“Searching Alex” — a short story by Robert Knox

May 4th, 2020

.

.

 

“Searching Alex,” a story by Robert Knox, was a short-listed entry in our recently concluded 53rd Short Fiction Contest. It is published with the permission of the author

.

.

.

 

© User:Colin / Wikimedia Commons/Flicker/CC BY-SA 4.0

Backlit keyboard

.

.

“Searching Alex”

by

Robert Knox

.

 

 

…..He remembered a happy young person. Let us call him Alex and remember him as the high-on-life college student he once was. Pothead, long-haired hippie but not, as some others were, a bitterly dark opponent to the American way of life. Russell encountered some of these, among the political radicals of the day. Alex was too much at ease with himself to venture down the stern rejectionist paths that called to some of the rest of their gang.

…..         Russell Johns lost a roommate — a good friend, the best of friends — to draft resistance. Miles slipped across the border rather than face a confrontation with an American law they all hated and risk a jail term. Others of that stripe dropped out; some changed names, changed cities, joined movement both above and underground. A few, of course, made bombs in cheap apartments.

…..            But Russell could not remember seeing Alex at the rallies.

…..        Nearly four decades later, he encountered a male identity online he thought added up to Alex, his Alex. It was funny — disturbing, actually — that he could not be sure that the ‘person’ he discovered was Alex — the Alex Gold he knew. Even with the photo, a small, very cropped headshot of a face that had something of Alex, or somebody like Alex, about it.

…..           The pic, of course, was missing all that hair.

…..         Alex had a full brown beard, regularly trimmed, and the kind of thick straight hair that allowed you to comb straight down the middle and flip it to one side or the other out of your face, as needed. The gesture, Russell thought, of a lead guitar player.

…..        There could be something of Alex’s face in that photo, but nothing of his youth. Nothing of  his smile.

…..         He could neither confirm nor deny.

…..         What bothered Russell was the idea that the career, or life path, of this ‘Alex’ was quite close to the career, and perhaps the life, that Alex (his Alex) may have been imagining for himself all along. Alex Gold was the ‘kid,’ two years behind the others in their group of college friends, but there was something wiser, more practical maybe, about him than Russell could find in himself.

…..          Had his friend’s life, in fact, simply gone in a direction he had always desired, planned for, all along?

…..           If that was so, he asked himself, then what was the point of those wild, head-splitting years they had spent playing at youthful rebellion? Why did they bother?

…..       And if Alex had always known what he wanted, and got it, why doesn’t the face in that photo look happy?

…..        What happened to Alex?

.

He tried to remember the last time they saw one another. So many, many years ago. Russell had dropped in on his friend in the Long Island college town where he was shacking up with a separated, older woman and her nursery school daughter. A woman whose husband knew about and resented the hell out of this arrangement. Separated husbands were always suspecting that they were paying the housing expenses for both the women who rejected them and the men they had chosen instead. In this case, it appeared, they were right.

…..         Everything in the situation, even the lurking reminders of the banished husband, concerning whom Alex shared the wife’s complaints, seemed to suit his friend. Helping to care for and parse the child’s behavior. The comfortable suburban house, much like the one he grew up in. The relaxed shacking up with a woman of experience and the lifestyle they shared: TV, marijuana, ice cream, a car.

…..        The child calling now and again from her upstairs bedroom, reluctant to give up on her day.

…..       Even the hospitality he offered to the itinerant Russell and the too-young woman (Mandy)  his friend was then hanging with, both sufficiently between lives, between places, as to be unwilling to decline it, no matter how ill-suited a party the four of them made. Neither of them, Russell thought, could justify his choices to the other. It struck him that his college friend, little more than a year after graduation, was romancing his mother. While Russell appeared to have found in loose-ends college dropout Mandy a reminder of his first love, the high school girl friend who later divorced him.

…..            So which of them could claim to be the free, self-directed avatar of a new generation, determined to build a better world? Who was the more stuck in the past?

…..      In those after-college days their paths crossed on Long Island, or in the city where Alex was pursuing a graduate degree in music something or other, or they did not cross at all. None of the old gang came to see the unreconstructed Russell in his counter-culture hideouts. Hill-town communes, a Boston slum.

…..     But Russell still expected to hear great things of his talented young friend. He did not expect him to tarry long with the mother-child combo in her nice house, comfortable though the arrangement appeared to be. Alex’s true commitment was to his music; Russell was sure of that. Just as his radical roommate Miles had been committed to resistance.

…..         So why should it disconcert him to discover digital evidence of Alex, all these many years later, among professional associations of degreed musical educators? One of those successful, secondary school educators, already stepping down.

…..         And what of Russell’s own path? Less clear from the outset. Less predictable.

…..         Back then, when they were young, Alex seemed to know that about him.

…..         “Listen, man,” he told Russell on one occasion, maybe that night when his friend was at loose ends, looking for his next gig, “I know a couple of these things you’ve been part of have fallen apart… But don’t start thinking that you’re the reason, man.”

…..         Of course, Alex was right. He was also right, Russell acknowledged later, that he sometimes felt like the bringer of bad tidings.

.

What else did he know, or thought he knew, about Alex? What did he expect to find when he gave in to an uncharacteristic impulse to search for an old friend’s online presence?

…..          He expected to find someone who had done great things. This simple, youthful, unexamined premise. Unusual, original things. If education was Alex Gold’s field, where were the new programs and approaches he had pioneered? The new schools, maybe, he had founded? His original compositions? Publications?

…..      What else did he know about Alex?

…..    Alex was happy. Always happy.

…..       He did not find evidence of that quality, any of the qualities that made up his Alex. He discovered only that single, cramped, inadequate, face-frontal headshot. And you can never infer anything from a single picture: Russell knew that from experience. Everybody knew that. But the one thing wrong with that photo, besides the possibility that it wasn’t his Alex at all, was that it revealed a face that didn’t look happy.

…..      Their paths had nearly crossed once later — so much later; a wholly unexpected intersection.

…..        A school festival. Russell’s son, a horn player and teacher, was one of festival’s planners. That was the only reason he dropped in; say hi, show his support. Some local celebrities, names at least in the school music world, would be there, offering their uncompensated blessings. The festival was put on by a local musical school, or ‘studio,’ in the business of offering afterschool musical enhancement for kids willing to give up a couple of free hours every week to learn an instrument — violin, say, or guitar — with a teacher-musician such as his son. And whose families had the urge, and the means, to support (and sometimes pressure) that youthful musical interest.

…..      The thing was held in a local school, and its attraction was an invitation for students to take public lessons with professionals. The students got some free attention, the teachers got to show off what they do. The parents and their kids, from elementary age to teens, got to shop — ‘exposed’ was the word the fest used — for the kind of creative learning experience they, or their parents, were seeking for them.

…..         For some reason a well-known violinist — favor to a friend, he guessed — from the Hub City Academy attended to model a lesson for more advanced students. Though employed as Academy faculty, as many of the best classical musicians were, she made her bones as a recitalist.

…..       Russell sat in the back as gifted violinist Bella Peres played a movement from a piece that Russell knew by heart, and loved. It brought him to tears. He confessed this to her during the break — his son off in another room with the tweeners — and she gave him a little hug.

…..      So he stayed after the break to watch her give another lesson, though he had not planned to, enjoying one of his fantasy flirtations.

…..         He was sitting on the window side of the room, looking out on a spring noontime… May all of a sudden: lime-green leaves on the trees, and a line of purpling azaleas bulging around a border…  when he saw the recitalist’s husband step out of a black car. A tall, lean man with a bush of white hair, a celebrity in his conservatory world, probably a couple of decades older than his wife (they marry their students, Russell thought). He watched him turn to speak to someone getting out of the back seat.

…..    Russell stared, and then did not know what to do.

…..    The back seat passenger was Alex Gold — wasn’t it? Of course his hair was shorter, and the beard was gone. But the tomahawk nose, the profile, was familiar. And unsettling. Russell was another person now.  He had been married for decades; he had a son who was all grown up and earning a living. If that was truly Alex — Alex now, and not Alex as he once was — then Russell too was somebody else in his own life.

…..       Would these two middle-aged men even know what to say to one another?

…..      He assumed that the putative Alex — a guest of the conservatory? a special ‘master teacher’ popping in for an afternoon lesson? — would be headed into the studio any moment alongside the white-haired local legend, the city’s ‘Mister Strings.’

…..     But the two stood and talked in the spring sunshine, neither man making a move to head indoors to take part in the event. What would Russell do when they did?

…..     He watched his could-be ‘Alex’ talk, gesture. He would not be — he could not be — the animated showman of his undergraduate years. Breaking down the scene as he told his latest story; imitating the other participants in some fable of human foolery, self-regard, insensitivity. Alex was talented, he thought — everybody thought; a natural performer.

…..        But this — older — man?

…..     Who looked and stood and gestured like Alex. But nothing that he saw felt like the Alex he knew. Nothing called to him, made him desire to rush up to the older man and claim him as his friend.

…..         Because, he knew, he was changed as well.

…..      The men finished their talk but then, instead of walking to the studio entrance, they shook hands, and ‘Alex’ got back into the car. The other man, the recitalist’s gray-headed husband, straightened his back and walked toward the building.

    …..  Russell watched from above as the black sedan drove away.

 

.

___

.

.

Robert Knox is the author of Suosso’s Lane, a novel based on the notorious Sacco and Vanzetti case, a contributing editor for the poetry journal Verse-Virtual, and a correspondent for the Boston Globe. His stories have been published by Words With Jam, The Tishman Review, Lunch Ticket, Unlikely Stories, and New Readers Magazine, among other journals. His novel Karpa Talesman was recently chosen as the winner of a competition for a novel of speculative fiction and will be published by Hidden River Arts.

.

.

Short Fiction Contest Details

.

.

.

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

The Sunday Poem

art by Allen Mezquida

“Jazz clouds under the undulating sky of Riga while digging the Epistrophy of Thelonious Monk” by Namaya


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Namaya reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 9: “Heroic Quests”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this ninth edition of excerpts from his book, Rife writes about the “quest” theme in contemporary jazz fiction, where long-lost instruments and rumored recordings take the place of more dramatic artifacts like the Holy Grail.

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Playlist

“Quintets – Gimme Five!” – a playlist by Bob Hecht...The Cannonball Adderley Quintet, on the cover of their 1960 Riverside Records album Live at the Lighthouse. The ensemble – including Cannonball’s brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – is a classic hard bop band, and their performance of “Blue Daniel” is part of the 22-song playlist consisting of memorable quintet performances assembled by jazz scholar Bob Hecht.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Zoot Sims by Brian McMillen
Jazz History Quiz #178...In addition to co-leading a quintet with Zoot Sims (pictured), this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Phil Freeman, author of In the Brewing Luminous: The Life & Music of Cecil Taylor...An interview with Ricky Riccardi, author of Stomp Off, Let's Go: The Early Years of Louis Armstrong. Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.