Poetry by Nicholas Adell

April 7th, 2009

 

 

 

Poetry by Nicholas Adell

 

 

Mystery Men, Owls, and the Nature of America

Crazy old man walks up to me
I said, a crazy old man walks up to me
Tells me what to see
He calls to me
Makes me an offer I can’t refuse
Washes out the flames in my eyes
Burns a hole through the fabric in my clothes
Faster I run
Clearer he comes
Am I running backwards?
I ran right into a pig
My father is a good American
Why does he eat so much bacon?
How can you be a vegan?
Preservatives are what preserve you

The man came to me tonight in a dream
Told me to remember
Remember Nixon
Remember Lennon
Remember the Hoover Vacuum Corporation
Remember John Sinclair
He told me “You ain’t cool, You’re fuckin’ chilly, and chilly ain’t never been cool, son.”
He dared me to ask if my money could buy back my soul
Tells me wearing a Che shirt doesn’t help anybody but myself
Tells me to collect postage stamps
Put your hand down
Put it down
Call out
Shout out
Shout!
Yell!
Don’t talk out of turn

The next morning I walked to Washington Square Park
I only live a few blocks from there
But I took the subway uptown first
I wanted to see how the fancier pigs live
It was there I saw many people
Being dragged along by their furry masters
Cleaning up their shit for them
It made me wonder who’s really in control

My watch told me he was angry with me
He said I look at him too much
He doesn’t like all the attention
My phone told me he needs to daydream more
My wallet wants a polishing so he can go on a date tomorrow
But he told me he’s flat broke

Once I got to the park
I lit up a cigarette
I smoke because a talking camel tells me to
I saw a woman walk by
I thought she was beautiful
But the television tells me only the first 110 pounds of her is
Is that why she cries at night?
She had eyes so sharp they could freeze hot water
And a blazing gaze shot forth from them
The bridges into her mind were raised

I saw an owl in a tree
Speaking to me, he said “Be free”
This got me thinking
I think I should get a pet
They are on sale today at Walmart
Buy two owls get one free

Gimmie Gimmie Gimmie
I’m just being a good Amerikan
Take what you can get
Take from others
If you’re rich you can
But if you’re poor don’t try
Or you’ll end up in slavery for 3 to 5

It was half a pack and 30 minutes before I noticed the man sitting opposite me
He had on mirrors instead of glasses
I saw myself in him
I was scared of this
I stared myself in the eyes for a very long time
I told him he ought to get a house and a wife
He told me “the human dream doesn’t mean shit to a tree”

He asked me if Walmart was selling souls yet
He told me the government is a white man
He asked if I thought the water was still safe to drink
Make love not war was coined by men who wanted to get laid
I can’t fall in love
I’d rather be with my new owl

The man started to slide away
By the time I looked up
He was gone
On the bench were his glasses
Staring up at me
I put them on and got on with my day
I had a job to do

 

 

 

A Supermarket in California

Picking for eggs in a supermarket in a lonely town,
Inland of the California beaches and forestry,
I thought I saw Jack Kerouac, looking fresh and clean cut; still in his college gown.
But alas, it was just another man, shuffling and shopping quietly.

Oh! But what a man he happened to be.
He waved at the cereals and bantered with the breads.
I lugged my bags, heavy
With books upon a many forlorn times read.

In my amiable infamy, I had to wonder,
What if it was Jack Kerouac I came upon?
Would he smash my dreams and rend them asunder?
Or invoke his whimsical pen and whisk them through the fog?

I walked through the dense California forest haze,
Clouded with fog and green underbrush.
I’ve learned not to count my travels in days,
Because every night without fail, the solemn sparrow’s song is hushed.

Perhaps I will just continue on to the waters edge,
Some three hundred miles away.
For if I have learned one thing it is that this ledge,
Is one we all have to drift off of anyway.

So the crimson sun sets,
Its ink staining the trees like a ripe juicy pear.
A teardrop in the sky rises; as the ash of darkness descends.
Proposed with the dim, I just think back to what my very own Jack Kerouac might have said:
Never to fret, for it is always 3 o clock somewhere

 

 

Paterson, New Jersey

It is when I am painting Paterson
That my fervor is purged
And I am free to bask in my
Own extolling of this holy city.

It is when I am reading of Paterson,
That seven men with severed strings
Form an aggregate communion of disunity.
These seven men, with six strings,
Bought for five-pence apiece, march to
A beat in fours, and sing about the three.
They are never found without their other,
and the wenches dance to the nines,
decrepit lives drained to the lees
here in Paterson.

It is when I am in a place I have never been, Paterson,
That I am in a place I will never be.
Wisps of smoke snake over the horizon,
Steeples mark the times, and the
Occasional glimpse of a man walking by
Looks as though he is a Parisian blur,
An occupant of desolate streets.
A few trees bristle in the light breeze,
And the tidal shades shift over Paterson.

The remnants of the clashes of industry remain.
Rivers of water and concrete
Both sparkle with a typical New Jersey grey,
As though out of a Frank photograph taken anywhere in
The silent wildlife of low-rise American grandeur.

There are dogs scrounging around for scraps
Buried in the pavement
Down that street on the left.
And off to the right
There are men sniffing for bones
Thrown out by the shopkeepers.
A wheelbarrow, with specks of red paint
Clinging on due to the dependency of farmers in Cheyenne,
Stores the morsels men hold so dear.
It sits near a hill, just off one of the
Angular streets that claim to compose Paterson.

Trains and boats and planes
Lumber through Paterson with heavy hearts,
Eyeing the mythical monotony with arched brows.
Cars wonder over the Pulaski Skyway
And young boys dream out windows,
Inhaling the stench of time-charred waterways.
The night begins to fall and the
Doors to the bar housing the conscience of
The architects of this city begin to shudder. The
Furnished souls would shiver here tonight,
As something is amiss on the grease-kempt
Streets of Paterson.

Slick ignorance is belied by
The sedimentary dust enshrining Paterson. The
Hearts and minds of beaten leather jackets
And fading blue jeans are not to be won by
Snakeskin sharks from the North,
And Paterson will methodically resist
Any attempt to change its status as the
Agroville who stitches together
The surrounding landscapes.

The fall of America is a curious one indeed.
Among the boarded shacks and crumbling levees
Lies the true sepulcher of the wistful entity
That justified the possibility of the million-mile
Horizon stretching over the jagged hills of Jersey
To the far Frisco coast and some uniform place beyond.
Sipping whiskey out of paper-bagged bottles
Sit the contented denizens of Paterson,
Who watch the clouds continue to drift by
Even as the shelves of the sacred store lie bare.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

The Sunday Poem


“The Köln Concert,” by Martin Agee


The Sunday Poem is published weekly, and strives to include the poet reading their work....

Martin Agee reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Poetry

Sax in a Blue Suit by Samuel Dixon
21 jazz poems on the 21st of March, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Poetry

photo of Charlie Parker by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett
Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the upcoming year with her poetic grace while inviting us to wander through music by the likes of Hoagy Carmichael, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Charlie Parker.

Playlist

“Sextets: The Joy of Six” – a playlist by Bob Hecht...The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section. Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s two-hour playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Art

Photo of Joe Lovano by Giovanni Piesco
The Photographs of Giovanni Piesco: Joe Lovano...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features 1999 photographs of the saxophonist Joe Lovano.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 11: “Chick” and “Hen” Lit...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 11th edition, Rife writes about the “chicks” (energetic women, attractive, and open to experience) and “hens” (older women who have either buried or lost a loved one, and who seem content with their lives) who are at the center of stories with jazz within its theme.

Interview

photo by Carl Van Vechten, Library of Congress
A Black History Month Profile: The legendary author Richard Wright...In a 2002 Jerry Jazz Musician interview, Richard Wright biographer Hazel Rowley discusses the life and times of legendary author Richard Wright, whose work included the novels Native Son andBlack Boy

Feature

On the Turntable — The “Best Of the ‘Best Of’” in 2024 jazz recordings...Our annual year-end compilation of jazz albums oft mentioned by a wide range of critics as being the best of 2024

In Memoriam

photo via Pexels.com
“Departures to the Final Arms Hotel in 2024” – poetic tributes, by Terrance Underwood...2024 produced its share of losses of legendary jazz musicians. Terrance Underwood pays poetic homage to a handful who have touched his life, imagining their admittance to the Final Arms Hotel, a destination he introduces in his prelude.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Feature

Trading Fours, with Douglas Cole, No. 23: “The Wave”...In this edition of an occasional series of the writer’s poetic interpretations of jazz recordings and film, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).

Short Fiction

Stan Shebs, CC BY-SA 3.0 , via Wikimedia Commons/blur effect added
Short Fiction Contest-winning story #67 — “Bluesette,” by Salvatore Difalco...The author’s award-winning story is a semi-satirical mood piece about a heartbroken man in Europe listening to a recording by the harmonica player Toots Thielemans while under the influence of a mind-altering substance.

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Feature

photo of Lester Young by William Gottlieb/Library of Congress
Jazz History Quiz #179...Throughout his career, this saxophonist was known as the “Vice Prez” because he sounded so similar to “Prez,” Lester Young (pictured). Who was he?

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

Feature

“Are Jazz-Hop Instrumentals Jazz?” – an observation (and playlist) by Anthony David Vernon...Google “what is jazz-hop?” and the AI overview describes it is “a subgenre of hip-hop that combines jazz and hip-hop music. It developed in the late 1980s and early 1990s.” In Mr. Vernon’s observation, he makes the case that it is also a subgenre of jazz.

Community

Notes on Bob Hecht’s book, Stolen Moments: A Photographer’s Personal Journey...Some thoughts on a new book of photography by frequent Jerry Jazz Musician contributing writer Bob Hecht

Art

“The Jazz Dive” – the art of Allen Mezquida...The artist's work is inspired by the counterculture music from the 1950s and 60s, resulting in art “that resonates with both eyes and ears.” It is unique and creative and worth a look…

True Jazz Stories

Columbia Records; via Wikimedia Commons
“An Evening with Michael Bloomfield” – a true blues story by David Eugene Everard...The author recounts his experience meeting and interviewing the great blues guitarist Mike Bloomfield in 1974…

Short Fiction

photo via PxHere
“The Magic” – a story by Mark Bruce...Most bands know how to make music. They learn to play together so that it sounds good and maybe even get some gigs. Most bands know that you have your chord progressions and your 4/4 beat and your verses and bridges. Some bands even have a guy (or a woman, like Chrissy Hynde) who writes songs. So what gives some bands the leg up into the Top 40?

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.