Book Excerpt — Ornette Coleman: Territory and Adventure, by Maria Golia

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

...

April 9th, 2020

Book Excerpt: The Music of Time: Poetry in the Twentieth Century, by John Burnside

In the introduction to The Music of Time: Poetry in the Twentieth Century, the T.S. Eliot prize-winning poet, novelist and memoirist John Burnside writes; “Can poetry save the world, as [poet Lawrence] Ferlinghetti suggests?  This will sound quixotic, but I have to say, not only that it can, but that it does.” The introduction to the book – excerpted here in its entirety – is Burnside’s fascinating conversation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.

...

March 27th, 2020

Book Excerpt — Jazz and Justice: Racism and the Political Economy of the Music, by Gerald Horne

Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s popular music.  That it did so in the face of the severe obstacles of blatant racism and sexism, organized crime and corrupt labor exploitation so prevalent in America at the time is at the heart of historian Gerald Horne’s new book,  Jazz and Justice:  Racism and the Political Economy of the Music.

...

December 21st, 2019

Great Encounters: When Johnny Hodges met Sidney Bechet

 “Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Con Chapman, author of Rabbit’s Blues:  The Life and Music of Johnny Hodges, writes about Hodges’ early musical training, and the first meeting he had with Sidney Bechet, the influential and legendary reed player who Hodges called “tops in my book.”

...

December 3rd, 2019

Book Excerpt — Art Rebels:  Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese, by Paul Lopes

In this excerpt, author Paul Lopes writes of how “two starkly different biographical legends (of Miles Davis and Martin Scorsese) emerged:  one of an ‘unreconstructed’ black man who lambasted the relentless indestructible power of Jim Crow America, and another, of an ‘unmeltable’ Italian American who became, over time, a quintessential white ethnic American.”

...

October 30th, 2019

Dylan, The Byrds, and John Coltrane

In Robbie Robertson’s entertaining biography Testimony, the rock guitarist tells a short story about a conversation he overheard Bob Dylan having with The Byrd’s Jim (a.k.a. “Roger”) McGuinn concerning John Coltrane’s influence on McGuinn when he wrote “Eight Miles High.” 

The setting was Los Angeles, 1966, during a Dylan tour that employed Robertson and, among others, bandmates Rick Danko and Richard Manuel, who are referred to in the excerpt.  The “Levon” in the story was the drummer Levon Helm, who left the tour after a month out of frustration of playing with Dylan during his initial “electric” period, when folk music purists routinely

...

January 7th, 2018

Milt Hinton’s recipe for “Millionaire Meatloaf”

This holiday season, you may want to consider making “Millionaire Meatloaf,” a dish the late, great bass player Milt Hinton and trombonist Tyree Glenn conjured up while touring with Cab Calloway. This story is not only one of food, but also of the culinary creativity required of jazz musicians during a time of segregation, when even getting a meal was a tremendous challenge.

...

December 13th, 2016

Book excerpt from Louis Armstrong: Master of Modernism, by Thomas Brothers

On the heels of terrific books on Bud Powell, Charles Mingus, Charlie Parker and Duke Ellington comes Louis Armstrong, Master of Modernism, author and Duke University Music Professor Thomas Brothers’ follow-up to his revered Louis Armstrong’s New Orleans.

In the book’s introduction, Brothers reports that his book picks up where Louis Armstrong’s New Orleans left off, with Armstrong’s 1922 Chicago arrival, and ends ten years later. He writes, “My main thesis is that the success of this nimble-minded musician depended on his ability to skillfully negotiate the musical and social legacies of slavery. Indeed, his career can be understood as a response to these interlocking trajectories.” I have just begun reading it and have been taken in by “Welcome to Chicago,” the book’s first chapter that tells the story of what Armstrong would have seen as he entered Lincoln Gardens for the first time in August, 1922; for example, the racially inflected floor show whose “centerpiece of the presentation is a row of light-skinned dancing girls;” dancing couples in an environment where “correct dancing is insisted upon” (to keep immorality charges at bay); and the local white musicians — “alligators” — described as “the little white boys…motivated to learn the music and cash in.”

I had the privilege of interviewing Thomas Brothers following the publication of Louis Armstrong’s New Orleans, and he has accepted my invitation for an interview about his new book. It is

...

March 7th, 2014

Book Excerpt from “Mingus Speaks,” by John Goodman

Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race.

...

July 3rd, 2013

In This Issue

Painting of Clifford Brown by Warren Goodson
The 43 poets who contribute to the Summer Collection of jazz poetry communicate their heartfelt passion for the artistry and inspiration found in jazz music, and help readers, in the words of Art Blakey, “wash away the dust of everyday life” – a special gift to share during this restless summer of discontent…and hope.

Interview

The historian and most eminent jazz writer of his generation Dan Morgenstern and pianist Christian Sands – the Mack Avenue Recording Artist who also serves as the Creative Ambassador of the Erroll Garner Jazz Project – discuss Garner’s extraordinary legacy.

Publisher’s Notes

Grant Park, Portland, Sep 16, 2020
On a challenging summer in Portland, the passing of Stanley Crouch, and upcoming opportunities for writers

Great Encounters

photo by William Gottlieb/Library of Congress
“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole, writes about the 1940 Lionel Hampton/King Cole Trio RCA Victor recording sessions.

Interview

photo of James Baldwin by Allan Warren
In our interview with Nicholas Buccola, author of The Fire is Upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America, the author tells the story of the historic 1965 Cambridge Union debate between Baldwin, the leading literary voice of the civil rights movement, and Buckley, a staunch opponent of the movement and founder in 1955 of the leading conservative publication, National Review. The evening’s debate topic? “The American dream is at the expense of the American Negro.”

Poetry

Mood Indigo by Matthew Hinds
An invitation was extended recently for poets to submit work that reflects this time of COVID, Black Lives Matter, and a heated political season. 14 poets contribute to the first volume of collected poetry.

Poetry

photo by Russell duPont
The second volume of poetry reflecting this time of COVID, Black Lives Matter, and a heated political season features the work of 23 poets

Poetry

Dreams of Freedom, by Vakseen
Thirty-three poets contribute to the third volume of "Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season"

Short Fiction

photo FDR Presidential Library & Museum
Short Fiction Contest-winning story #54 — “A Failed Artist’s Paradise” by Nathaniel Neil Whelan

Interview

photo courtesy John Bolger Collection
Philip Clark, author of Dave Brubeck: A Life in Time, discusses the enigmatic and extraordinary pianist, composer, and band leader, whose most notable achievements came during a time of major societal and cultural change, and often in the face of critics who at times found his music too technical and bombastic.

Features

Red Meditation by James Brewer
Creative artists and citizens of note respond to the question, "During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

Interview

Ornette Coleman 1966/photo courtesy Mosaic Images
In a Jerry Jazz Musician interview, Ornette Coleman: The Territory And The Adventure author Maria Golia discusses her compelling and rewarding book about the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Short Fiction

photo by Alan Levine/pxhere.com
“All the Things That I Can’t Tell” — a short story by Blythe Asta

True Jazz Stories

photo by William Gottlieb/Library of Congress
“Sinatra and Me” — a true jazz story by Paul Brophy

Photography

photo of Thelonious Monk by Veryl Oakland
In this edition of photographs and stories from Veryl Oakland’s book Jazz in Available Light, Thelonious Monk, Paul Bley and Cecil Taylor are featured

Poetry

Frits De Jong / CC0
“Nocturne in a Whirling Fan” — a poem by Joel Glickman

Humor

painting of Louis Armstrong by Vakseen
In Dig Wayne's "Iconolast," Louis Armstrong is responsible for saving the lives of every man, woman and child on the ball bearing line at the Radio Flyer wagon factory...

Poetry

photo by John Vachon/Library of Congress
“Climate Change” — Ten poems in sequence by John Stupp

Book Excerpt

In the introduction to Dave Brubeck: A Life in Time – the author Philip Clark writes about the origins of the book, and his interest in shining a light on how Brubeck, “thoughtful and sensitive as he was, had been changed as a musician and as a man by the troubled times through which he lived and during which he produced such optimistic, life-enhancing art.”

Interview

NBC Radio-photo by Ray Lee Jackson / Public domain
In a Jerry Jazz Musician interview, acclaimed biographer James Kaplan (Frank: The Voice and Sinatra: The Chairman) talks about his book, Irving Berlin: New York Genius, and Berlin's unparalleled musical career and business success, his intense sense of family and patriotism during a complex and evolving time, and the artist's permanent cultural significance.

Book Excerpt

In the introduction to Maria Golia’s Ornette Coleman: The Territory and the Adventure – excerpted here in its entirety – the author takes the reader through the four phases of the brilliant musician’s career her book focuses on.

Art

Art by Charles Ingham
"Charles Ingham's Jazz Narratives" connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition's narratives are "Nat King Cole: The Shadow of the Word," "Slain in Cold Blood" and "Local 767: The Black Musicians’ Union"

Interview

Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection
Richard Crawford’s Summertime: George Gershwin’s Life in Music is a rich, detailed and rewarding musical biography that describes Gershwin's work throughout every stage of his career. In a Jerry Jazz Musician interview, Crawford discusses his book and the man he has described as a “fresh voice of the Jazz Age” who “challenged Americans to rethink their assumptions about composition and performance, nationalism, cultural hierarchy, and the racial divide.”

Jazz History Quiz #141

photo of Stan Kenton by William Gottlieb/Library of Congress
Prior to his time with Stan Kenton’s Innovations Orchestra, this trumpeter — who some have said could play higher than any other trumpeter up to that point in history — gained experience with the big bands of Boyd Raeburn, Jimmy Dorsey and Charlie Barnet. Who is he?

Interview

photo unattributed/ Public domain
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.

Interview

photo by Fred Price
Bob Hecht and Grover Sales host a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, who talks about Miles, Kenton, Ornette, Tristano, and the art of improvisation...

Pressed for All Time

A&M Records/photo by Carol Friedman
In this edition, producer John Snyder recalls Sun Ra, and his 1990 Purple Night recording session

Interview

photo by Bouna Ndaiye
Interview with Gerald Horne, author of Jazz and Justice: Racism and the Political Economy of the Music

Poetry

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

Spring Poetry Collection

A Collection of Jazz Poetry – Spring, 2020 Edition There are many good and often powerful poems within this collection, one that has the potential for changing the shape of a reader’s universe during an impossibly trying time, particularly if the reader has a love of music. 33 poets from all over the globe contribute 47 poems. Expect to read of love, loss, memoir, worship, freedom, heartbreak and hope – all collected here, in the heart of this unsettling spring. (Featuring the art of Martel Chapman)

“What are 4 or 5 of your all-time favorite Blue Note albums?”

"What are 4 or 5 of your all-time favorite Blue Note albums?"
Dianne Reeves, Nate Chinen, Gary Giddins, Michael Cuscuna, Eliane Elias and Ashley Kahn are among the 12 writers, musicians, and music executives who list and write about their favorite Blue Note albums

In the Previous Issue

Interviews with three outstanding, acclaimed writers and scholars who discuss their books on Irving Berlin, George Gershwin, and Cole Porter, and their subjects’ lives in and out of music. These interviews – which each include photos and several full-length songs – provide readers easy access to an entertaining and enlightening learning experience about these three giants of American popular music.

In an Earlier Issue

photo by Carol Friedman
“The Jazz Photography Issue” features an interview with today’s most eminent jazz portrait photographer Carol Friedman, news from Michael Cuscuna about newly released Francis Wolff photos, as well as archived interviews with William Gottlieb, Herman Leonard, Lee Tanner, a piece on Milt Hinton, a new edition of photos from Veryl Oakland, and much more…

Coming Soon

photo of Erroll Garner by William Gottlieb/Library of Congress
Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole is interviewed about the legendary pianist and vocalist; also, an autumn collection of jazz poetry, a new Jazz History Quiz; short fiction, poetry, photography and lots more in the works...

Contributing writers

Site Archive