also keeping jazz relevant in the African-American neighborhoods.

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August 26th, 2014

Remembering Cannonball Adderley — an appreciation by Quincy Jones

Cannonball Adderley was an endearing, charismatic and cutting-edge musician who, as Adderley biographer Cary Ginell writes in the introduction of Walk Tall: The Music and Life of Julian “Cannonball” Adderley “brought an enthusiasm for his music to nightclubs around the world, expanding jazz’s boundaries with a fresh exuberance as the music progressed from the bebop of the 1940s and ’50s to combine with gospel and soul to help pioneer the subgenres of hard bop and soul jazz in the ’60’s.” His signature sound — though cut short at the age of 46 in 1975 — remains an essential ingredient of the music’s past, present and future.

I am in the process of working on an interview with Ginell, which I expect will be published sometime in August. Meanwhile, the book’s Foreward — a fond remembrance of Adderley by his friend Quincy Jones — is published here in its entirety,

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August 1st, 2014

In This Issue

Jeffrey Stewart, National Book Award and Pulitzer Prize-winning author of The New Negro: The Life of Alain Locke, is interviewed about Locke (pictured), the father of the Harlem Renaissance.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 19 recommended recordings by five jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

On the Turntable

This month, a playlist of 19 recently released jazz recordings, including those by Branford Marsalis, Joe Martin, Scott Robinson, Allison Au and Warren Vache

Poetry

In a special collection of poetry, eight poets contribute seventeen poems focused on stories about family, and honoring mothers and fathers

The Joys of Jazz

In this new volume of his podcasts, Bob Hecht presents three very different stories; on Harlem Stride piano, Billy Strayhorn's end-of-life composition "Blood Count," and "Lester-ese," Lester Young’s creative verbal wit and wordplay.

Short Fiction

We had many excellent entrants in our recently concluded 50th Short Fiction Contest. In addition to publishing the winning story on March 11, with the consent of the authors, we have published several of the short-listed stories...

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Art

“Thinking about Homer Plessy” — a photo narrative by Charles Ingham

Jazz History Quiz #128

Although he was famous for modernizing the sound of the Tommy Dorsey Orchestra -- “On the Sunny Side of the Street” was his biggest hit while working for Dorsey (pictured) -- this arranger will forever be best-known for his work with the Jimmie Lunceford Orchestra. Who is he?

Great Encounters

In this edition, Bob Dylan recalls what Thelonious Monk told him about music at New York’s Blue Note club in c. 1961.

Art

Jerry Jazz Musician regularly publishes a series of posts featuring excerpts of the photography and stories/captions found in Jazz in Available Light by Veryl Oakland. In this edition, Mr. Oakland's photographs and stories feature Stan Getz, Sun Ra, and Carla Bley.

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

Michael Cuscuna, the legendary record producer and founder of Mosaic Records, is interviewed about his life in jazz...Award-winning photographer Carol Friedman, on her career in the world of New York jazz photography

In the previous issue

Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, talks about her book, and the complex life of her late husband.

Also in this issue…A new collection of jazz poetry; "On the Turntable," a new playlist of 22 recommended recordings by seven jazz artists; three new podcasts by Bob Hecht; a new “Great Encounters”; several short stories; the photography of Veryl Oakland and Charles Ingham; a new Jazz History Quiz; and lots more…

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