Short Fiction Contest-winner #23: “Bumps Out Then Bumps Back,” by Trudy Carpenter

March 10th, 2010

 

.

.

New Short Fiction Award

Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.

     Trudy Carpenter of Northport, Michigan is the winner of the twenty-third Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on March 10, 2010.

.

 

Trudy Carpenter

.

*

.

Trudy Gordon Carpenter retired from community college teaching in 2005 and began a new career in fiction. To date, she has published three pieces in the North Atlantic Review, and one piece in Survivors. She has also completed the 954th draft of her first novel, A Lesser Fault.

.

*

.

 

 

.

Bumps Out Then Bumps Back

by

Trudy Carpenter

.

_________

.

…..One black leather pump hides under the sofa; the other skidded behind the front door, keeled over in shock. Stockings lie limp on the carpet, slim legs broken, and shrunken feet awry at the heels, pale rungs shred up the thigh, as jagged and useless as fear. A gold chain lies coiled like a snake, broken beyond repair, not sparkling, just stunned.

…..In the bathroom, water gushes wild and wide from the metal spigot, creeps up the sides of steep white porcelain an inch at a time, swirls with thick steam and current from the source, a dank basement room, a mystery pumping system, a light hum in the pipes and a bill at the end of the month. She squeezes her lashes then twists the tap shut. Leg poised, she dips a foot until it reddens, inhales a moan and jerks back, exhales and steadies herself as best she can on a floor she waxed. Tiny drops like beads of mercury slip off her foot and pool together, seep toward low molding at the wallpapered wall. She waits and remembers to breathe, pulls it in, blows it out. If she forgets, it will stop.

…..The second foot creates an eddy in the tub, rings wider and wider, rebounding at the sides, careening back. She drops the other leg from above and tips her head down at the neck, watches the surface slice her calves clean, under the knee and wavering, paler and wider below than above. She lowers her bulk to a slippery seat, grasping the rim with both hands and sloshing the liquid close to the edge. She stretches her legs and stares at the toes, so far away and huddled, maybe not even hers. Her body seems foreign. She knows it from somewhere, but where? A tinge of pink rises at her lap, swirls up and around, as impossible as smoke, as careless as crime.

…..When she leans back, the bulb above stares her down; its bright eye burns ‘til she blinks. Arms shrink to her sides, and hairs spring up like coils. The walls slide away. Just in time, she remembers to breathe.

…..She sees the white blouse, now missing some buttons, and her new blue wool skirt in a pile where she peeled them, like a snake sheds old skin. She will cart them arms-length to the trash bin under the kitchen sink, bury them under wet coffee grounds and wilted lettuce, strangle the bag with a metal twist-tie, and hurl it outside. But now she touches her neck, feels the burn where the chain jerked away. She presses her throat with her palm. A sob threatens up, but she swallows.

…..She cradles Pears soap, first nestled in its cardboard box, fresh from an emerald isle she’s never seen. Its amber luxury, almost opaque, oval and smooth as an egg, too bulky for one hand when new, now slivered by use to thick glass. She lifts it to her eyes and looks at the shower head high above, its holes staring down like black eyes, flat as tar, cruel as pain. When she closes her lids, the image remains.

…..The doorbell rang and she answered. That was her sin. Not even original. She shudders and squeezes her fists at her sides. Glycerin gives and moulds to her grasp.

…..She glides the silk bar around her mouth, and again, over lips, tasting its smell, high sweet tang of citrus in the sun, then slopes it up her cheeks, across her forehead, behind her neck. Up her right arm, swirling tiny hairs. Then up the left, a matching limb. Toes, one at a time, between thumb and forefinger. Soles of both feet, up the arch, to the ankle that aches from the fall. Each hand ministers to the other side, tidy bilateral arms, legs, shoulders, feet, hands. She shudders. Did she lock the door?

…..And then she sinks back, sloshing recline, her belly rounded and soft, smooth and still. Her hand crosses the line from brown to white, tanned souvenir from before-this summer days in the garden. After-this will never be the same. Her breasts lie flat as dead fish with one eye. And then she washes the thighs, up and down and back and forth, the suds skimming foam. Then. There. There. She lurches once, and bitter bile skids to the floor.

…..The Pears escapes and bobs, skitters here, now there, back near, set free. Pale fingers chase, touch and miss, touch and miss, melting more of its sum with each run.

…..She sighs and slides her head under. Hair floats like algae around submerged rock, waves back and forth, near and far, like memory. Silence always echoes in a watery grave. She holds her breath and listens. Did she lock the front door?

…..Surfacing, she blinks. Then, closing her eyes, she sinks, waits in her dark for the water to cool to no-feeling, the high window to lighten to dawn. Pears floats by her leg and sideswipes the tub, bumps out then bumps back.

.

*

.

Short Fiction Contest Details

.

.

 

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – an essay by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo via pickpik.com
And Here We Are: A Post-election Thanksgiving, by Connie Johnson

The Sunday Poem

photo by Alina Chernii/via pexels.com

"Ways to Play the Bass" by Mark Fogarty


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Charlie Brice reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

photo by Russell Mondy/CC BY-NC 2.0
A Memorable Quote by Maya Angelou…(and a short message of gratitude and faith)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Essay

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

True Jazz Stories

Brianmcmillen, CC BY-SA 3.0, via Wikimedia Commons
True Jazz Stories: “Hippie In a Jazz Club” – by Scott Oglesby...The author relates a story that took place in San Francisco's jazz club the Keystone Korner in 1980 that led to his eventual friendship with the jazz greats Sheila Jordan and Mark Murphy…

Book Excerpt

Book Excerpt from Jazz Revolutionary: The Life & Music of Eric Dolphy, by Jonathon Grasse...In this first full biography of Eric Dolphy, Jonathon Grasse examines Dolphy’s friendships and family life, and his timeless musical achievements. The introduction to this outstanding book is published here in its entirety.

Short Fiction

Impulse! Records and ABC/Dunhill Records. Photographer uncredited/via Wikimedia Commons
Short Fiction Contest-winning story #66 — “Not From Around Here” by Jeff Dingler...The author’s award-winning story is about a Jewish kid coming of age in Alabama and discovering his identity through music, in particular the interstellar sound of Sun Ra..

Click here to read more short fiction published on Jerry Jazz Musician

Playlist

“‘Different’ Trios” – a playlist by Bob Hecht...A 27-song playlist that focuses on non-traditional trio recordings, featuring trios led by the likes of Carla Bley, Ron Miles, Dave Holland and Jimmy Giuffre...

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 5: “Scott Joplin: King of Ragtime”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this seventh edition of excerpts from his book, Rife writes about jazz novels and short stories that feature stories about women, written by women.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Poetry

John Coltrane, by Martel Chapman
Four poets, four poems…on John Coltrane

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

Short Fiction

photo by The Joker/CC BY-NC-ND 2.0
“Second-Hand Squeeze Box” – a short story by Debbie Burke...The story – a short-listed entry in our recently concluded 66th Short Fiction Contest – explores the intersection of nourishing oneself with music, and finding a soul mate

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Short Fiction

bshafer via FreeImages.com
“And All That Jazz” – a short story by BV Lawson...n this story – a short listed entry in our recently concluded 66th Short Fiction Contest – a private investigator tries to help a homeless friend after his saxophone is stolen.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #176

photo of Lester Young by William Gottlieb/Library of Congress
While legendary as a saxophonist, his first instrument was a violin and his second the piano — which he played well enough to work as an accompanist to silent movies. Ultimately it was Lester Young’s father who taught him the saxophone well enough that he switched instruments for good. (It was during this time that he also saved Lester from drowning in a river). Who is he?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with Jonathon Grasse, author of Jazz Revolutionary: The Life & Music of Eric Dolphy; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.