Jack Kerouac and the “Beatnik crap” that cheapened the memories of jazz icons

In this short excerpt from David Amram’s 2002 biography Offbeat: Collaborating with Kerouac,  Kerouac talks with Amram about how the “Beatnik crap” that Kerouac and his friends reluctantly represented was “distorting everything,” and “cheapening the memories of Charlie Parker, Dizzy Gillespie, and Thelonious Monk.”  It is an interesting and entertaining view of that era, filled with the vigor, passion, wit and wisdom Kerouac is remembered for.

 

 

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     In January of 1959, we collaborated with a once-in-a-lifetime group of artists on the film Pull My Daisy.  In addition to appearing in the film as Mezz McGillicudy, the deranged French horn player in the moth-eaten sweater, I composed the entire score for the film and wrote the music for the title song, “Pull My Daisy,” with lyrics by Jack [Kerouac], Neal Cassady, and Allen Ginsberg.

     The idea of making a film based on Jack’s work was easier to

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January 22nd, 2018

Interview with saxophonist Kevin Flanagan on the convergence of poetry and jazz

The convergence of poetry and jazz has long been a part of the counterculture, and it has always interested me. An early interview I did for Jerry Jazz Musician was with David Amram, once known as Jack Kerouac’s musical collaborator. In the interview he talked about Kerouac’s love of music, telling me that “he had an enormous memory for music and for jazz and the classics. He could sing the melodies from different Haydn and Beethoven string quartets. He was like an encyclopedia of music and classic literature from Europe. He also had an enormous knowledge of Buddhism. He had a tremendous knowledge of Judaism, as well as the writings from the Old and New Testaments as well as from the Mass. He had this knowledge of so many different things. When he was reading, I would submerge myself into whatever it was he was reading, and I tried to anticipate what would happen next.”

     So, the collaboration of words and music is fascinating, and has deep and intellectual roots. It was the basis for my interest in an email I received a while ago from reed player Kevin Flanagan who, like Kerouac, is a Lowell, Massachusetts native. Flanagan’s Riprap Quartet recordings, he informed me, “feature compositions by the band setting the works of Pulitzer Prize winning-poet Gary Snyder” and is

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July 3rd, 2014

Martin Torgoff, author of Can’t Find My Way Home: America in the Great Stoned Age

Illicit drugs have transfigured the American cultural landscape in the past half-century, leaving their mark on everything from art, music, literature, sexuality, spirituality, pop culture, the economy, and politics, to crime, public health, and national law enforcement policy. In Can’t Find My Way Home: America in the Great Stoned Age, 1945 – 2000, documentary filmmaker and writer Martin Torgoff traces the tangled trajectory of illegal drug use in America, as it spread post-World War II from the Beats and bebop musicians, all the way to the Ecstasy-fueled rave culture.

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August 27th, 2004

Sam Hamill, editor of The Complete Poems of Kenneth Rexroth

Kenneth Rexroth was a central figure in the San Francisco Renaissance and influenced generations of readers with his essays and consummate translations of Japanese and Chinese poetry.

Born in 1905, Rexroth’s career spans almost the entire century. Although forty of his seventy-seven years as poet, translator, essayist, playwright, and revolutionary activist were spent in San Francisco, his intellectual and artistic formative years occurred in the Midwest, mainly in Chicago, where he associated with artists, writers, and theorists of radical politics and philosophies.

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June 20th, 2003

David Amram, author of Offbeat: Collaborating with Kerouac

The composer David Amram has been hailed by the Washington Post as “one of the most versatile and skilled musicians America has ever produced.” Since Leonard Bernstein appointed Amram as first composer-in-residence with the New York Philharmonic in 1966-67, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the Twenty Most Performed Composers of Concert Music in the United States since 1974.

Amram is also known as the musical collaborator of the great mid-century American author Jack Kerouac, whose book On the Road is considered to be the artistic soul of the 1950’s.

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July 17th, 2002

Cherie Nutting, author of Yesterday’s Perfume: An Intimate Portrait of Paul Bowles

Fifteen years ago, Cherie Nutting returned to Morocco. She had first visited it as a child with her mother, and the images of mystery and the desert had stayed with her, fueled over the years by accounts of expatriate life and by the literature created there. In Tangier again, she met the most famous of the expatriates and author of the classic The Sheltering Sky. Cherie became a friend of Paul Bowles and part of his circle. Over the years, the friendship deepened and widened.

Yesterday’s Perfume is a memoir of that friendship and of Cherie’s love of Morocco. Cherie discusses her friendship with this extraordinary artist in an interview with Jerry Jazz Musician publisher Joe Maita.

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August 23rd, 2000

In This Issue

In this issue, 25 noted critics, writers, musicians and artists answer the question, “What are some of your all-time favorite record album covers?”…Also, an interview with Romare Bearden biographer Mary Schmidt Campbell; ”And so we left for Paris” a short story by Sophie Jonas-Hill; two new podcasts by Bob Hecht (one on Paul Desmond, the other on Art Farmer); 18 poets contribute 20 poems to our March poetry collection; new jazz listening recommendations; and lots more…

“What are some of your all-time favorite record album covers?”

Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Neil Tesser, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who write about their favorite album cover art

Short Fiction

"And so we went to Paris," a short story by Sophie Jonas-Hill

Poetry

Eighteen poets contribute 20 poems in the March collection

Interviews

Romare Bearden biographer Mary Schmidt Campbell discusses the life of the important 20th century American artist

The Joys of Jazz

Two new podcasts from Bob Hecht -- on Paul Desmond, and Art Farmer

Poetry

“King Louis en le toilette” — a poem (and collage) by Steven Dalachinsky

On the Turntable

Recommended listening…Check out these 18 recently released jazz recordings by Branford Marsalis, Anna Maria Jopek, Ralph Alessi, Larry Grenadier, Jon Cowherd, Stephane Galland, Mathias Eick and the Jimbo Tribe

Art

“Thinking about Robert Johnson” — a photo narrative by Charles Ingham

Great Encounters #54

In this edition, Joe Hagan, author of STICKY FINGERS: .The Life and Times of Jann Wenner and Rolling Stone Magazine, writes about how co-founders Wenner and legendary San Francisco music critic Ralph Gleason came upon the name for their revolutionary publication, Rolling Stone magazine.

Cover Stories with Paul Morris

In this edition, Paul writes about jazz album covers that offer glimpses into intriguing corners of the culture of the 1950’s

Coming Soon

An interview with Maxine Gordon, author of Sophisticated Giant: The Life and Legacy of Dexter Gordon

In the previous issue

The February, 2019 issue features an interview with Thomas Brothers, author of Help! The Beatles, Duke Ellington, and the Magic of Collaboration…Also, previous winners of the Jerry Jazz Musician Short Fiction Contest reflect on their winning story; two new podcasts from Bob Hecht; a new collection of poetry; recommendations of recently release jazz recordings, and lots more…

Contributing writers

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