Jack Kerouac and the “Beatnik crap” that cheapened the memories of jazz icons

In this short excerpt from David Amram’s 2002 biography Offbeat: Collaborating with Kerouac,  Kerouac talks with Amram about how the “Beatnik crap” that Kerouac and his friends reluctantly represented was “distorting everything,” and “cheapening the memories of Charlie Parker, Dizzy Gillespie, and Thelonious Monk.”  It is an interesting and entertaining view of that era, filled with the vigor, passion, wit and wisdom Kerouac is remembered for.

 

 

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     In January of 1959, we collaborated with a once-in-a-lifetime group of artists on the film Pull My Daisy.  In addition to appearing in the film as Mezz McGillicudy, the deranged French horn player in the moth-eaten sweater, I composed the entire score for the film and wrote the music for the title song, “Pull My Daisy,” with lyrics by Jack [Kerouac], Neal Cassady, and Allen Ginsberg.

     The idea of making a film based on Jack’s work was easier to

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January 22nd, 2018

Interview with saxophonist Kevin Flanagan on the convergence of poetry and jazz

The convergence of poetry and jazz has long been a part of the counterculture, and it has always interested me. An early interview I did for Jerry Jazz Musician was with David Amram, once known as Jack Kerouac’s musical collaborator. In the interview he talked about Kerouac’s love of music, telling me that “he had an enormous memory for music and for jazz and the classics. He could sing the melodies from different Haydn and Beethoven string quartets. He was like an encyclopedia of music and classic literature from Europe. He also had an enormous knowledge of Buddhism. He had a tremendous knowledge of Judaism, as well as the writings from the Old and New Testaments as well as from the Mass. He had this knowledge of so many different things. When he was reading, I would submerge myself into whatever it was he was reading, and I tried to anticipate what would happen next.”

     So, the collaboration of words and music is fascinating, and has deep and intellectual roots. It was the basis for my interest in an email I received a while ago from reed player Kevin Flanagan who, like Kerouac, is a Lowell, Massachusetts native. Flanagan’s Riprap Quartet recordings, he informed me, “feature compositions by the band setting the works of Pulitzer Prize winning-poet Gary Snyder” and is

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July 3rd, 2014

Martin Torgoff, author of Can’t Find My Way Home: America in the Great Stoned Age

Illicit drugs have transfigured the American cultural landscape in the past half-century, leaving their mark on everything from art, music, literature, sexuality, spirituality, pop culture, the economy, and politics, to crime, public health, and national law enforcement policy. In Can’t Find My Way Home: America in the Great Stoned Age, 1945 – 2000, documentary filmmaker and writer Martin Torgoff traces the tangled trajectory of illegal drug use in America, as it spread post-World War II from the Beats and bebop musicians, all the way to the Ecstasy-fueled rave culture.

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August 27th, 2004

Sam Hamill, editor of The Complete Poems of Kenneth Rexroth

Kenneth Rexroth was a central figure in the San Francisco Renaissance and influenced generations of readers with his essays and consummate translations of Japanese and Chinese poetry.

Born in 1905, Rexroth’s career spans almost the entire century. Although forty of his seventy-seven years as poet, translator, essayist, playwright, and revolutionary activist were spent in San Francisco, his intellectual and artistic formative years occurred in the Midwest, mainly in Chicago, where he associated with artists, writers, and theorists of radical politics and philosophies.

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June 20th, 2003

David Amram, author of Offbeat: Collaborating with Kerouac

The composer David Amram has been hailed by the Washington Post as “one of the most versatile and skilled musicians America has ever produced.” Since Leonard Bernstein appointed Amram as first composer-in-residence with the New York Philharmonic in 1966-67, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the Twenty Most Performed Composers of Concert Music in the United States since 1974.

Amram is also known as the musical collaborator of the great mid-century American author Jack Kerouac, whose book On the Road is considered to be the artistic soul of the 1950’s.

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July 17th, 2002

Cherie Nutting, author of Yesterday’s Perfume: An Intimate Portrait of Paul Bowles

Fifteen years ago, Cherie Nutting returned to Morocco. She had first visited it as a child with her mother, and the images of mystery and the desert had stayed with her, fueled over the years by accounts of expatriate life and by the literature created there. In Tangier again, she met the most famous of the expatriates and author of the classic The Sheltering Sky. Cherie became a friend of Paul Bowles and part of his circle. Over the years, the friendship deepened and widened.

Yesterday’s Perfume is a memoir of that friendship and of Cherie’s love of Morocco. Cherie discusses her friendship with this extraordinary artist in an interview with Jerry Jazz Musician publisher Joe Maita.

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August 23rd, 2000

In This Issue

This issue features an interview with Bing Crosby biographer Gary Giddins; a collection of poetry devoted to the World War II era; and a new edition of “Reminiscing in Tempo,” in which the question “What are 3 or 4 of your favorite jazz recordings of the 1940’s” is posed to Rickie Lee Jones, Chick Corea, Tom Piazza and others.

Features

In this edition of Reminiscing in Tempo,, Chick Corea, Rickie Lee Jones, Tom Piazza, Gary Giddins, Randy Brecker, Michael Cuscuna, Terry Teachout and many others answer the question, “What are 3 or 4 of your favorite recordings of the 1940’s?”

Interviews

Interview with Bing Crosby biographer Gary Giddins, author of the new book "Swinging on a Star: The War Years, 1940 - 1946"

Poetry

Eight poets — John Stupp, Aurora Lewis, Michael L. Newell, Robert Nisbet, Alan Yount, Roger Singer, dan smith and Joan Donovan — write about the era of World War II

The Joys of Jazz

Award winning radio producer and host Bob Hecht shares his love of jazz through his podcasts on his site “The Joys of Jazz.” In this edition, he tells two stories; the history of the virtual anthem of World War II, “I’ll Be Seeing You,” and the friendship and musical rapport of Bing Crosby and Louis Armstrong.

Short Fiction

Hannah Draper of Ottawa, Ontario is the winner of the 49th Jerry Jazz Musician New Short Fiction Award. Her story is titled "Will You Play For Me?"

Coming Soon

Three prominent scholars in a conversation about the lives of Billie Holiday, Ralph Ellison, and Langston Hughes (pictured)

Contributing writers

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