“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

Great Encounters #50 — The Night Bill Evans met Woody Herman

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of the evening of the 1963 Grammy Awards, when Woody Herman met Bill Evans.

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October 14th, 2017

The December 1960 Down Beat story on Bill Evans

I’ve been on a Bill Evans kick of late.  Call me “crazy” but I just find his music an island of hope and reason in a world fraught with daily “craziness.”  And, it is wonderfully low-tech in today’s frantic environment that requires seemingly constant and needless stimulation, created by bots and provocateurs.  His music is so…human.

Simultaneous to my kick on Evans is my renewed interest in the writings of the late jazz critic Gene Lees, whose award-winning career included that of biographer, songwriter/lyricist, and editor of Down Beat.  His 1988 collection of essays on jazz – Meet Me at Jim and Andy’s – is loaded with remarkable insight laced with knowledge, charm, and appropriate sentimentality (his piece on Woody Herman, for whom Lees gave the full biography treatment in 1995, is noteworthy in that regard).  A standout piece worth reading is the tragic story of the trombonist Frank Rosolino, who suffered greatly from depression and whose desperation was so intense that he ultimately shot his two sons before killing himself.

In Lees’ essay “The Poet:  Bill Evans,” he writes of his discovery of the great pianist in 1959, as editor of Down Beat, when he noticed, “among a stack of records awaiting assignment for review a gold-covered Riverside album titled Everybody Digs Bill Evans…I took the album home and, sometime after dinner, probably about nine o’clock, put it on the phonograph.  At 4 a.m. I was still listening, though by now I

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October 1st, 2017

“Peace Piece” — for musical escape

To understate the obvious, our world has not been the same since January 20.  Science has become fiction, democratic institutions are being threatened, global relationships that have been nurtured for generations are devalued and misunderstood, and our world is in complete turmoil.  Like Hillary or not (and God, how I liked her – her grace, intelligence, experience, resilience, strength, and compassion – all qualities we are starved for today), it is tough to argue with what is now clearly the most honest assessment of Donald Trump during the campaign, when she said, “A man you can bait with a tweet is not a man we can trust with nuclear weapons.”  Alas, this most basic and obvious warning — which should have elicited a major national conversation before the election — got lost in the noise of campaign coverage more concerned with her oh-so-scandalous emails!  

So this is where we are, living on the brink of catastrophic war due to our man-child president’s narcissism, his endless lies, and his addiction to

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August 10th, 2017

“1960” — a poem by Billy Collins

Today’s Writers Almanac daily poetry post — as chosen by Garrison Keillor — is “1960” by Billy Collins, a brilliant piece that reminds us of the intimacy found in a 1960 Bill Evans live recording.

 

1960

 

In the old joke,
the marriage counselor
tells the couple who never talks anymore
to go to a jazz club because at a jazz club
everyone talks during the

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November 7th, 2016

“In Search of an Elegy” — a poem (for Bill Evans) by Larsen Bowker

I’ll have it spare as the reverence you feel for silence
in your long melodic lines, where the music cries

in the sacred spaces you leave between the notes…
I’ll have the long curve of your back bending over

your shadow on the keys as you play “Turn Out
the Stars”, written for your father when he died,

Blue Notes stretching out as if you’d have them last

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April 15th, 2016

Liner Notes: Bill Evans’ Peace Piece and Other Pieces — by Orrin Keepnews

In the days of the LP – and in particularly during the 1970’s – reissue or compilation releases were a great way to be introduced to artists, or to expand a personal collection. These compilations were generally two LP sets, which not only meant there was a lot of music, but also that the gatefold package allowed for extensive liner notes. When you bought an album like this, you knew that the writer had space to write meaningful biographical sketches, tell personal stories, and wax philosophically about the artist’s overall contribution to the music.

This weekend I spent some time with several of these compilations, and the one that caught my interest was the 1975 Milestone Records Bill Evans compilation titled Peace Piece and Other Pieces. The package features the music originally released on

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December 14th, 2015

Great Encounters #40: In the studio with Bill Evans and Stan Getz

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the star-crossed story of the 1964 recording session featuring Verve saxophonist Stan Getz and pianist Bill Evans, issued as Stan Getz and Bill Evans.

Excerpted from Bill Evans: How My Heart Sings by Peter Pettinger

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In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was Stan Getz, who had been recording for the company since

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January 29th, 2015

On Veteran’s Day — “Peace Piece” by Bill Evans

I submit this post with great thanks to all Veterans who have honorably served on our behalf…

For years I have thought the music that best honors those we celebrate on Veteran’s Day and Memorial Day is “Peace Piece” by Bill Evans. It’s a beautiful, simple and “peaceful” melody that is instantly memorable, and his playing is passionate and sensitive in a way Evans supremely communicates. Here is what Evans bassist Chuck Israels had to say about “Peace Piece”:

” “Peace Piece” is an example of the depth of Evans’ compositional technique. It is an ostinato piece, composed and recorded long before the more recent superficial synthesis of Indian and American music; in fact, it owes more to Satie and Debussy than to Ravi Shankar. The improvisation starts simply over a gentle

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November 11th, 2014

Masters of Jazz Photography — Chuck Stewart

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Chuck Stewart

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October 18th, 2014

In This Issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Features

In this edition of Reminiscing in Tempo,, Chick Corea, Rickie Lee Jones, Tom Piazza, Gary Giddins, Randy Brecker, Michael Cuscuna, Terry Teachout and many others answer the question, “What are 3 or 4 of your favorite recordings of the 1940’s?”

Interviews

Interview with Bing Crosby biographer Gary Giddins, author of the new book "Swinging on a Star: The War Years, 1940 - 1946"

Poetry

Eight poets — John Stupp, Aurora Lewis, Michael L. Newell, Robert Nisbet, Alan Yount, Roger Singer, dan smith and Joan Donovan — write about the era of World War II

The Joys of Jazz

Award winning radio producer and host Bob Hecht shares his love of jazz through his podcasts on his site “The Joys of Jazz.” In this edition, he tells two stories; the history of the virtual anthem of World War II, “I’ll Be Seeing You,” and the friendship and musical rapport of Bing Crosby and Louis Armstrong.

Short Fiction

Hannah Draper of Ottawa, Ontario is the winner of the 49th Jerry Jazz Musician New Short Fiction Award. Her story is titled "Will You Play For Me?"

Coming Soon

Three prominent scholars in a conversation about the lives of Billie Holiday, Ralph Ellison, and Langston Hughes (pictured)

Contributing writers

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