“The Jazz Dive” – the art of Allen Mezquida

.The Jazz Dive is the website of the musician and artist Allen Mezquida, whose work is described as “an independent art studio at the intersection of jazz and mid-century modern design” that is inspired by the counterculture music from the 1950s and 60s, and creates art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

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December 18th, 2024

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool

The esteemed writer tells a story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

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August 26th, 2024

“Alone at the Piano” – a playlist by Bob Hecht

In this edition of extensive jazz playlists, the award-winning jazz producer and scholar Bob Hecht focuses his attention on solo piano performances, including those by artists such as Bud Powell, Thelonious Monk, Art Tatum, Tommy Flanagan, Cedar Walton, Bill Evans, Jaki Byard, Keith Jarrett.

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August 1st, 2024

“Four Sides Live” – a poem by Justin Hare

It tickles my fancy the way
francophone announcers
ornately say the names
of jazzmen in those live recordings
put to reel in Montreux.
Jack DeJohnette in particular
tickles me, perhaps because
it is a french-like sort of name.

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November 16th, 2023

Interview with Joe La Barbera, co-author of Times Remembered: The Final Years of the Bill Evans Trio

Drummer Joe La Barbera talks about his book, and the significance of his experience working in Bill Evans’ last trio

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March 14th, 2022

“The Compositional Genius of Bill Evans — A Brief Overview & Playlist,” by Bob Hecht

Contributing writer Bob Hecht discusses Bill Evans’ enduring compositional genius, and has assembled an extensive Spotify playlist that includes many of his tunes.

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January 13th, 2022

“To The Audience Members Who Chatted During The Recording Of Bill Evans Trio Live At The Village Vanguard, June 25, 1961″ — a poem by John Riley

. .     Inside the Village Vanguard, November, 2016 . ___ .   .   To The Audience Members Who Chatted During The Recording Of Bill Evans Trio Live At The Village Vanguard, June 25, 1961 . Relax, I will never scold, don’t shush. All music, like all moments, is soon lost. It’s vocal … Continue reading ““To The Audience Members Who Chatted During The Recording Of Bill Evans Trio Live At The Village Vanguard, June 25, 1961″ — a poem by John Riley”

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January 18th, 2021

“Listening to Bill Evans, June 2020” — a poem by John Stupp

    . . © Veryl Oakland Bill Evans, Berkeley, California; April, 1969 . .     Listening to Bill Evans, June 2020 First the piano by itself— after months of darkness after a Winter of clouds and wind after discontent after lies and lies explaining lies and prayers and ice and rivers forgetting to … Continue reading ““Listening to Bill Evans, June 2020” — a poem by John Stupp”

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June 12th, 2020

“Charles Ingham’s Jazz Narratives” — Vol. 6

Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “”The Artists Salute Each Other”, “Monk’s Mood at the It Club” and “Communing with Ghosts”

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May 1st, 2020

“Charles Ingham’s Jazz Narratives” — Vol. 5

Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “The Annunciation of Chet Baker,” “Frank O’Hara Whispers to Scott LaFaro,” and “Blessing the Child.”

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April 17th, 2020

“Pressed for All Time,” Vol. 5 — producer Helen Keane on The Tony Bennett/Bill Evans Album

In this edition,  producer Helen Keane tells Jarrett about how the collaboration of Tony Bennett and Bill Evans began, culminating in the 1975 recording, The Tony Bennett/Bill Evans Album. 

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January 31st, 2020

“In Your Own Sweet Way” — A Bill Evans Memory, by Robert Hecht

     It was the kind of New York night not fit for man nor beast. Sleet and wind whipping about, snow banks and ice everywhere. With my ‘49 Dodge slipping and sliding on the Village streets, I make my way to the Vanguard to catch the midnight set. The small sign outside the entrance inconspicuously announces: “Bill Evans Trio.” This is the 1962 edition of the trio, reformed after bassist Scott LaFaro’s death the year before; and this is the club where Bill had played his last sets with

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January 25th, 2018

“Peace Piece” — for musical escape

To understate the obvious, our world has not been the same since January 20.  Science has become fiction, democratic institutions are being threatened, global relationships that have been nurtured for generations are devalued and misunderstood, and our world is in complete turmoil.  Like Hillary or not (and God, how I liked her – her grace, intelligence, experience, resilience, strength, and compassion – all qualities we are starved for today), it is tough to argue with what is now clearly the most honest assessment of Donald Trump during the campaign, when she said, “A man you can bait with a tweet is not a man we can trust with nuclear weapons.”  Alas, this most basic and obvious warning — which should have elicited a major national conversation before the election — got lost in the noise of campaign coverage more concerned with her oh-so-scandalous emails!  

So this is where we are, living on the brink of catastrophic war due to our man-child president’s narcissism, his endless lies, and his addiction to

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August 10th, 2017

“In Search of an Elegy” — a poem (for Bill Evans) by Larsen Bowker

I’ll have it spare as the reverence you feel for silence
in your long melodic lines, where the music cries

in the sacred spaces you leave between the notes…
I’ll have the long curve of your back bending over

your shadow on the keys as you play “Turn Out
the Stars”, written for your father when he died,

Blue Notes stretching out as if you’d have them last

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April 15th, 2016

On Veteran’s Day — “Peace Piece” by Bill Evans

I submit this post with great thanks to all Veterans who have honorably served on our behalf…

For years I have thought the music that best honors those we celebrate on Veteran’s Day and Memorial Day is “Peace Piece” by Bill Evans. It’s a beautiful, simple and “peaceful” melody that is instantly memorable, and his playing is passionate and sensitive in a way Evans supremely communicates. Here is what Evans bassist Chuck Israels had to say about “Peace Piece”:

” “Peace Piece” is an example of the depth of Evans’ compositional technique. It is an ostinato piece, composed and recorded long before the more recent superficial synthesis of Indian and American music; in fact, it owes more to Satie and Debussy than to Ravi Shankar. The improvisation starts simply over a gentle

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November 11th, 2014

“MATCHBOOK: The Spinnaker (Sausalito): in memory of Bill Evans,” a poem by Michael Harper

MATCHBOOK: The Spinnaker (Sausalito)
in memory of Bill Evans

by Michael Harper

Adrift in your own spittle
(eyebrows on vibrato knuckles)

we are across the bay
from reality;

but reality hits in waves

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May 22nd, 2007

Keith Shadwick, author of Bill Evans: Everything Happens to Me

Bill Evans (1929 – 1980) played a major role in the history of modern jazz. The New Jersey-born pianist’s groundbreaking ideas were so widely absorbed by his peers and subsequently by every new generation of musicians that he can be classed among the most influential figures in post-war jazz, ranking alongside Thelonious Monk, Charles Mingus, Miles Davis, John Coltrane, Charlie Parker and Dizzy Gillespie.

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June 24th, 2002

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

The Sunday Poem

photo of Billy Wilder via Wikimedia Commons


“You Know by the Laughter,” by Joan E. Bauer


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Joan E. Bauer reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

Sax in a Blue Suit by Samuel Dixon
21 jazz poems on the 21st of March, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Playlist

“Sextets: The Joy of Six” – a playlist by Bob Hecht...The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section. Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s two-hour playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Art

Photo of Joe Lovano by Giovanni Piesco
The Photographs of Giovanni Piesco: Joe Lovano...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 11: “Chick” and “Hen” Lit...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 11th edition, Rife writes about the “chicks” (energetic women, attractive, and open to experience) and “hens” (older women who have either buried or lost a loved one, and who seem content with their lives) who are at the center of stories with jazz within its theme.

Interview

photo by Carl Van Vechten, Library of Congress
A Black History Month Profile: The legendary author Richard Wright...In a 2002 Jerry Jazz Musician interview, Richard Wright biographer Hazel Rowley discusses the life and times of legendary author Richard Wright, whose work included the novels Native Son andBlack Boy

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Feature

Trading Fours, with Douglas Cole, No. 23: “The Wave”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Feature

photo of Lester Young by William Gottlieb/Library of Congress
Jazz History Quiz #179...Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to “Prez,” Lester Young (pictured). Who was he?

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Are Jazz-Hop Instrumentals Jazz?” – an observation (and playlist) by Anthony David Vernon...Google “what is jazz-hop?” and the AI overview describes it is “a subgenre of hip-hop that combines jazz and hip-hop music. It developed in the late 1980s and early 1990s.” In Mr. Vernon’s observation, he makes the case that it is also a subgenre of jazz.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Short Fiction

photo via PxHere
“The Magic” – a story by Mark Bruce...Most bands know how to make music. They learn to play together so that it sounds good and maybe even get some gigs. Most bands know that you have your chord progressions and your 4/4 beat and your verses and bridges. Some bands even have a guy (or a woman, like Chrissy Hynde) who writes songs. So what gives some bands the leg up into the Top 40?

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.