Poetry by Paula Hackett

June 20th, 2015

 

 

Elvin Jones

Elvin Jones
the Bear
He surrounded us with his sound
He was the safety net when the tightrope
walkers began
Can you hear him?
There is a new thunder in the sky
The stars shine for his attention
As he travels through this world and others
We have a new power to protect us
Do you know a drummer?
Have you felt the rhythm?
The poly-rhythm? The beat?
Have you looked up at the drums?
and seen a miracle?
Then you may know
Elvin Jones

 

Coma Rising
(for Art Pepper)

Anger in motion
in public places
in mid-air
posing with sick habits
fighting like a disease
twisting, shaking, desire
in every note
An alto saxophone
faster than any words
any thoughts expect Art Peppers
A knife thrower with a face
full of glee

* * * * *

 

Billy Higgins

Billy Higgins
and it’s all true
at 12 with drumsticks in
his back pocket he started
us on an adventure
A spiral quest with music as our guide

Billy Higgins
it’s all true
the majestic smile
the caress that took us around the world
His music timeless
His life counted out in hours.
In a nightclub working
in the rehearsal studio laughing
coming up with
kaleidoscope ideas
then riding the reins
taking each one of us out
and then back in again.
The most recorded drummer in American history
at times sleeping on the streets of Manhattan.
He would take a rope
and tie his drums
around his waist,
for warmth,
for safety,
for music, and I
thought of a cross and
and we were his cross
and he carried us so far
and his music continues
to carry us and all generations.

* * * * *

 

Billie Holiday
(lullaby)

Sometimes when nature is quiet
and the moon shines just where you are
I can hear you singing the spirit world to rest and
I remember as a child, your voice would
wrap me in cotton
as you felt the blows for all of us
Born into a country that tried to
make your voice illegal
poise and elegance was your response
And tonight like so many
nights as I wait for morning
I know I can count on
the voice of Billie Holiday

 

* * * * *

 

The Big Band

Two trumpets fell in love
and their music showed it.
Not a wasted note.
They joined a big band
and were proud to be
such beautiful instruments.
Playing or waiting their turn
they were never out of reach.
And together they made
the heavens dance.

 

* * * * *

 

Dates

(for Milt Jackson)

Back from Japan
around the table
a tape of your sound
moving listening
eating chicken legs
hoping to remember
that the man
I met
Is the man I want
to meet
in a song
we can play

* * * * *

 

Max Roach

A story that can’t be told,
your story.
There will never be a way
the world can explain
the man, the imagination, the music
Genius was your playground.
We all have our versions.
You kept me going for years
With a nod, a laugh,
a lunch in the kitchen.
“Put words to this music,” you’d say.
My brother and I would
come back with words.
It was serious,
it was critical,
and you would be delighted
as we wrote our songs
on your strength.
From the swampland to North Carolina
to the symphony of a Brooklyn street
Carnegie Hall joined the applause from
around this globe.
You showed us the grace of Art.
So many people, so many stories,
so many versions.
And each version telling of a world
built stronger by the man
Max Roach

 

_____

Visit Paula Hackett’s website

Share this:

2 comments on “Poetry by Paula Hackett”

Comment on this article:

Your email address will not be published. Required fields are marked *

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Site Archive

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

The Sunday Poem

art by Allen Mezquida

“Jazz clouds under the undulating sky of Riga while digging the Epistrophy of Thelonious Monk” by Namaya


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Namaya reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 9: “Heroic Quests”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this ninth edition of excerpts from his book, Rife writes about the “quest” theme in contemporary jazz fiction, where long-lost instruments and rumored recordings take the place of more dramatic artifacts like the Holy Grail.

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Gone Guy: Jazz’s Unsung Dodo Marmarosa,” by Michael Zimecki...The writer remembers the late jazz musician Michael “Dodo” Marmarosa, awarded Esquire Magazine’s New Star Award in 1947, and who critics predicted would dominate the jazz scene for the next 30 years.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Playlist

“Quintets – Gimme Five!” – a playlist by Bob Hecht...The Cannonball Adderley Quintet, on the cover of their 1960 Riverside Records album Live at the Lighthouse. The ensemble – including Cannonball’s brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – is a classic hard bop band, and their performance of “Blue Daniel” is part of the 22-song playlist consisting of memorable quintet performances assembled by jazz scholar Bob Hecht.

Interview

Interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America...The author talks about his book, an intensely researched, spirited, and beautifully told story – and an important reminder that Armstrong, Ellington, and Basie all defied and overcame racial boundaries “by opening America’s eyes and souls to the magnificence of their music.”

Feature

photo of Art Tatum by William Gottlieb/Library of Congress
Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas Cole writes about the genius of Art Tatum. His reading is accompanied by the guitarist Chris Broberg.

Short Fiction

photo by Jes Mugley/CC BY-SA 2.0
“The Dancer’s Walk” – a short story by Franklyn Ajaye...The world-renowned saxophonist Deja Blue grew up a sad, melancholy person who could only express his feelings through his music. When he meets a beautiful woman who sweeps him off his feet, will his reluctance to share his feelings and emotion cost him the love of his life?

Feature

photo of Zoot Sims by Brian McMillen
Jazz History Quiz #178...In addition to co-leading a quintet with Zoot Sims (pictured), this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art

photo of Johnny Griffin by Giovanni Piesco
The Photographs of Giovanni Piesco: Johnny Griffin and Von Freeman...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition is of saxophonists Johnny Griffin and Von Freeman, who appeared together at the at Bimhuis on June 25/26, 1999.

Essay

“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum...The first time Benny Goodman heard Bix Beiderbecke play cornet, he wondered, “My God, what planet, what galaxy, did this guy come from?” What was it about this musician that captivated and astonished so many for so long – and still does?

Community

photo via Picryl.com
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Phil Freeman, author of In the Brewing Luminous: The Life & Music of Cecil Taylor...An interview with Ricky Riccardi, author of Stomp Off, Let's Go: The Early Years of Louis Armstrong. Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.